Medieval
Posts on events in the late first and early second millenia CE
How Many Ancient Military Historians Are There at Canadian Universities?
Although military history fills the television screens, YouTube channels, and bookstore history aisles in Canada just as in other countries, its presence at universities is very modest indeed. Until October 2015 I did not know of anyone who studies any aspect of warfare before the nineteenth century who teaches history at a Canadian university to fund his research. At least a hundred faculty are paid to teach history before the nineteenth century at a Canadian university [1], but very few chose to publish on the military aspects. This week I thought I would list the determined scholars who insist on working on this topic at an advanced level at Canadian universities.
Monster-Headed Axes
On the great central relief of the North Staircase at Persepolis, which was presented front and center to visitors approaching the palace for an audience, a weapon bearer stands in the background with the royal axe and bow. His axe has a long, narrow head like a pick. A clever craftsman has formed the socket into the head of a strange creature, and the blade into something which comes from its mouth, while the back-spike becomes its tail. Several iron or bronze axeheads of this type survive, but none is so beautifully formed.
Read moreLink Dump
(Due to some events in my private life, this post is late and pulled out of my file of drafts)
Gui Minhai, a Chinese Suetonius who did not wait until his targets were safely dead, was disappeared in October 2015. In January 2016 he appeared on Chinese state TV to make a confession then vanished again.
A character sketch of Edward Luttwak, another of those curious American academics-cum-policymakers whom my readers may know for his Grand Strategy of the Roman Empire and Grand Strategy of the Bzyantine Empire.
A watercolour of Innsbruck in 1495 courtesy of Albrecht Dürer. He sat to sketch a little bit downstream from Conrad Seusenhofer’s house.
In December 2015, Steven Payne made a pilgrimage on foot from Southhampton to Canterbury in fourteenth-century kit.
L. Sprague de Camp’s historical novels set in the Mediterranean between the fifth and the second centuries BCE have been reprinted in codex and ePub by Phoenix Pick. One of them imagines the events which might lie behind the very detailed description of an elephant in Aristotle; readers who enjoy stories about the gifting of large animals over long distance might enjoy reading up on the elephant Harun al-Rashid gave to Charlemagne, the elephants Nadir Shah sent to St. Petersburg for Emperess Anna of Russia, or the giraffe which Sultan Faraj of Egypt sent to Samurkand for Tamurlane.
The Forces of Madness Gather
Heraclitus Sighted in Innsbruck
I Was Wrong about the HEMA Movement
There are those who say that because most people forget their false predictions and remember their true, it is healthy to make a note when one notices that one was wrong about something. There is a movement variously known as historical European martial arts, Western Martial Arts, or historical fencing. Its central activity is recreating dead martial arts from the manuals which they left behind, although many practitioners also try to recreate ‘prehistoric’ martial arts which died without leaving manuals, or revive obscure but still living European martial arts such as Irish stick-fighting. And my understanding of what it is about, and what sort of people it attracts, has drastically changed over the past few years.
When I got involved in historical fencing, I thought that it was a community of amateur scholars with a broad interest in history like the serious re-enactment groups I knew. The end of the community which I became involved with was led by former members of the Society for Creative Anachronism who had drifted away from the organization as their interests drew them in a more historical, less creatively anachronistic direction. While my academic déformation professionnelle means that I often have small differences with people whose focus is on recreating past skills and experiences, I can usually find enough common ground to have a conversation with them, and sometimes I have a source to contribute which is much more useful to them than to the academics who originally discovered it. It was obvious to me that turning 15th century manuscripts into working martial arts required a broad familiarity with academic research in medieval studies, and the historical fencers whom I knew seemed to agree.
The Madness Continues
The madness continues, in the form of a mockup in the traditional cheap cotton.
The Madness Begins
I am sorry to be cryptic, but this is closer to my hobbies than my work, and people with the right interests will recognize it.
Some Thoughts on “Armour Never Wearies”
Timothy Dawson, Armour Never Wearies: Scale and Lamellar Armour from the Bronze Age to the 19th Century. Spellmount: Stroud, Gloucestershire, 2013. ISBN-13 978-0-7524-8862-2 Biblio
128 pages, GBP 14.99
Dr. Timothy Dawson has undertaken a difficult task: to understand armours of small plates laced or wired together, often known as scale or lamellar. Although these kinds of armour were once common, they tend to fall apart as the backing or lacing rots, so understanding how they were made is hard. Even worse, he is most interested in styles from the Greek Christian world which are only preserved as vague references in texts, stylized images of saints, and a few fragments of rusted iron. Moreover, arms and armour studies are not well supported by academe, so he has to do his work at his own expense and without the discipline of needing to submit his ideas to criticism by a group of peers. The resulting book is not very useful to me, but under the circumstances I can’t complain.
