Ancient

Posts on events before the middle of the first millennium CE

Xenophon is Still Sad

a screenshot from the Xenophon is Sad Tumblr account.  It has a map from the Anabasis in red and black at the top as a header image, a bust of Thucydides as a profile picture, and a series of quotes in black and white against an indigo blue background

An anonymous Tumblr account called Xenophon is Sad used to collect quotes where researchers disrespected or erased Xenophon the Athenian adventurer. Although Xenophon was a friend of Socrates and an extremely successful writer in many genres, his words leave many academics cold. The Tumblr has not been updated since 2021 but I found two more quotes which belong on it.

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The Case of the Five Hitmen and Ten Oligarchs

News outlets such as the BBC have been retelling a story about a failed business hit in Nanning, China.

A group of hitmen have been jailed after repeatedly trying to subcontract a job to each other in Guangxi, China.

Businessman Tan Youhui hired a hitman to “take out” his competitor for $282,000 (£218,000), a court heard.

But the hitman hired another man to do the job, offering $141,000. That man hired another hitman, who hired another hitman, who hired another hitman.

The plan crumbled when the final hitman met the man, named only as Wei, in a cafe and proposed faking his death.

All six men – the five hitmen and Tan – were convicted of attempted murder by the court in Nanning, Guangxi, following a trial that lasted three years.

Some people might see this as a story about outsourcing, neoliberal capitalism, or the rough-and-tumble nature of some things in China. I have a classical education so this made me think of the fall of the Bacchidae of Corinth in the seventh century BCE. The story was told by Herodotus two centuries later, and he puts it in the mouth of someone telling the Spartans that it is terrible to be ruled by a monarch or tyrant, so beware:

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How to Grip Bronze Age Swords (Response to Dimicator and Matt Easton)

a two-edged bronze sword with a bronze hilt and a bronze 'sun-hat-shaped' pommel
An ordinary Late Bronze Age European sword of the so-called Naue type II. It has a bronze hilt of hollow scales riveted to the tang and has a longer blade and wider pommel than some swords but a shorter blade and smaller pommel than others. The long ridge down the centre of the blade both makes it stiffer and helps the bronze flow all the way to the end of the mould (contact with the surface of the mould cools out the metal, and a long flat blade has a lot of surface of mould to contact). Metropolitan Museum of Art, Accession Number 54.46.8

Over on his website and social media, Roland Warzecha has been talking about how to hold European swords of the Late Bronze Age and Early Iron Age, the so-called Naue type II. These swords have a broad flat blade, a broad tang with scales riveted to the sides, and usually a mushroom-shaped pommel. If you are at all interested in swords, these are worth studying, because they are the earliest swords that we can understand really well. Iron tends to shrink or expand in the ground or water, and especially after it is excavated, so the remains of iron or steel swords tend to be ugly misshapen things. Bronze swords can emerge from the ground looking like they just left a cutler’s shop, and sometimes they have bronze grips and pommels so all parts of the sword are preserved. In the worst case the handle and the area where the handle joins the blade are usually preserved. In most of Bronze Age Europe it was not customary to make detailed images of human beings. Nor was it customary to write things down. But the swords, spears, and shields in museums speak to us and tell us how they want to be used if we can learn to hear them. They were carefully designed by sophisticated people for sophisticated people.

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Saint Hippolytus the Skeptic

a black and white print out of words sorry tired
Albrecht Dürer’s print “The Witch” from around 1500. Metropolitan Museum of Art, Accession Number 17.37.31 https://www.metmuseum.org/art/collection/search/391138 I visited Dürer’s house, it was saved from bombing by being built next to the city wall.

About sixty years ago, L. Sprague de Camp discovered a list of ancient magic tricks and stagecraft.

Most of the tricks employed by the witch Saphanbaal to awe her clients (in my novel) are described by Bishop Hippolytus in his Refutation of All Heresies. In the early third century, the bishop constituted himself a one-man Society for Psychical Research. He exposed the deceptions of magicians, such as putting lumps of alum in the fire and gluing fish scales to the ceiling. Of course, this was six hundred years after the time of my story. But, since some of the methods Hippolytus describes have been used by mediums right down to modern times, we may assume for the purposes of fiction that these sleights were already old when he revealed them.

“Author’s note,” L. Sprague de Camp, The Arrrows of Hercules (1965)
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Dis Manibus: Peter James, Chronology Challenger

Ancient World Studies has a few bold characters who push ideas that most people are not brave enough or foolhardy enough to say aloud. Peter James was one of them: he took the widely agreed fact that there are not many fine artifacts from the eastern Mediterranean in the centuries around 1000 BCE (but objects dated a few hundred years earlier and a few hundred years later that look very similar to one another) to argue that a few hundred years were accidentally inserted into Bronze Age Egyptian history and carried over into archaeology elsewhere before precise scientific methods became available. Not many scholars agreed but some admitted that the evidence for the established system was not as clear as textbooks make it seem, and the Aegean Dendrochronology Project kept themselves busy trying to prove his Centuries of Darkness thesis wrong. Currently there is a fad for performing complicated statistical manipulations on many unclear radiocarbon dates to get one precise date which I am not qualified to comment on. I did not know that James started as a Velikovskian and moderated his ideas as he learned more! Sit terra tibi levis.

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Greek Soldiers in the Achaemenid Empire

a photo from the deck of a roll on/roll off ferry with another roll on/roll off ferry with a superstructure in the background
Three Salish Sea ferries in one shoot! The photo is from one, another from Vancouver is coming behind, and a third is hidden behind the grey steel upright.

In my article for the Journal of Ancient Civilizations, I tried to be as clear and concise about Greek soldiers in the Achaemenid empire as I could. In the 20th century scholars often used the subjective and partisan term ‘mercenary‘ and focused specifically on Greek soldiers and Greek hoplites. I think its better to think about them differently.

Beginning with Ctesias, Greek writers often mention that thousands of Greeks fought for Achaemenid kings and satraps in exchange for pay (in earlier periods Greeks fought for the king as allies or subjects). Modern researchers have written half a dozen books about these so-called “mercenaries” but have not always considered the Egyptian and Near Eastern context. Since the Old Kingdom, Egyptian armies had contained large contingents of Nubians, Libyans, and other people from the edges of the Egyptian world. The Neo-Assyrians and Neo-Babylonians deported all kinds of people to the cores of their empires, gave them land to work, and extracted civil or military service from them. By the Achaemenid period Babylonians often provided a substitute or paid a fee rather than serve themselves. Hiring Greeks for coins was just another way of obtaining foreign soldiers.

“The Armies of the Teispids and Achaemenids: The Armies of an Ancient World Empire,” Journal of Ancient Civilizations Vol. 27 Nr. 2 (2022) p. 156 hosted here
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Early Greek Texts Speak to the Reader

The Greeks invented scripts for their own language based on Phoenician writing during the eighth century BCE. From the eighth century BCE we have a few short Greek texts written on pottery or carved or scratched into stone. Nestor’s Cup from the settlement of Pithekoussai on an island in the Gulf of Naples is especially famous since it seems to allude to a character in the Iliad (less famously, all three lines go from right to left like in the Semitic languages, not left to right like in later European alphabets – other early inscriptions alternate between right to left and left to right like an ox plowing a field). But classicist Peter Gainsford tells us that these early Greek texts have something in common:

All extant Greek writing from before about 540 BCE is framed as an utterance designed for the moment at which it is read – declarative statements, instructions, etc. for the reader at the moment of reading it. We have no direct evidence that writing was used to transcribe anything at all until after that point. (See further Jesper Svenbro, “Phrasikleia”, opening chapter.) [JSTOR]

Peter Gainsford, comment to the Kiwi Hellenist blog, “Getting the Iliad Right” 1 March 2017 https://kiwihellenist.blogspot.com/2017/03/getting-iliad-right.html

Many of these inscriptions speak as if they were the object they are written on.

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