Month: May 2024

From Syria to Iberia

a statue of a warrior with a helmet and a disc breastplate against a black background
One of the sculptures of warriors from Cerrillo Blanco near Porcuna, Spain. These were probably carved around 450 BCE. Photo from Wikimedia Commons https://commons.wikimedia.org/wiki/File:Guerrero_ibero_de_Porcuna.jpg see more photos at TRAS LAS HUELLAS DE HERÓDOTO. . .

One reason why I like Fernando Quesada Sanz’ Weapons, Warriors, and Battles of Ancient Iberia (publisher’s website) is that he looks east to the Punic world as well as the Greek and Roman worlds. Whereas specialists in archaic and classical Greece rarely pay much attention to any kind of barbarians, Quesada Sanz reminds readers that Iberia has been influenced by people who arrived by sea from the east since the 9th century BCE. A good example is what he has to say about the Iberian disc cuirasses.

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An Unusual Obstetic Technique

My interest in linen armour lead me to texts from around the year 1000. Chrétien de Troyes died leaving one of his works incomplete, and sometime around 1190 to 1210, someone wrote the first surviving attempt to fill in the missing attempts. In one of these passages, an Arthurian hero is arming. The narrator mentions an unusual way of helping a woman in labour deliver:

Then they girdled a sword
Such that in all the world there was no woman in labour,
Who when struck on the head
With the flat of that naked sword (1048)
Would not immediately give birth,
As she hung between death and life.

My translation. Text after William Roach and R.H. Ivy, eds., The Continuations of the Old French Perceval of Chrétien de Troyes. Volume II. The First Continuation: Redaction of MSS EMQU. Romance Languages and Literatures, Extra Series, No. 10. (Philadelphia: University of Pennsylvania, Department of Romance Languages, 1950), 32-33, 485-486, 548-549. https://catalog.hathitrust.org/Record/000883809 There are complete translations of the continuation in Ross G. Arthur, tr., Three Arthurian Romances: Poems from Medieval France (London: Dent, 1996) and Nigel Bryant, tr., Chrétien de Troyes, The Complete Story of the Grail: Chrétien de Troyes‘ Perceval and its Continuations. Arthurian Studies 82 (Cambridge: Boydell & Brewer, 2015), 87; my translation is influenced by this one, especially in the last five lines.
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Shield Making with Theophilius

a wooden shield shaped like a soup plate sitting hollow-up on a linoleum countertop next to a pot of toffee-coloured glue

In April and May I have been making a domed round shield from start to finish. I decided to post a tidied-up version of my lab notes on my Patreon page. If scheduling goes right, my post should be visible here. Part 2 on the gessoing and painting should arrive in early June!

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Ownership History is Hard and Often Does Not Matter

This terracotta statuette from Babylon is one of very few images of a woman in the ‘Elamite robe’ or Faltengewand from the Achaemenid period. Photo of Staatliche Museen zu Berlin, Vorderasiatisches Museum, object VA Bab 00405 by Olaf M. Teßmer CC BY-SA 4.0 https://id.smb.museum/object/2060160/bekleidete-frau-auf-einem-postament-stehend

To establish the ownership history of a manuscript, you need to do archival research in auction catalogues and library catalogues and lists of bookplates and stamps. This history will usually have gaps, because ownership is not a physical property of an object which leaves indelible traces, but a social agreement. People steal books and manuscripts, people sell books and manuscripts which don’t belong to them, people forge evidence that a book or manuscript belonged to someone famous, and people burn the records of grandpa’s used books business to tidy up after his death. Its hard to track the ownership of Greek manuscripts during the fifteenth century for the same reason its hard to track the ownership of antiquities during the 1940s. And if you are using a manuscript to understand the ancient world, the ownership history is not really important. Let me explain.

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