Month: December 2019
Books are precious things, and Doctor Manning finally has time to read them for fun again (and to really read them, not just skim them looking for facts or quotes). At the end of this year and the start of another, as I sit in rainy Innsbruck, I would like to tell my gentle readers about some of the ones I read in 2019.
I read Victoria Corva’s very relatable young adult fantasy Books and Bone (self-published, 2019) about a town cartographer trying to follow a vocation which she can’t prove is more than a myth.
It has been too long since my last cheerful winter story, so on this Winter Solistice I will tell another.
Like the protagonist of a H.P. Lovecraft story, I came to Innsbruck to look for answers. The scholarship on Achaemenid armies in English was repetitive and fell apart at the first gentle question, but was there something more trustworthy in German? Duncan Head and Nicholas Sekunda cited all kinds of people who nobody else I was reading talked about. So I visited the wood-panelled Law Library reading room on the banks of a river named in a dead tongue, and borrowed an old copy of Eduard Meyer’s Geschichte des Altertums from a librarian who seemed surprised to have visitors. The first edition of Meyer’s Geschichte was completed in 1902, the last revision was in 1965 a generation after his death. Meyer tried to integrate the history of early Greece into the history of Egypt and Mesopotamia. And when I came to the following passage, I realized that the horrors were deeper and older than I had thought:
Some time in the late 1990s “Guys! The first time one of us dies, we have to give them an all-black cover on the magazine.” “I see what you are doing, you just want a promise before you step in front of a bus and get the coveted cover spot. Munchkin!... Continue reading: Dis Manibus Steven Johansson (20 September 2019)
As part of a recent project, I had to compare my list and a co-author’s list of works cited in a chapter. Since we started five and a half years ago, one co-author dropped out and versions of the files got confused between different people in the project, some forthcoming publications had appeared or changed venues, and the first entries were written long before we had a style guide. It was very important to make sure that every work cited appeared in the bibliography, and to reduce the length of the chapter as much as possible by removing references to works which are not cited. Since the lists of works cited contained 150 and 180 entries, many of which fill several lines in print, comparing the two lists was going to be a tedious task. And so I turned to the powerful arts of a dead tongue which I had not invoked since I learned it from German and Indian adepts in a distant land: the language of shell scripting and regular expressions.
Dario Wielec of Dariusz caballeros and Stefanos Skarmintzos want me to talk about the felt stockings with soles which have been found in some graves in eastern Central Asia. They were often worn in combination with a pair of short trousers that covered the thighs and crotch. You can find a full set of colour photographs and drawings on pp. 92-97 of the Russian book I cited in my original post. They are fascinating and beautiful objects (just think about having brightly coloured feltwork more than 2000 years old!) but I am not sure that they help us understand Chehrabad Saltman 4’s trousers for four reasons:
- they are not what Saltman 4 is wearing (they are felt, his are woven cloth; they are two separate legs, he wears joined trousers; they have seams up the back of the legs, his have seams at the side of the legs; the felt boots are close-fitting, his trousers are “baggy”)
- in artwork like the Darius Mosaic, Red Figure vase paintings, and the sculptures of the Aphaia temple on Aigina, the leggings of trousered warriors seem to go all the way up to crotch level without sagging. The felt stockings tend to be shorter (although I don’t have a full set of measurements) and in the middle ages when stockings (‘hose’) extended that high, they needed to be hung from a belt to stop them from falling down.
- trousers in early Achaemenid art often have a zigzag, diamond, or spotted pattern. That strikes me as something which would be easy to weave in tapestry weave like a kilim. Clothing in this period often had gold leaf, felt, or leather appliques, and its possible that the zig-zag was applied to felt. But we have a fragment of a textile with a rhombus pattern from the Achaemenid period at Chehrabad.
- I am not sure which genders wore these felt stockings, I seem to remember that the famous pair with shiny beads on the soles were from a female burial but I only have access to what has been translated into German or English and what I can obtain from my library or interlibrary loan.
Since none of the Chehrābād salt mummies are wearing these felt boots, and none of the artwork from the Achaemenid Empire or the Aegean clearly shows them, they don’t belong in a post on Saltman 4’s clothing. But if you scroll down, Herr Doktor Manning will give you his whole lecture on the trouser outfit across Eurasia.Read more