Martin Rundkvist, Mead-halls of the Eastern Geats: Elite Settlements and Political Geography AD 375–1000 in Östergötland, Sweden (Kungl. Vitterhets Historie och Antikvitets Akademien: Stockholm, Sweden, 2011) academia.edu
The first time I read Martin Rundkvist’s book on early medieval southern Sweden, I realized that Sweden is weird. That is because for the past two or three thousand years, the area has never been conquered or occupied by foreigners bringing an alien language and culture. The closest things to that are the arrival of Christianity and whatever happened in northern Scandinavia between Indo-European speakers, Finno-Urgic speakers, and whoever was there before them. I struggle to think of anywhere else in the world which could say the same. Norway got invaded by outsiders once in 1940, and Denmark sometimes had trouble with (Latin Christian) Carolingians, British, or Prussians, but basically wars in southern Scandinavia were between Southern Scandinavians whom the proverbial Martian would have a hard time telling apart.
These posts are an experiment: can I have fun talking about martial arts problems as problems to a general audience? Talking with other fencers about fencing theory tends to frustrate everyone unless they already agree. If you like this post or have trouble following, please let me know!
One of the fundamental problems in fencing goes like this. You and your partner are both standing in guard, Because the hand is quicker than the eye, and because in armed combat one strike or thrust can kill, you are far enough away that neither can strike the other without stepping. That extra distance (measure) gives you time (tempo) in which to notice their attack and defend yourself. You want to attack first with a cut. How do you do so without walking on to their point?
In medieval films and TV, bright colours are forbidden on the battlefield and colours other than black, grey, brown, and blue are strongly discouraged. A clip from a Flemish historical drama on the Battle of the Golden Spurs from 1302 (The Story of Flanders / Het Verhaal van Vlaanderen (Bert Ceulemans and Filip Lenaerts directors, 2023)
Something elsewhere made me think of Poul Anderson’s classic essay “On Thud and Blunder” about sword-and-sorcery authors who don’t bother to consider the how and why as well as the what. I wanted to check when it was first published and link to the online text.
It was first published in Andrew J. Offutt (ed.), Swords Against Darkness III (Zebra Books, 1978) and reprinted online by the Science Fiction & Fantasy Writers’ Association. Anderson’s essay was the predecessor to Diana Wyne Jones’ book The Tough Guide to Fantasyland (first edition 1996, revised 2006 – Wikipedia).
Joumala Medlej, Inks & Paints of the Middle East : A Handbook of Abbasid Art Technology. Revised edition (Majnoura: London, 2021) GBP 20 https://majnouna.com/shop/books/
Inks and Paints of the Middle East is a practical summary of six Arabic treatises on making ink and paint dating from roughly 900 to 1400 CE (300 to 800 AH). Rather than translations, it provides illustrated descriptions of the different processes from making brushes and reed pens to gathering and grinding pigments to mixing them with each other and with binders. Endnotes discuss the scholarly details such as the sources for specific recipes (and some practical questions whether lead white pigment is safe to use, p. 115 n. 129). Most of these texts have never been printed or translated into a European language, or the existing translations and editions are inaccurate (few scholars are skilled in both medieval Arabic paleography and in the kitchen chemistry of making paint and ink).
We got some beautiful solid wood bookcases this year, unlike my old Ikea bookcases in Austria
I’ve never been sure how to do these since I switched from reading like a novel-lover (reading books in my native language from cover to cover then sending them back to the library) to reading like a scholar (dipping in and out of books, reading in languages I am not fluent in). Should magazines count? Individual short stories read online? Books and stories heard over the radio or on a mobile computer? And there is no sense making this into another piece of unpaid work keeping records of what I read! But I feel like doing one at the end of this year.
I err on the side of including things which don’t appear in my academic notes and reading list so might otherwise be unrecorded.
I am not including books which I read in manuscript.
This post might include some things from the last week of 2021. See previous discussion about unpaid work!
Sjoerd Levelt https://scholar.social/@slevelt@hcommons.social thinks that the symbol of the clash between birdsite and Mastodon should be the clash between the elephant and the dragon in ancient philosophers and medieval bestiaries
In November 2022 many academics have created accounts on Mastodon, a federated microblogging service. Mastodon is decentralized like the old forums and mailing lists, but you can easily cross-post from one Mastodon server to another and search across servers with hashtags to find posts of common interest. Because each instance is moderated by members, it can set its own standard for acceptable behaviour rather than trying to get Germans and Americans to agree whether the Horst-Wesel-Lied is protected speech (although two of the biggest mastodon instances are barely moderated at all, so careful where you post! Mastodon is open-source software like WordPress or bulletin board software, so it gets used by people who say and do things you hate). Because its hard to find old Mastodon posts and I delete them after a few months anyways, here is a one-stop shop for the new instances, lists of accounts with a common theme, and groups I have found (Mastodon groups work like mailing lists, they take incoming messages and broadcast them to subscribers).
I don’t know how many of my gentle readers are armour scholars. Carlo Paggiarino, maker of fine-art books on the details of medieval and renaissance European arms and armour, has a message:
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Lara Broecke, Cennino Cennini’s Il Libro dell’Arte: A New English Translation and Commentary with Italian Transcription (Archetype Publications: London, 2015) ISBN-13 978-1909492288
This summer I am reproducing some ancient shields, and since most face-to-face classes where I live are still closed, I am turning to the best possible teachers: Theophilius (fl. around 1100 CE) and Cennino Cennini (fl. around 1400 CE). Theophilius and Cennino teach almost everything you need to prepare a shield (or a panel) for painting.
The standard way to access Cennini is through three books published by Daniel V. Thompson around 1930 (an Italian text, a translation titled The Craftsman’s Handbook, and a practical handbook called The Practice of Tempera Painting). Lara Broecke has recently published a new edition, translation, and commentary of Cennini. These are thorough and scholarly and synthesize the past 85 years of art-technological research. If you want to know the chemical composition of Cennini’s gesso grosso plaster or giallorino pigment, look here. But Broecke distances herself from people who read Cennini as a textbook (pp. 1, 13, 305). Cennini was not a very good writer, his book may have been incomplete when he died, and none of the surviving copies of his work is a perfect representation of what he wrote. To understand why the old translations and editors of Cennini’s Book of the Art have the quirks which they have, lets turn to the Italian independent scholar Giovanni Mazzaferro:
Seven years after the first volume arrived at my doorstep in the Before Times, Olympia Auctions is accepting pre-orders for Armour of the English Knight, Volume 3: Continental Armour in England, 1435-1500. You can order a copy for a 10 GBP discount from the retail price at the Olympia Auctions website. I have to be... Continue reading: Cross-Post: Capwell’s “Continental Armour in England, 1435-1500” in Pre-Order
Reenactors on the walls of Plataea. Photo by Photo by Ilia Iatroo, “Plataea 2021-2022” group, Facebook The long-planned reenactment event at the ruins of Plataia in Greece is finally happening! The event website is https://plataea2022.com/ I can’t be there because of health problems, a very low income, the abandonment of infection-control measures against COVID-19, and... Continue reading: Plataia 2022 is Happening Now
