modern
Fortification Report: Schloss Ambras, Part 1
Today Schloss Ambras is the sort of castle where lizards scamper across the stones in the sun and wedding parties wander across the lawns looking for the perfect place for some photos. After all, it was converted to a living and hunting castle for Philippine Welser in the sixteenth century, with a beautiful sloped park full of trees, a scenic view down onto a gorge and the Inntal, and plenty of space for hunting. But like some other places, it has a few secrets.
Heraclitus Sighted in Innsbruck
Low Water in the Sill
Living in Innsbruck, its hard to ignore the changes in the local waterways over the course of the year. The local rivers are fed by runoff, and these days large areas of the Alps are bare by May. I took these photos on the tenth of March, in a week where snow fell for several days but melted as it hit the ground of the valley.
Read moreI Was Wrong about the HEMA Movement
There are those who say that because most people forget their false predictions and remember their true, it is healthy to make a note when one notices that one was wrong about something. There is a movement variously known as historical European martial arts, Western Martial Arts, or historical fencing. Its central activity is recreating dead martial arts from the manuals which they left behind, although many practitioners also try to recreate ‘prehistoric’ martial arts which died without leaving manuals, or revive obscure but still living European martial arts such as Irish stick-fighting. And my understanding of what it is about, and what sort of people it attracts, has drastically changed over the past few years.
When I got involved in historical fencing, I thought that it was a community of amateur scholars with a broad interest in history like the serious re-enactment groups I knew. The end of the community which I became involved with was led by former members of the Society for Creative Anachronism who had drifted away from the organization as their interests drew them in a more historical, less creatively anachronistic direction. While my academic déformation professionnelle means that I often have small differences with people whose focus is on recreating past skills and experiences, I can usually find enough common ground to have a conversation with them, and sometimes I have a source to contribute which is much more useful to them than to the academics who originally discovered it. It was obvious to me that turning 15th century manuscripts into working martial arts required a broad familiarity with academic research in medieval studies, and the historical fencers whom I knew seemed to agree.
The Madness Continues
The madness continues, in the form of a mockup in the traditional cheap cotton.
The Rewards of Scholarship
Cross-Post: Achemenet News
Those of you who share my interest in Achaemenid studies will have noticed changes to the very important Achemenet website, partially good (it now works without Adobe Flash player) and partially bad (old links to the transcriptions of Achaemenid tablets by Francis Joannès, Caroline Waerzeggers, and other scholars have been broken and PDFs replaced with HTML, so that a citation in one of my forthcoming publications is already obsolete). For several years Achemenet was hosted by the Musée du Louvre. On Friday 19 February, the editors announced that since November 2015 the Louvre has refused to let them determine Achemenet policy or continue to support their open-access journal ARTA and series of monographs Persika, and that they are therefore ending their connection with the Louvre and moving Achemenet to the ARSCAN laboratory in France.
I quote their letter below without comment except for glossing a few names.
The Classical Style of Argument
There is a style of argument which people trained in the classics often use. In this approach, one goes through the evidence piece by piece, artfully arranging it and discussing how to interpret the difficult points, then sums up by drawing it into a grand conclusion. This evidence is mostly widely available, great pains having been taken to publish Greek and Roman literature, the more important inscriptions and vases, and other remains of the ancient world in cheap editions and translations. Anyone with access to a library and the willingness to search should be able to find the main sources which lie behind a book on ancient history, and a growing number are available on the Internet. This style of argument can be great fun to read, with impressive learning and elegant transition from author to tombstone to vase. But eventually the lover of the ancient world discovers that learned and literate scholars can use this approach to write completely contradictory studies of the same topic. By selecting which passages to cite, by glossing the complicated ones, and by leaving out the inconvenient ones or sticking them in a dim corner of one’s scholarly edifice, its possible to present a case for whatever one wishes to argue. And the custom of going through the evidence piece by piece can make a lot of weak, hard to interpret pieces of evidence look solid (or many weak pieces of evidence which all lean in the same direction seem feeble). Just organizing a long list of pieces of evidence and commenting on them does not necessarily lead to the truth.
The promotion of Ada Lovelace Day and the publication of Sydney Padua’s steampunk graphic novel The Thrilling Adventures of Lovelace and Babbage has kindled the coals of the debate about whether Ada Lovelace was a capable mathematician or an enthusiast who needed her hand held. I do not care very much about 19th century mathematicians, but I do care about the truth, so I have been following this from a distance. And one thing which I notice is that people on both sides don’t really quote their sources at all.
The Madness Begins
I am sorry to be cryptic, but this is closer to my hobbies than my work, and people with the right interests will recognize it.
