A burgonet and cuirass alla antica in the State Hermitage Museum, St. Petersburg. No information from label available. Photo by Sean Manning, September 2015.
Trying to interpret armour in art is not a new project. By the beginning of the sixteenth century at the latest, Italian armourers were looking at Roman coins and sculpture and paintings (and perhaps the odd scrap of bronze pulled from a tomb) and trying to decide how to give their customers their own Roman armour. In this case, the armourer looked at one of the statues of a Roman emperor wearing a form-fitting breastplate of scales with embossed decoration, and tried to imitate it with a few nods to the taste of their own day. But not all is as it seems.
In 1837, the remaining Protestants living in the Zillerthal in eastern Tyrol were ordered to convert to Catholicism or leave. Mathias Schmid (d. 1923), “Vertreibung der Zillerthaler Protestanten im Jahr 1837/Letzer Blick in die Heimat,” 1877. In Tiroler Landesmuseum Ferdinandeum, Innsbruck; catalogue number Gem 3718. Photo by author, October 2015. Xenophon,... Continue reading: Keeping Just One Cloak
An overwhelming flow of information is not a new problem: a bookwheel inspired by ones from the sixteenth and seventeenth centuries at the Hauptbibliothek Neubau, Universität Innsbruck. Made 2008? Photo by author, October 2015.
German for Classical Studies at the University of Cologne, free course June/July 2016, application deadline 30 November 2015 (link: warning, Facebook!)
The academics in Ghana went on strike again over nonpayment of their book allowance in August 2015 (link). As often with news from Africa, this has not received much attention in Europe and North America, even though its hard for any academics at universities in Ghana to work if they can’t buy books and journals.
Meanwhile, historian Alice Dreger has resigned from her post in Illinois after a dispute about whether a glossy magazine with her university’s logo was research (protected by academic freedom) or publicity (overseen by the university administration) revealed a deeper difference about what sort of institution she was working for (her public statement on the subject and her resignation letter). This issue has received a great deal of attention on the Anglophone internet.
The Carmarthenshire Archives in Wales are being devoured by mould, and a Freedom of Information request by J.D. Davies has revealed some disturbing facts about how the local authorities are responding to this crisis.
Some people with more money than sense decided to see what happens when you throw a human-weight or hobbit-weight mass of organic material into a pool of lava. There are videos.
A country Bahnhof in southern Germany (Herbertingen, Spring 2014). Photo by author. On Sunday the 13th Germany announced that it was imposing customs inspections on the border with Austria in response to the flood of refugees from Syria, Afghanistan, and the horn of Africa and the reluctance of countries to the... Continue reading: Becoming a Source
Aktaion is devoured by his hounds. Imagine me as a particularly yippy one just out of scene. Photo of an Apulian red-figure vase in the Badisches Landensmuseum, Karlsruhe, Germany courtesy of the Theoi Project http://www.theoi.com/Gallery/K6.8.html; they have copyright
Economists such as Gregory Clark and Brad DeLong like to tell people that between the dawn of time and 1800 or 1900 there was no growth in GDP per capita and very slow population growth. As an ancient historian this leaves me scratching my head. I decided to write this post after reading the 1998 version of DeLong’s ideas but similar ones appear to be common.
John A. Lynn, Battle: A History of Combat and Culture. Updated with a new epilogue. Westview Press: New York, 2008. ISBN-13: 978-0-8133-3372-4 (Bookfinder link)
This week I am going to talk about a book written by a specialist in the wars of Louis XIV of France, only two of whose eight chapters deal with ancient warfare in the broadest sense. That is because the book is one of the few which does the work of demolishing one of the most influential and least accurate ideas which an ancient military historian has ever presented to the public: the Western Way of War. Yet rather than be purely destructive, it goes on to sketch a scientific approach to war and culture, and even presents a model which scholars can apply to other cases. It does all that in an affordable volume written for lay readers in the United States where belief in a western way of war is strongest.
Capo Ferro’s engraver illustrates the perils of lifting one’s shield to parry a feint to the high left, giving one’s opponent a chance to strike low unseen (Gran Simulacro, Siena 1610 edition, plate 42). Photo c/o Wiktenauer http://www.wiktenauer.com/wiki/File:Capo_Ferro_42.jpg
A discussion on another blog revised an old controversy, namely what size of sword the Italian master Ridolfo Capo Ferro expected his students to use. I am not a student of any seventeenth-century art, whether rhetoric or fencing, so I can’t contribute to the discussion with a perspective on what length of sword works best with his techniques, or what length was most common in northern Italy in 1610. I am a student of ancient literature, so this week I will talk about some things from the ancient world which help me to interpret his manual.
A votive statue of Chai-Hapi (a thousand of bread, a thousand of beer, a thousand of all good things to him!) excavated from the remains of Roman Vienna. Carved from gneis. In the style of late 19th Dynasty Heliopolis. Wien, Kunsthistorisches Musem, Ägyptische-Orientalische Sammlung, Inv. Nr. Äs 64. Photographed on special exhibition at Schloss Ambras by Sean Manning.
When Tutankhamun’s tomb was opened, the excavators found a copper trumpet and a silver trumpet. The British looked at them and thought a bit and decided that the obvious thing to do was to play them for the BBC. The recording is now available on YouTube (c/o Bronze Age Centre)
About 2550 years ago, the latest king of Babylon deposited a cylinder in the foundations of a building which proclaimed to the Babylonian literati that he was just the kind of king that all the best Babylonian literature said a king should be. Building and renovating monuments was one of the basic responsibilities of a Babylonian king, and Cyrus wished to be accepted by his new subjects. Cyrus expected that every few centuries workers in the service of another king would dig up his cylinder, read it, and deposit it again with appropriate honours. In fact, Cyrus assures his audience that he has done just that as he restored walls and temples:
“A cuneiform text in the name of Assurbanipal, a king who went before me, which appeared within it [… to] immortality.” (Cyrus Cylinder ed. Schaudig tr. Manning)
Until recently, only one example of this cylinder was known, and that was excavated from the foundations of that building (exactly where has since been lost as excavations in 1880-1881 were not documented to modern standards). But in December 2009 and January 2010, W.G. Lambert and Irving Finkel identified two fragments of a transcription of the cylinder onto a tablet which was signed by one Qishti-Marduk son of Marduk or Iqish-Marduk, son of X. While the cylinder was buried in the earth, its message could circulate in copies, and perhaps in speech as well.
Looking south over Verona from Castel San Petro between the Roman theatre and the Roman bridge. Photo by Sean Manning, 2013. Then felt I like some watcher of the skiesWhen a new planet swims into his ken;Or like stout Cortez when with eagle eyesHe star’d at the Pacific — and all his menLook’d at each... Continue reading: After a Trip to the Interlibrary Loan Office
