Do you need a second pair of eyes on that book, paper, or project report? I have been editing business and academic writing since 2013. Aside from ancient world studies and medieval studies, I have experience creating software documentation and a background in academic computer science. Because of my time living in Austria, I have experience with the challenges of writing in a second language or a new field.
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One reason why I like Fernando Quesada Sanz’ Weapons, Warriors, and Battles of Ancient Iberia (publisher’s website) is that he looks east to the Punic world as well as the Greek and Roman worlds. Whereas specialists in archaic and classical Greece rarely pay much attention to any kind of barbarians, Quesada Sanz reminds readers that Iberia has been influenced by people who arrived by sea from the east since the 9th century BCE. A good example is what he has to say about the Iberian disc cuirasses.
Read moreMy interest in linen armour lead me to texts from around the year 1000. Chrétien de Troyes died leaving one of his works incomplete, and sometime around 1190 to 1210, someone wrote the first surviving attempt to fill in the missing attempts. In one of these passages, an Arthurian hero is arming. The narrator mentions an unusual way of helping a woman in labour deliver:
Read moreThen they girdled a sword
My translation. Text after William Roach and R.H. Ivy, eds., The Continuations of the Old French Perceval of Chrétien de Troyes. Volume II. The First Continuation: Redaction of MSS EMQU. Romance Languages and Literatures, Extra Series, No. 10. (Philadelphia: University of Pennsylvania, Department of Romance Languages, 1950), 32-33, 485-486, 548-549. https://catalog.hathitrust.org/Record/000883809 There are complete translations of the continuation in Ross G. Arthur, tr., Three Arthurian Romances: Poems from Medieval France (London: Dent, 1996) and Nigel Bryant, tr., Chrétien de Troyes, The Complete Story of the Grail: Chrétien de Troyes‘ Perceval and its Continuations. Arthurian Studies 82 (Cambridge: Boydell & Brewer, 2015), 87; my translation is influenced by this one, especially in the last five lines.
Such that in all the world there was no woman in labour,
Who when struck on the head
With the flat of that naked sword (1048)
Would not immediately give birth,
As she hung between death and life.
In April and May I have been making a domed round shield from start to finish. I decided to post a tidied-up version of my lab notes on my Patreon page. If scheduling goes right, my post should be visible here. Part 2 on the gessoing and painting should arrive in early June!
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To establish the ownership history of a manuscript, you need to do archival research in auction catalogues and library catalogues and lists of bookplates and stamps. This history will usually have gaps, because ownership is not a physical property of an object which leaves indelible traces, but a social agreement. People steal books and manuscripts, people sell books and manuscripts which don’t belong to them, people forge evidence that a book or manuscript belonged to someone famous, and people burn the records of grandpa’s used books business to tidy up after his death. Its hard to track the ownership of Greek manuscripts during the fifteenth century for the same reason its hard to track the ownership of antiquities during the 1940s. And if you are using a manuscript to understand the ancient world, the ownership history is not really important. Let me explain.
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Over on another site, Anoneuoid asked how to track down the past owners of a manuscript of a classical text such as the “A” manuscript of Herodotus in Florence (manuscript Laurentianus 70.3).
The first place to start when tracking down the manuscripts of a classical text is a critical edition (that is, an edition in the original language with notes in the margins about how the manuscripts are different from each other and the printed text- the apparatus criticus). I have the Clarendon edition by Karl Hude which was last updated in 1927 but still seems to be the standard edition of Herodotus (the 2015 edition by N.G. Wilson has some updates). Hude discusses the manuscripts in Latin because until recently that was the best way to give a classicist in Egypt and a classicist in Norway equal access to his thoughts. He does not say much on the history of the manuscripts because he is more interested in which are most useful for reconstructing what Herodotus actually wrote.
You can find a much more detailed discussion of the manuscripts of another ancient text and their owners in Philip Rance, “Aineias Tacticus in Byzantine Military Literature,” in Nick Barley and Maria Pretzler, eds., Brill’s Companion to Aineias Tacticus. Brill’s Companions in classical studies (Leiden and Boston: Brill, 2017).
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The first part of my three-part series on medieval linen armour has appeared in Medieval Clothing and Textiles 18. Whereas in some periods linen armour is commonly showed in paintings and sculptures, there are very few pictures of fabric armour from western Europe between 500 and 1250 CE. No quilted garment survives from Europe in this period either. So I discuss about thirty texts from this period. I work with texts in Greek, Latin, Old French, Ibero-Romance, Irish, Middle High German, Old Norse, and Arabic, and provide my own translations of the Greek, Latin, Romance languages, and Middle High German. Whereas most books summarize and allude to a few of these texts, I put them in context and give both the original language and a translation.
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Cotton is an old word, but people west of India and north of Sudan often call cotton “tree wool.”
iṣe naš šipati “the tree which bears wool” (inscription of Sennacherib of Assyria describing plants in his garden, 705-681 BCE) Chicago Assyrian Dictionary volume “I” p. 217
“This breastplate had been stolen by the Samians in the year before they took the bowl; it was of linen, decked with gold and tree-wool (εἰρίοισι ἀπὸ ξύλου), and embroidered with many figures” Herodotus 3.47.2 (c. 430-420 BCE) tr. A.D. Godley slightly adapted, cp. 3.106.3, 7.65 on tree-wool in India and Theophrastus, On Plants IV. 7, 8 on cotton grown on the island of Bahrain (Akkadian and Sumerian Dilmun, Greek Tylos)
Middle and Modern German Baumwolle “tree wool, cotton” (already appears in Erec by Hartmann von Aue around the year 1185 per https://www.koeblergerhard.de/mhd/mhd_b.html “boumwolle”, Jacob and Wilhelm Grimm do not have much to say. The line about a saddle cushion soft as a cotton (ein Paumwol) is line 7703 of the Ambraser Heldenbuch so there is Innsbruck content!)
Do my gentle readers know this calque in other languages?
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Since 1805, combat between well-equipped air and naval forces has become rarer and rarer. This is because states which can produce such forces have little to gain from fighting one another, and because it has become harder and harder to sustain such forces at all. In the 19th century, the Royal Navy was usually overwhelmingly superior to everyone else (although the French and the United States sometimes gave it a run for its money). Since the 1950s, the US air force has had a similar advantage over everyone else’s. Small states look at these navies and air forces, decide they can never defeat them, and either stop bothering with their own navies and air forces, or side with one of the big powers, or hide in harbour or in neutral countries when war approaches (the fleet-in-being strategy). Big states do some spectacularly stupid and thoughtless things, but rarely something as stupid as getting into a war with their allies or a nuclear power, and pretty much all the states with sophisticated air forces and navies are either each other’s allies or nuclear powers.
This means that stories about how a future naval or air war would go are fantasies based on speculation and imagination and peacetime tests, not observation and experience of actual warfare.
Read moreThe Save Ancient Studies Alliance will have a virtual conference on Representations of the Past in Ancient and Modern Times on 21 and 22 July 2024. The call for papers is open until 16 April.
Novelist, reenactor, Plataia 2024 organizer, and veteran Christian Cameron has launched a patreon https://www.patreon.com/CameronAuthor I am told that one of the corporate social media services he uses is stopping him from reaching followers just like corporate social media services do whenever they want more money. The Oatmeal has a comic about this.
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