William H. Stoddard, with Peter dell’Orto, Dan Howard, and Matt Riggsby, GURPS Fourth Edition Low-Tech. Steve Jackson Games: Austin, TX, 2010. Link to publishers’ online store.
Its a hard time for small publishers. On November the 12th Steve Jackson Games released its annual Report to the Stakeholders and announced that in a year with their second highest revenues ever they could not afford to print their fully typeset GURPS Discworld. Apparently they have a much harder time selling their roleplaying games than their card and board games. I think that is a shame, because many of their books would be valuable outside the small number of people who play games with the GURPS rules. One of these books is GURPS Fourth Edition Low-Tech.
A burgonet and cuirass alla antica in the State Hermitage Museum, St. Petersburg. No information from label available. Photo by Sean Manning, September 2015.
Trying to interpret armour in art is not a new project. By the beginning of the sixteenth century at the latest, Italian armourers were looking at Roman coins and sculpture and paintings (and perhaps the odd scrap of bronze pulled from a tomb) and trying to decide how to give their customers their own Roman armour. In this case, the armourer looked at one of the statues of a Roman emperor wearing a form-fitting breastplate of scales with embossed decoration, and tried to imitate it with a few nods to the taste of their own day. But not all is as it seems.
Impression of a seal on clay: a warrior in a Median hood and a cuirass with a tall projection behind the neck with a piercing axe thrust into it pulls an enemy’s shield down and stabs overhand into his chest as the enemy brandishes a club. From Erich F. Schmidt with contributions by Sydney P. Noe et al., Frederick R. Matson, Lawrence J. Howell, and Louisa Bellinger, Persepolis II: Contents of the Treasury and Other Discoveries. Oriental Institute Publications 69. Chicago: The University of Chicago Press, 1957 plate 9 seal 30. http://oi.uchicago.edu/research/publications/oip/oip-69-persepolis-ii-contents-treasury-and-other-discoveries
Sometime in the sixteenth year of Xerxes great king (circa 468/7 BCE in our calendar), someone at Persepolis turned a tablet with Elamite writing on end and rolled his seal along it. A conversation with Josho Brouwers of Karwansaray BV recalled it to memory. Because this seems to show the style of body armour with a tall neck-guard and flaps over the shoulders which is often understood as distinctively Greek and said to have been invented about a hundred years before Xerxes based on its appearance in Greek vase paintings. But there is no hint of the Aegean in this scene, and this armour is missing the skirt of pteryges around the waist which usually appear in depictions of armour with this cut from the Aegean.
Showing where this style of armour was invented and how it spread and changed is more difficult than it sounds. It is true that the earliest evidence is painted pottery from mainland Greece in the early sixth or perhaps the late seventh century BCE. But in the sixth century BCE, it happens that we have much more evidence for arms and armour from the Aegean than from anywhere in the neighbourhood. The people there painted armoured men on their pots with durable glazes and carved them on stone, and they deposited large amounts of armour and weapons in graves and especially temples. So it is very dangerous to say that the Greeks invented an object just because it is first depicted in the Aegean, especially if that object is one which does not survive well in the ground. It is usually thought that the first armours with this cut were of cloth or felt or hide, and none of those materials survives 2500 years in the ground unless the conditions are just right. Although by the second century BCE armour with this cut was being worn all around the Mediterranean and made in every possible material, not a single fragment made from cloth or hide has been identified. So while this style of armour was probably invented somewhere in or near to the Aegean around the sixth century BCE, its hard to say for sure that it was invented by Greeks.
CFP: EXPERIENCING WARFARE IN THE ANCIENT WORLD STUDENT CONFERENCE CLASSICS GRADUUATE PROGRAM ─ BROCK UNIVERSITY FEBRUARY 6, 2016 From Stephanie Culp The Classics Graduate Program at Brock University is pleased to announce an interdisciplinary conference exploring the experience of warfare in the ancient world. How were the ancients affected by warfare? What can the literature... Continue reading: Cross-Post: Conference on Experiencing Warfare in the Ancient World, Brock University, February 2016
A tomb relief depicting a man in a toga with six writing boards, Archaeologisches Museum, Schloss Eggenburg, Graz. Photo by Sean Manning, September 2015. A good long time ago, Julius Caesar faced the problem of how to boast about military achievements so great and so numerous that one war threatened to blend into another. Fortunately,... Continue reading: VENI VIDI VICI
In 1837, the remaining Protestants living in the Zillerthal in eastern Tyrol were ordered to convert to Catholicism or leave. Mathias Schmid (d. 1923), “Vertreibung der Zillerthaler Protestanten im Jahr 1837/Letzer Blick in die Heimat,” 1877. In Tiroler Landesmuseum Ferdinandeum, Innsbruck; catalogue number Gem 3718. Photo by author, October 2015. Xenophon,... Continue reading: Keeping Just One Cloak
Entrance to the Fachbibliothek Atrium, North Wing, Universität Innsbruck. Photo by Sean Manning, February 2015. Despite some health difficulties, I have been slowly making sense of the Gadal-iama contract and updating my transcription and further reading in an earlier post. Perhaps “making sense” is not the right expression. Because while historians... Continue reading: Gadal-iama, Part 3: Grammars Pile High, Head Bows Low
An overwhelming flow of information is not a new problem: a bookwheel inspired by ones from the sixteenth and seventeenth centuries at the Hauptbibliothek Neubau, Universität Innsbruck. Made 2008? Photo by author, October 2015.
German for Classical Studies at the University of Cologne, free course June/July 2016, application deadline 30 November 2015 (link: warning, Facebook!)
The academics in Ghana went on strike again over nonpayment of their book allowance in August 2015 (link). As often with news from Africa, this has not received much attention in Europe and North America, even though its hard for any academics at universities in Ghana to work if they can’t buy books and journals.
Meanwhile, historian Alice Dreger has resigned from her post in Illinois after a dispute about whether a glossy magazine with her university’s logo was research (protected by academic freedom) or publicity (overseen by the university administration) revealed a deeper difference about what sort of institution she was working for (her public statement on the subject and her resignation letter). This issue has received a great deal of attention on the Anglophone internet.
The Carmarthenshire Archives in Wales are being devoured by mould, and a Freedom of Information request by J.D. Davies has revealed some disturbing facts about how the local authorities are responding to this crisis.
Some people with more money than sense decided to see what happens when you throw a human-weight or hobbit-weight mass of organic material into a pool of lava. There are videos.
GREEK AND ROMAN MILITARY MANUALS: GENRE, THEORY, INFLUENCE WINNIPEG, MANITOBA, CANADA 21 & 22 OCTOBER 2016 While scholars acknowledge the ubiquity of military manuals in antiquity, systematic study of this genre has yet to be undertaken To be sure, military manuals are enigmatic and at the same time intrinsically fascinating texts. This workshop seeks to... Continue reading: Cross-Post: Conference on Greek and Roman Military Manuals, Winnipeg MB, October 2016
Plate with the king hunting predators. Chased and gilt silver. Iran, 7th century CE. Found as part of a treasure in the Perm Region, 1878. Acquired by the Hermitage in 1925 from the Counts Stroganov Collection. Photo by Sean Manning, September 2015.
In the comments section of an earlier post I have been talking with ryddragyn about archery on the border between the Roman and Sasanid empires around the sixth and seventh centuries CE. Often we do not have sources to answer all the questions which people have today about how soldiers used their weapons, because ancient people preferred to pass that kind of knowledge on in person. But it happens that we have many kinds of evidence for archery in this period, including slightly later archery manuals, books on generalship, a wide variety of works of art, the remains of archery equipment, and odd references in histories and other kinds of literature. I would say that we have at least as good evidence for how Romans and Persians shot at each other in the age of Khosrow and Heraclius as for how Greek hoplites fought one another in Xenophon’s day.
One of the most important pieces of evidence for how the Sasanid Persians drew their bows is a group of gilt silver plates and vases hammered with images of the king hunting with the bow on horseback. It happens that I was recently in St. Petersburg, and I was able to photograph many of these bowls and vases in the State Hermitage Museum. This week I thought I would post some of my photos. Because I have not shot a bow for too many years, nor read up on this period of history, I won’t try to provide a commentary. The captions for each photo are based on the English labels in the Hermitage.
