Ancient

Ancient

Posts on events before the middle of the first millennium CE

Cotton from Dilmun

An eroded ziggurat against the background of the blue sky with bushes and depressions in the foreground
Tschoga Zanbil, the greatest surviving ziggurat in Elam (modern Khuzestan). Photo by Sean Manning, May 2016.

In Achaemenid studies, Wouter Henkelman’s book The Other Gods Who Are is famous for using some very difficult sources to argue that we should not think about Iranians replacing and subjugating Elamites, but that the ancient Persians we know were the product of hundreds of years of interaction between Iranian-speakers and Elamite-speakers sharing the highlands of Fars, so that by the time of Cyrus or Darius it was hard to say what was Iranian and what was Elamite. Elam had traditionally included both lowland Susa and highland Anšan, and by the time of Cyrus the difference between mountain and plain may have felt more real than any difference in language or religion inside one region.

As this study aims to show, the religious landscape of the Achaemenid heartland was a fascinating and variegated tapestry woven from Elamite and (Indo-)Iranian traits. It will be argued that, though heterogeneous, this landscape was nevertheless a unity that was treated as such by the administrators at Persepolis. ‘Iranian’ and ‘Elamite’ cults were not only treated alike, but were actually not separated in clearly distinct sections. The gods venerated and the cults sponsored were only so because they were considered to be Persian, i.e. as belonging to the rich intercultural milieu of first-millennium Fārs. (p. 58)

As I take my first glance through it, I find that it has other treasures:

One question that arises at this point is whether [the hoard of silverware from] Kalmākarra is an exception, or an indication of the overall level of prosperity in the period under discussion [ie. the century after the Assyrian invasions around 640 BCE]. Confirmation of the thesis that ‘Kalmākarra’ is not an exceptional case is the rich inventory of a stone burial chamber, discovered by chance in 1982 at Arǧān near Behbahān in eastern Khūzestān. The funerary deposits, in and outside of a bronze coffin, included an elaborate bronze stand (or ‘candelabrum’), a large gold ceremonial object (‘ring’), a dagger decorated with precious stones and gold filigree, a silver rod, a bronze lion beaker and a large bowl with engraved scenes. Four of the objects have an Elamite inscription reading “Kidin-Hutran, son of Kurluš.” Apart from metal objects, the tomb also contained remains of embroidered garments. The 98 gold bracteates, also found in the coffin, may have been sewn to one or several of these garments. There is now a communis opinio on the tomb’s date: the later seventh or early sixth century BC (i.e. contemporaneous with the Kalmākarra hoard and the Acropole texts).[79] The Arǧān find is of major importance for its international context. The tomb inventory displays a range of different styles and iconographic themes (Phoenician, Syrian, Elamite, Assyrian) and some objects probably reached Kidin-Hutran via long-distance trade. This is particularly true for the textiles found in the tomb, at least three of which are made of cotton – these are, in fact,among the earliest Near Eastern examples of cotton garments. As Javier Álvarez-Mon argues, maritime trade between Elam and Dilmun, where cotton was grown in this period, is the most likely source of the fabric or the raw material (Álvarez-Mon [forthc. 1]).

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How Much Does the Protection of Low-Tech Armour Vary?

A selection of images from tactical displays in Star Wars: A New Hope
Despite all of our technological terrors, we still can’t predict the outcome of hand-to-hand combat very well. Graphic courtesy of Dr. Mike Reddy 2013 https://doctormikereddy.wordpress.com/2013/02/26/javin-java-battle-of-yavin-tactical-computer/

Designers of roleplaying games who are interested in learning how the real world works, and not just studying other people’s stories and games, usually put a lot of thought into the combat mechanics. One old argument is about how to handle the performance of armour. Fairly early on (sometime in the 1970s or 1980s?), the idea of a damage roll was combined with the idea that armour could provide a penalty to damage. However, this tends to bother people whose archetypical combat involves modern firearms and armoured vehicles or kevlar body armour.

Bullets and shells have a very predictable ability to penetrate armour, and modern industrialized, standardized-tested armour has a very predictable ability to resist it, and the damage-roll-minus-armour model tends to let some things get through which should be stopped. While sometimes this can be abstracted away (“eh, maybe those few points of damage represent bruising”) other times that is difficult to justify (“did the shell explode inside the tank or outside? Did the Deathly Dagger of Draining touch his flesh or not?”) One solution to this is to treat both penetration and resistance as more or less fixed, then generate the effect of the wound based on their interaction. GURPS fans often refer to this as armour-as-dice, because armour can be treated as reducing the predictable number of damage dice which the attacker rolls instead of the variable results of that roll.

However, models which treat penetration and resistance to penetration as more-or-less fixed tend to make people who are more interested in combat with hand weapons uncomfortable. In this post, I would like to explore what we know about how much the ability of hand-made armour to resist weapons can vary, even within a given piece of a known form and quality. If you want, you can skip to where I sum up.

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The Linen Karballatu

A bascinet with a perforated-metal visor wearing a red hood with cheek flaps and a tall comb at the top folded down
I am cautious about posting closeups of my face on the Internet, but while I am visiting my parents I have a convenient surrogate available

Some years ago, I made up one of the famous Persian hoods in red linen cloth. I machine-sewed it and bag-lined it, and did not have sources other than reliefs, the Darius Mosaic, the bonnet from one of the Pazyryk tombs, and an interesting woodcut which Jona Lendering showed me. I used linen because it was available and appropriately light and flowing. I had a feeling that wool would have been more common. Back then, I knew that Strabo said that ordinary Persians wore a rag of sindōn (fine linen? by the middle ages sindon was a delicate silk) about their heads while rich ones wore a tower-like felt hat, so I had one possible source for linen (the original Greek is ῥάκος σινδόνιόν and πίλημα πυργωτόν and the citation is Strabo, Geography, 15.3.19). In the meantime I learned a bit of Greek, and also some Akkadian. It turned out that both of those languages are relevant.

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The Paraskeuastikon of Peter the Son of Jack

A brick fortress with swallowtail battlements, a high tower, and double walls
Since I start this post by talking about an imaginary fortress designed by ignorant people, how about a real fortress designed by people skilled in the art: the Castelvecchio facing what was once outside the medieval town and is now part of the city centre, Verona. The low grey wall and the high red brick wall are separated by a ditch which was once wet.

In December I re-watched Peter Jackson’s Lord of the Rings trilogy. A younger self would have used this post to have a good rant about all of the aspects of Jackson’s battles and sieges which just would not work. Tolkien was vague about many things, but he was a combat veteran who knew his classics, and both showed. However, I now realize that if someone with hundreds of millions of dollars at their command can’t be bothered to read a handful of Ospreys, let alone Aeneas Tacticus and Philon of Byzantium and the Old Norse King’s Mirror, or hire an underemployed doctor of ancient history and listen to what they say, there is no point in lecturing to them. Some people just don’t care how they really did it or want to engage with sources (although Jackson did let people who understood material culture and fight direction do their stuff). But watching these films reminds me of one thing which might be right.

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Scythed Chariots

A Persian scythed chariot as imagined by the artists at DBA Online http://www.dbaol.com/ I like the style and colour, although someone should have reminded the artist that these chariots just had a driver, no passengers with bows!

As I write a section of the chapter of my dissertation on Greek literature, I have been thinking about how that literature drives ideas about the Achaemenids along certain channels. Achaemenid historians trained as classicists have trouble forgetting a long list of tropes, stereotypes, and traditions which began in the Achaemenid period but were even more vividly expressed in Roman times. A good example is the most famous Persian weapon, the scythed chariot.

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Greek and Roman Military Manuals in Winnipeg

Looking east along the footbridge over the Red River at Winnipeg.  Photo by Sean Manning, October 2016.
Looking east along the footbridge over the Red River at Winnipeg. Photo by Sean Manning, October 2016.

In October I got to attend the conference on technical military writing at the University of Winnipeg. Aside from giving me a chance to have some A&W and Timbits (somehow Wienerschnitzel and Quarkbällchen are not the same) and catch up on academic gossip, I got to hear a great set of papers.

The presentations focused on Greek texts from Aeneas Tacticus and Xenophon in the early 4th century BCE to emperor Leo VI around 900 CE, with one group of three papers on Vegetius. Three others focused on Xenophon, leaving six on miscellaneous topics and authors, and one on methodology. Only two of the thirteen focused on tactical writing in any language.

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Bonus Content: How Do We Know About the Libraries of Carthage?

Issue 7 of Ancient History magazine is now heading to subscribers. It contains something which was not quick to write, but which I think is very important: a summary of some studies in German which ask how many words of text in different ancient languages survive. Do you think that there are about twice as many words of Greek because the green Loebs take up twice as much shelf space as the red ones? Or prefer ten to one like Liddell and Scott guessed? How do Egyptian, Akkadian, and Sumerian fit in? This article explores how those German researchers tried to find an answer, and what that answer is. To my knowledge, their work has never been discussed in plain language in English, so check it out! The article had to be trimmed for space, so in this post I would like to give the sources for a statement.

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Some Important New Books

Whitehead, David. Philo Mechanicus: On Sieges. Translated with introduction and commentary. Historia. Einzelschriften, 243. Stuttgart: Franz Steiner Verlag, 2016. 510 p. € 84.00. ISBN 9783515113434. Technical military writing does not have much place in the work of ancient historians today, unless they can mine it for anecdotes (Onasander, Frontinus) or it is written by an... Continue reading: Some Important New Books

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