These posts are an experiment: can I have fun talking about martial arts problems as problems to a general audience? Talking with other fencers about fencing theory tends to frustrate everyone unless they already agree. If you like this post or have trouble following, please let me know!
One of the fundamental problems in fencing goes like this. You and your partner are both standing in guard, Because the hand is quicker than the eye, and because in armed combat one strike or thrust can kill, you are far enough away that neither can strike the other without stepping. That extra distance (measure) gives you time (tempo) in which to notice their attack and defend yourself. You want to attack first with a cut. How do you do so without walking on to their point?
In medieval films and TV, bright colours are forbidden on the battlefield and colours other than black, grey, brown, and blue are strongly discouraged. A clip from a Flemish historical drama on the Battle of the Golden Spurs from 1302 (The Story of Flanders / Het Verhaal van Vlaanderen (Bert Ceulemans and Filip Lenaerts directors, 2023)
Something elsewhere made me think of Poul Anderson’s classic essay “On Thud and Blunder” about sword-and-sorcery authors who don’t bother to consider the how and why as well as the what. I wanted to check when it was first published and link to the online text.
It was first published in Andrew J. Offutt (ed.), Swords Against Darkness III (Zebra Books, 1978) and reprinted online by the Science Fiction & Fantasy Writers’ Association. Anderson’s essay was the predecessor to Diana Wyne Jones’ book The Tough Guide to Fantasyland (first edition 1996, revised 2006 – Wikipedia).
Mike Bishop and Jon Coulston are working on a third edition of their classic Roman Military Equipment. This will be complimented by a short booklet for a broader audience, a wall poster, and three open-access source books. Compared to the second edition from 2006, it will cover a wider span of time, have some notes... Continue reading: Cross-Post: Bishop and Coulston Third Edition
In November I was talking to James Baillie who had questions about why the war in Ukraine was becoming harder to follow. To understand why that is, we have to think about the two forms of industrial warfare. While its dangerous to predict, as I schedule this post in December I foresee that the Russo-Ukrainian War is about to slow down after momentous events in January and February 2023 (and it is worth saying that I was wrong about those momentous events – ed.). I think that when a war settles down along fixed lines (whether the NATO intervention in Afghanistan or the Russian invasion of Ukraine) it becomes hard for anyone to know who is winning.
I am writing a post with this very specific title because I have added some more archaeological sites to What Woods Were Used for Shields in Iron Age Europe? Most importantly, I added sites from the pre-Roman “Arras Culture” of the wolds of East Yorkshire (and more shields from early Anglo-Saxon cemeteries in Yorkshire). In this post, I will give more details than I can include in a list in the original post!
I have said this now and then and some people find it helpful, so here it is! People behave differently on the post-2008 Internet than before because most of them are on smartphones or pads not laptops or desktops. For example, its hard to copy and paste blocks of text on a touchscreen, but usually... Continue reading: What is Easy on a Laptop is Hard on a Touchscreen
Roel Konijnendijk has published his second monograph, on the intellectual climate in Germany in the late 19th and early 20th century and how that influenced the writing of ancient military history. Its from Brill, so its priced for libraries not individuals (if you can’t borrow a copy or have your library buy one, email him for other options!) I think a research history like this would play to his strengths. Just remember that there was also research in French and Russian before and after serious ancient history started to be written in English!
Konijnendijk, Roel (2022) Between Miltiades and Moltke: Early German Studies in Greek Military History (Brill: Leiden) vi + 118 pages https://brill.com/display/title/64402
Joumala Medlej, Inks & Paints of the Middle East : A Handbook of Abbasid Art Technology. Revised edition (Majnoura: London, 2021) GBP 20 https://majnouna.com/shop/books/
Inks and Paints of the Middle East is a practical summary of six Arabic treatises on making ink and paint dating from roughly 900 to 1400 CE (300 to 800 AH). Rather than translations, it provides illustrated descriptions of the different processes from making brushes and reed pens to gathering and grinding pigments to mixing them with each other and with binders. Endnotes discuss the scholarly details such as the sources for specific recipes (and some practical questions whether lead white pigment is safe to use, p. 115 n. 129). Most of these texts have never been printed or translated into a European language, or the existing translations and editions are inaccurate (few scholars are skilled in both medieval Arabic paleography and in the kitchen chemistry of making paint and ink).
Many nerdy people use Facebook. Until recently, Facebook let you set the visibility of posts to “Friends” by default so only people whose friend request you had accepted could see them. This was very important for people who face stalking or harassment but wanted to keep in touch with people they knew through social media. Sometime in the past few months, Facebook changed that setting to “Friends (+)” which allows friends of friends. This roughly squares the potential audience of a post, and means that a stalker, harrasser, doxer, or identity thief just has to become Facebook friends with one of your friends to start seeing your posts! Almost anyone knows someone who accepts random Friend or Follow requests on corporate social media. If they mean “friends of friends of the people tagged” then tagging someone still doubles the number of people who can see a post. Stalkers, tabloid journalists, and other nuisances often follow their target’s contacts on social media in hopes of picking up information.
I’m not an expert on corporate social media, but the only way to limit post visibility seems to be to create a list of Friends and share with them. The option “just people whose Friend request I have accepted” seems to be gone. I can’t find any offline documentation of this change. If you use Facebook and are concerned about privacy, you should probably check your settings and think whether you want to change what you post (and especially who you tag, because tagging someone definitely makes a “Friends +” post visible to their friends). My approach to corporate social media focuses on harm reduction rather than expecting everyone to be a privacy geek. Screenshots are below the fold.
One thing I did not spell out is that people with training in history, archaeology, or similar rarely make the key decisions about historical documentaries. Old Media documentaries are businesses like any other film or TV show. They are run by business people and drama people who want return on investment and artistic fulfillment. Scholars may be interviewed and provide sound bites, but what they say is scripted or edited to fit a message chosen by those business people and drama people. Because TV and film are big money, they face big pressure. For example, Zahi Hawass features in almost any documentary about ancient Egypt, not because of his expertise, but because he is very well connected and documentaries which don’t give him airtime have problem after problem with the Egyptian government. Often, a documentary is based on one or two popular books or press releases, so its well downstream of original research. Business people and drama people don’t have the skills or inclination to dig too far into “how do we know that?” so they tend to compare experts and pick the one who sounds most convincing or most exciting. Everyone has to do this sometimes, but trained historians are much better equipped to deal with questions like this.
