medieval

Photographs Showing How a Helmet is Made

22 black and white photos of a helmet being worked from a simple plate of steel into a visored and polished and engraved and gilt form
Series of steps in the construction of a close helm in the Greenwich style of about 1580 by Daniel Tachaux. Photo by Metropolitan Museum of Art, 1915, as reprinted in Robert Douglas Smith ed., Make All Sure: The Conservation and Restoration of Arms and Armour (Basiliscoe Press: Leeds, 2006) p. 108 publisher’s website

I encourage you to click on the photo above and see it at full size. This is not a source for how real 16th century armour was made (and an expert tells me that its not a very good replica), but how Daniel Tachaux made a replica during the First World War.

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The Paraskeuastikon of Peter the Son of Jack

A brick fortress with swallowtail battlements, a high tower, and double walls
Since I start this post by talking about an imaginary fortress designed by ignorant people, how about a real fortress designed by people skilled in the art: the Castelvecchio facing what was once outside the medieval town and is now part of the city centre, Verona. The low grey wall and the high red brick wall are separated by a ditch which was once wet.

In December I re-watched Peter Jackson’s Lord of the Rings trilogy. A younger self would have used this post to have a good rant about all of the aspects of Jackson’s battles and sieges which just would not work. Tolkien was vague about many things, but he was a combat veteran who knew his classics, and both showed. However, I now realize that if someone with hundreds of millions of dollars at their command can’t be bothered to read a handful of Ospreys, let alone Aeneas Tacticus and Philon of Byzantium and the Old Norse King’s Mirror, or hire an underemployed doctor of ancient history and listen to what they say, there is no point in lecturing to them. Some people just don’t care how they really did it or want to engage with sources (although Jackson did let people who understood material culture and fight direction do their stuff). But watching these films reminds me of one thing which might be right.

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The Forces of Madness Over-Reach

The unfinished end of the sleeve of a quilted garment against a cloth background
One cuff of the doublet about to be finished by stitching cloth along the raw edges.

The forces of madness have been on an around-the-world tour, but when they got back and slept off the tasty kebabs, weak beer, and very sweet sweets they discovered that their agent in the Alps had over-reached himself. This particular style of clothing was meant to fit very closely in some areas while standing away from the body in others, and in an excess of enthusiasm, their humble servant cut too much away from the opening of the lower sleeve to finish its edges by rolling or folding and stitching down. Fortunately, there are solutions.
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Greek and Roman Military Manuals in Winnipeg

Looking east along the footbridge over the Red River at Winnipeg.  Photo by Sean Manning, October 2016.
Looking east along the footbridge over the Red River at Winnipeg. Photo by Sean Manning, October 2016.

In October I got to attend the conference on technical military writing at the University of Winnipeg. Aside from giving me a chance to have some A&W and Timbits (somehow Wienerschnitzel and Quarkbällchen are not the same) and catch up on academic gossip, I got to hear a great set of papers.

The presentations focused on Greek texts from Aeneas Tacticus and Xenophon in the early 4th century BCE to emperor Leo VI around 900 CE, with one group of three papers on Vegetius. Three others focused on Xenophon, leaving six on miscellaneous topics and authors, and one on methodology. Only two of the thirteen focused on tactical writing in any language.

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The Garden of Naumberg Cathedral

A low tree similar to an apple
The suspicious tree, in all of its autumnal glory

In the garden of Naumberg Cathedral is a peculiar tree. I think that I know what it is, but I will hide my ideas below the fold- below being a significant word, if my theory is correct.

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An Elegant Counter

A few years ago, an article on the locomotor costs of moving in armour was published which made many steel-clad heads meet desks. Most of those heads belong to people who would be happy to explain what was wrong with the article in person, but are not used to writing up what they know with... Continue reading: An Elegant Counter

Quaestiones Forojulienses: Why Do Fiore’s Jargon and Armour Jargon Overlap?

A man in a robe sits in an armchair with a circular table in front of him. The table rotates on a screw joint and supports two books, one open and upright and one horizontal and closed. In the background a glass window shows a dark night.
A student reading in his room, as painted in Paris circa 1420. British Library Royal MS 20 B XX. Cropped from an image in the Catalogue of Illuminated Manuscripts which has been released under a Creative Commons CCO 1.0 Universal Public Domain Dedication.

One of my academic interests is knightly combat in late medieval Europe as described in four manuscripts by Fiore dei Liberi dating to the beginning of the fifteenth century. Fiore’s works, and those of his contemporaries in more northerly lands, give us a unique chance to understand how the weapons and armour racked in museums were meant to be used. They at the very least give anyone interested in how ancient people fought food for thought.

This series of posts is inspired by the Greek scholar Plutarch, who wrote an antiquarian essay asking why the Romans practiced some curious customs. Plutarch was wise enough to give questions not answers, and that will be my policy in these posts as well.

Fiore dei Liberi was a startlingly intelligent man, and the words he chose to describe his art reflect this. He worked very hard to find words and design mnemonics which would help his audience understand and remember. Many of these words are still clear to students today, while some require a gloss. Because few of us hunt boar with spears, we need to be taught that the boar kills by ripping diagonally upwards with its fangs, and so does posta dente di cinghiaro (the position ‘boar’s tooth’). Quite a few of the words which he chose have another technical meaning within the world of arms and armour:

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Some Gargoyles in Prague

One of the original gargoyles from the Gunpowder Tower, Prague, now on display inside the attic of the tower.
One of the original gargoyles from the Gunpowder Tower, Prague, now on display inside the attic of the tower.

Because the Scholarly Skater has not been able to post for a few weeks, the supply of gargoyles on the Internet has been in decline. It is a little known fact that just as gargoyles in the real world channel away water away from flooding or dissolving the building to places where it can be used for irrigation and other useful purposes, gargoyles on the Internet channel spam and trolls so that instead of clogging the tubes they are safely redirected to a server farm in California where they keep spies and PhDs in Physics harmlessly busy. This week, I thought I would step in and fill the gap.

Although Prague is not known for its ancient history, I have some Achaemenid content at the end of this post.

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