The breastplate of an armour from Campania in southern Italy around 300 BCE. Originally it would have been mached with a backplate, bronze belt,greaves, and probaably reinforcements for the straps over the shoulders and under the armpits. Leeds, Royal Armouries, Object number II.197 b
Over on his site Bret Devereaux has a good description of a problem in Roman Military Equipment Studies. In book 6 of his histories, Polybius says that most Roman infantry wear a plate of bronze a span broad called a kardiophylax “heart-protector” on their breast, except for the wealthy who wear coats of mail. No such plate survives from a Roman site after 300 BCE, and no sculpture or painting shows it. As Roman rule expands across Italy, locals stop building tombs with detailed paintings full of arms and armour, and body armour tends to be a rare find. By the fifth century BCE, Samnites and Campanians had replaced simple disc breastplates with more complex arrangements of a breastplate, a backplate, a bronze belt and armoured straps over the shoulders and under the arms. We therefore have to assume that Romans either reverted to a style of armour from several hundred years before, or that Polybius’ description just mentions one-part of a seven-part armour. To my knowledge, no other surviving writer says that Romans wore such a breastplate, and there are no carvings or paintings which show Romans wearing them (Varro’s pectorale was made of strips of leather, De Lingua Latina 5.24). Both interpretations match objects from the ancient Mediterrean, and both match later armour from other cultures such as the “good iron for his body” worn by Robert the Bruce’s militia in 13181 and char-aina “four mirrors” armour in the Persianate world. I am doubtful that most Romans could afford not only a helmet, a sword, and and iron-bound shield but most of a bronze breastplate, but Devereaux is more confident. There are a lot of things to think about here, such as why the Roman Republic, a relatively egalitarian society, did not leave much art which showed ordinary soldiers. However, this week I will write down my thoughts about one technical question which I took the time to work through.
One reason why I like Fernando Quesada Sanz’ Weapons, Warriors, and Battles of Ancient Iberia (publisher’s website) is that he looks east to the Punic world as well as the Greek and Roman worlds. Whereas specialists in archaic and classical Greece rarely pay much attention to any kind of barbarians, Quesada Sanz reminds readers that Iberia has been influenced by people who arrived by sea from the east since the 9th century BCE. A good example is what he has to say about the Iberian disc cuirasses.
Armour scholar Chris Dobson has released a new book: Beaten Black and Blue: The Myth of the Medieval Knight in Shining Armour. This will be a limited edition like an academic monograph to make sure its available for armour scholars centuries to come. I have ordered a copy.
Tobias Capwell, Armour of the English Knight, Volume 3: Continental Armour in England, 1435-1500 (Thomas Del Mar Ltd.: Great Britain, 2022) only for sale from the publisher
My copy of Armour of the English Knight, Volume 3 arrived in December 2022. I hope to publish a review somewhere which will count on my CV, so I will be brief here.
I don’t know how many of my gentle readers are armour scholars. Carlo Paggiarino, maker of fine-art books on the details of medieval and renaissance European arms and armour, has a message:
Just a quick message to let you know that Hans Prunner Editore has launched a new subscription campaign.
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Seven years after the first volume arrived at my doorstep in the Before Times, Olympia Auctions is accepting pre-orders for Armour of the English Knight, Volume 3: Continental Armour in England, 1435-1500. You can order a copy for a 10 GBP discount from the retail price at the Olympia Auctions website. I have to be... Continue reading: Cross-Post: Capwell’s “Continental Armour in England, 1435-1500” in Pre-Order
Yes, the cat armour/mouse armour guy is based in Calgary!
Lorica Clothing in the United States is organizing an online armour scholarship conference from 3 to 9 May using Zoom (warning! security and privacy catastrophe). Read more
Randall Hixenbaugh, illustrated by Alexander Valdman, Ancient Greek Helmets: A Complete Guide and Catalog (Hixenbaugh Ancient Art Ltd: New York, NY, 2019) 738 pages (275 color pages), 8 1/2 x 11 in, ISBN 978-0-578-42371-5, USD 450 (hardcover) From Jeffrey Hildebrandt, for the deep of pockets: The most comprehensive study ever produced on the subject of... Continue reading: Cross-Post: Hixenbaugh on Ancient Greek Helmets
Innsbruck’s copy of Max Jähns, Handbuch einer Geschichte des Kriegswesens von der Urzeit bis zur Renaissance. Technischer Theil. (Leipzig: Fr. Wilh. Grunow Verlag, 1880)
Today, we often take it for granted that ancient texts mentioning linen or leather armour must describe the kind with a yoke over the shoulders and a skirt of ‘feathers’ which we see in Red Figure vase paintings and Etruscan tomb paintings. But like many other aspects of this debate, it is hard to trace back before Peter Connolly in the 1970s. People have collected references to linen and leather armour in literature since the 16th century, but for a long time they did not compare it to artwork any more than they compared it to objects in museums. At first this may have been because travelling to collections of art and accurately reproducing them was impractically expensive. Any scholar could see a collection of antiquities, but the one in their patron’s library was not the one in another scholar’s cathedral or a third’s country house, so they could not refer readers to a specific sculpture and expect that they would seek it out in the way they could cite a line of poetry and expect readers to take down another book and read it. Also, the brighter researchers often noticed that many of these passages describe the armour of barbarians: Egyptians, Assyrians, Iberians. John Kinloch Anderson is the first writer who comes to mind who explicitly identified the “linen and leather armour” he saw in Greek texts with the armour with shoulder flaps in Greek sculptures and paintings (Military Theory and Practice in the Age of Xenophon, 1970, pp. 22-23). About a hundred years before, him, a Prussian staff officer named Max Jähns had some different thoughts on this question.
Douglas W. Strong, Surviving Examples of Early Plate Armour (1300 – 1430) Volume I: Bascinets (Freelance Academy Press, 2018) 332 pages, hardcover with B&W illustrations ISBN-13 978-1-937439-12-5 (available from the publisher) Doug “Talbot” Strong, the author of An Analysis of 1300 Effigies Dated Between 1300 and 1450 has finally been able... Continue reading: Cross-Post: Doug Strong’s Armour Book in Preorder
