medieval

Armour of the Month: A St. George from Styria

A late 14th century statue of St. George and the dragon in smooth stone
The St. George from Großlobming, Styria, in the Belvedere, Wien.

If you make your way to the Belvedere in Vienna, grumble at the steep price for tickets and gawk at the splendid, arrogant promenade sloping down towards the city centre and the lower pavilion, you will find yourself in the marble lobby of the Upper Belvedere. On the upper floors they have the Napoleon Crossing the Alps by David, some colourful paintings by Gustav Klimt, and a lot of softcore nudes for lonely Victorian gentlemen, but the most magnificent work is in a little suite of rooms on the ground floor opposite the gift shop and the cafe: a collection of statues from a little village church in the hills of Styria. I could talk about each of them, but because this blog is what it is, I will focus on the St. George.

Take a few moments to take him in: the expressive arms, the long slender profile with a high narrow waist and a deep rounded chest, the ethereal, emotionless face as he places his lance just right … some of the best things about Latin Christian art at the end of the 14th century in one statue. The little church does not have records of when it was redecorated, so when he was made can only be guessed at: probably sometime within 20 years of 1380.

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Some Things That the HEMA Movement Gets Right

Several men and women in plate armour rest on the grass in the shade while others look on or chat
Some happy warriors after a historical fencing event in the Midwestern USA.

Quite a few people seem to be finding their way to my post about why I drifted away from the historical fencing movement. While I think it needed to be said, it might leave someone wondering what I found attractive about that world in the first place. Some of the reasons seemed obvious: the historical fencing movement gives people the chance to learn horse archery in Vancouver and a reason to get happy and sweaty with a group of friends (sometimes leading to to other more private happy-sweaty times). Those are wonderful things! And while I am not sure how much we can know about how ancient Greeks or Viking Age Norwegians used their shields, I think that someone who wants to know would be wise to get one and spend time moving it (because Thucydides and Snorri Stirluson wrote for an audience who had all used spear and shield). So this week, I would like to talk about some good things which the community does in 2017.

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The Wellcome Trust and the Urban Graveyard Effect

In the first two weeks of August there was a great kerfuffle about a BBC educational cartoon which showed a couple in Roman Britain who would be called multiracial in Late Capitalist Britain. Angry essays were typed, tweets flew with the wrath of the Stymphalian Birds, and many people hurried to let the Internet know which faction they aligned with. Neville Morley did a good job of summarizing how most ancient historians think about the problem in his blog post Diversitas et Multicultaralismus (no, a dark-skinned official and his light-skinned wife would not have been unheard of at Bath or Hadrian’s Wall; genetic data is exciting but just one of many kinds of evidence which historians draw upon to understand the past; genes are only loosely connected to identity). The Romans could be horrible snobs and bigots, but most of their stereotypes and slurs were directed at people from other parts of Europe and the Mediterranean … they do not seem to have been very interested in whether people had dark skin and kinky hair. In this post, I would like to talk about one of the methodological questions I have after reading the Wellcome Trust paper from 2015 by Leslie et al. which some people have been citing as evidence that negligible numbers of people from Africa had children in Britain before the 20th century (doi:10.1038/nature14230).

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A Lombard Silver Bowl

A plate wrought with a horseman in a shirt of mail riding down a man on foot with a two-handed thrust of a lance.  Another infantryman has already fallen atop his large round shield.
Detail from a wrought silver plate in the Castelvecchio, Verona. Said to come from northern Italy and date to the sixth century CE. Photo by Sean Manning.

One of the treasures housed in the Castelvecchio of Verona is an extraordinary silver plate. It dates a bit later than the Sasanid silverwork which I have blogged about before, to the age which gave us Maurice’s Strategikon when East Romans, Goths, and Lombards were struggling for control in Italy and destroying what was left of the wealth and learning built up in the centuries when Rome ruled the world.

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An Old Dilemma

Inside Urim there is death, outside it there is death. Inside it we are to be finished off by famine. Outside it we are to be finished off by Elamite weapons. In Urim the enemy oppresses us, oh, we are finished.

The Lament for Sumer and Urim, lines 389-402 (ETCSL 2.2.3)

Industrial Age

More than 140 civilians have been killed in less than a week while trying to flee western Mosul, according to military sources [among the besiegers], as the Iraqi army seeks to close in on fighters from the Islamic State of Iraq and the Levant (ISIL, also known as ISIS) in the armed group’s last stronghold in Iraq.

According to the [besieging] military on Thursday, most of the fatalities were women and children.

“Mosul battle: At least 142 civilians killed in six days” http://www.aljazeera.com/news/2017/06/mosul-battle-120-civilians-killed-days-170601113018034.html
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Some Good Armouring Channels

A cuisse in progress, a sketch of the desired form, and a photo of an original piece by Jeff Wasson of Wasson Artistry http://wassonartistry.com/show.php?id=techniques

Today all kinds of skilful artisans are describing their work on YouTube, and some documentaries and demonstrations are available there. This makes it possible to learn about armouring on your laptop in the same way that 20 years ago you could learn about cooking or home repair on TV. Unfortunately, a simple keyword search will turn up both videos on historical armour and rants about video games, the New Zealand Army’s video on a trade, a British soldier grumbling about a change in pay scales, and other things not very helpful to someone interested in ancient and medieval armour. So this week I thought I would suggest some channels by good craftsmen who know what they are talking about. All of these links are videos hosted on a site owned by an American company which makes its money by tracking you [Google], so let the privacy-conscious or low-bandwidth clicker beware.

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Historical Prices for Gamers and Writers

Photo of cloth dealers in the old bazaar of Isfahan
Isfahan’s glory days are young, within the last thousand years, but a nice shaded place to set up shop is a luxury in any period! Photo of the Old Bazaar in Isfahan by Sean Manning, May 2017.

One of the big problems facing anyone studying ancient economies is that it’s very difficult to tell how much things cost at any given time. Records of market prices are sparse at the best of times and often nonexistent, and even where such records exist, they’re usually exceptional or represent only a single transaction. But sometimes historians get lucky …

– Matthew Riggsby, GURPS Hot Spots: The Silk Road p. 34 http://www.warehouse23.com/products/gurps-hot-spots-the-silk-road

Gamers and novelists often want to know something which historians are not eager to answer: how much did practical things cost in the past? Historians of older periods tend to be very aware of the limits of a source which just says “five pounds of iron nails worth thus-and-such,” and admire the work of specialists in recent times who construct methodical serieses and statistics and turn them into charts with lines and inflection points. But characters in a short story or an adventure game are much more likely to buy a drink or a sword than ten bushels of barley. The writers of roleplaying games almost never have time to do the research, unless the game is set in very recent times and they can mine their collection of old Sears Catalogues and Baedekers. (Also, their customers tend to become just as attached to “a longsword costs 15 gold pieces” as they are to “magic missile always hits,” and in our decadent and decimalized age they sometimes revolt against something as simple as pounds/shillings/pence). So this week, I thought I would honour the release of Matthew Riggsby’s GURPS Hot Spots: The Silk Road with a list of some resources which I have found.

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New and Not-So-New Publications

A photo of a busy square with an ornamental column and reflecting pool
Ancient History 9 has an article on the agora of Athens, so how about a picture of Innsbruck’s equivalent? A view towards the Nordkette along Marien-Theresien-Straße. Photo by Sean Manning, April 2017.

While I can’t pull the lid off Ninkasi’s vat to announce some projects which are still fermenting, today I would like to remind my gentle readers about two other new publications.

First, I have a short article on Marduk and Tiamat in issue 9 of Ancient History magazine. The focus of that issue is on Athens in the fourth century BCE, but there are also articles on Sicilian and Egyptian topics. If you like Peter Connolly’s The Ancient City you will like this issue. Check it out!

Second, I have obtained permission to release a pre-print of my paper on the mnemonic techniques employed in the writings of Fiore dei Liberi, a fencing master from Friuli who died some time after February 1410 CE. It was scheduled for a conference proceedings which was intended to appear in 2014 but which has been delayed. I hope it has something useful for fencers who want to learn more about medieval studies, and medievalists who want to learn more about physical culture. You can download the PDF from my website. (It is not beautifully formatted, because I made it from a PDF of the proofs which I had to convert to LibreOffice to edit then back to PDF to post; I am sorry, but going through the file and correcting the formatting would be very time consuming, and I can’t afford to take that many hours away from my other writing projects).

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The Largest Armies in World History

A reproduction of a battle between Persians and Macedonians painted on glazed tiles
This battle scene is crowded, but just how many men are supposed to be involved? A detail of the reproduction of the Darius Mosaic from Pompeii in the State Hermitage Museum, St. Petersburg. Photo by Sean Manning, September 2015.

The most recent issue of Ancient Warfare magazine (X.6) contains an article on the battle of Chang-Ping in the Warring States period where allegedly several hundred thousand conscripts lost their lives. In western Eurasia, the first reliable evidence that anyone brought a hundred thousand or more combatants to a battle appears around the time of the Napoleonic Wars. (I could talk about what counts as reliable evidence, but suffice it to say that this is an empirical question and that numbers in stories about armies long ago and far away do not count). Occasionally one hears higher figures from India or China. Does any of my gentle readers know if those sizes are based on any real evidence, or just the usual choice between the various numbers given in stories about the battle?

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Announcing Armour in Texts

An 18th century coloured print of a man in armour from neck to foot wearing a long straight sword and a carbine on a sling
The armour which Maurice de Saxe had made sometime before 1757, from the French edition of Mes Rêveries.

Back in 2014 I began a project to address a problem which I noticed. Amateur students of armour seemed to have trouble finding written sources, and historians specialized in one period sometimes seemed not to notice things which I saw again and again in the world history of armour. For example, my reading in the world history of prices in general, and armour prices specifically, makes me read the statement that Athenian settlers needed to bring arms worth 30 drachmas differently than some other ancient historians do (for a list of sources, see Van Wees, Greek Warfare: Myths and Realities, p. 52, plus the Salamis Decree from the Acropolis at Athens). From watching the traffic on my blog, I noticed that if you give people a link to sources, many of them will follow it. In my view, making sources available is the single most important thing which historians can do: interpretations change and are a product of our culture, but sources are foreign and reading enough of them makes it hard to have any simple interpretation of history, or believe that people in other cultures and other times think just like we do. But often sources on armour are published in out-of-print books in a handful of libraries, or available in old translations by people who were not especially interested in material culture.

Unfortunately, I have had to put this project aside for two years now, so I think it is time to make sure that my gentle readers know about Armour in Texts.

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