Achaemenid Empire

Achaemenid Empire

Just Like the Persians in Pictures

Like many historians who work with Xenophon, I get very frustrated with the way that his calm, manner-of-fact style can hide evasions of the truth. I don’t think he is more unreliable than most old soldiers (and he does not make any great claims for his own reliability), but he is such a good writer that he often lulls readers into trusting him when they should not. But sometimes, like in a passage which I recently rediscovered, he hints at what he is trying to do.

At the beginning of the Cyropaedia, Xenophon describes Persian institutions for raising young men at some ill-defined time. In their teens and early twenties they spend their time guarding the city, practicing with the bow and javelin, and hunting, and then they graduate to a stage of life where they are expected to engage in more difficult kinds of fighting:

But if soldiering is called for, those who have been educated in this way go soldiering armed not with the bow or even the javelins (palta), but with what is called kit for hand-to-hand combat: body armour (thorax) about the breast, a wicker shield (gerron) in the left hand, just like the Persians are drawn holding, and a machaira or kopis in the right.

Xenophon, Cyropaedia, 1.2.13 (tr. Manning, my Greek is very rusty)

Just like the Persians are drawn (γράφονται) holding? Xenophon is appealing to vase paintings for support! This is remarkable, because the crescent-shaped shields and curved swords which barbarians often wield in Attic art are characteristic of the Aegean. They were popular with nations like the Athenians and Thracians and Lydians, not (as far as we know) amongst the Medes or Persians. Moreover, by Xenophon’s day easterners in South Greek art are hard to identify with specific ethnic groups: their clothing and weapons seem to be a mix of Thracian, Scythian, and Anatolian fashions. So what is he doing when he compares the weapons of Cyrus’ Persians to the weapons of generic orientals?

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Sometimes Bittner Was Right

A painted relief of a warrior on horseback stabbing downwards with a spear. His body armour has two layers of short flaps at the waist, a front and back running straight up and down, wide blocky sleeves ending before the arm joint, and a tab behind the head just as tall as the head.
Closeup of the horseman from a carved and painted sarcophagus from Çan south of the Sea of Marmara. Note the hood, tall neckguard, pteryges at the waist, and short sleeves or extended shoulder flaps. Copyright Troy Excavation Project, photo found at http://odysseion.blogspot.co.at/2010/05/oft-debated-tube-and-yoke-linothorax.html

Specialists in the Achaemenid Empire don’t like to talk about Stefan Bittner. His Doktorarbeit is the only monograph on the Achaemenid army which has ever been published, but it takes exactly the approach which was inspiring another group of scholars to organize conferences and rethink the field: it relies almost completely on Greek literature and artwork, and treats these sources as a precious collection of facts to be worked into a coherent whole. In the decades which followed, those other scholars knocked so many holes in this approach that it is hard for them work with a book like his, so they tend to cite his thesis and say nothing more. I don’t think that this is really fair, since nobody can predict how academic fashion will shift or what new evidence will become available. People who try too hard to ride the crest sometimes find themselves flailing in midair as the wave below them crashes down. There is a sad joke that farming is a simple job where you just have to predict the weather, fuel costs, and food prices a year in advance; PhD students have to predict the job market 3 to 10 years in advance. And in the early 1980s, it was not so easy to hear about conferences and intellectual movements in other countries as it is today. So this week, I would like to mention one of his good ideas which seems to have been ignored.

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Rationalizing Cunaxa

At the battle of Cunaxa, two claimants to the Persian throne lined up their armies. One of them had a large force of Greek infantry, and both kings had men in their armies who went on to become famous writers. One of those aristocratic camp followers, Xenophon, tells a story which has puzzled many readers (Anabasis 1.8.19 from the Loeb). When the armies were about 600 or 800 yards apart, the Greek mercenaries ran forward:

And before an arrow reached them, the barbarians broke and fled. Thereupon the Greeks pursued with all their might, but shouted meanwhile to one another not to run at a headlong pace, but to keep their ranks in the pursuit.

It was very common in the 5th century BCE for one side to run away as the enemy approached, or after a few moments of fighting hand-to-hand. Combat is terrifying, and most soldiers of the day did not have a lot of practice working as a group. But it is very unusual for an army to run away before the enemy was within bowshot. What happened?

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The Size of Achaemenid Armies

In the chapter of my dissertation on the Greek sources, I had to talk about the size of Persian armies. One of the few details about Persian armies which most Greek writers give is that they had a specific and very large number of men, and no other kind of evidence lets us estimate the size of armies in the field (the Behistun inscription lists the number of enemies killed and taken alive in various battles, and it is possible to estimate how many bow estates or temple soldiers were available in some parts of Babylonia, but neither is a reliable guide to the size of royal armies in the field). The reason why we are so determined to give the size of Achaemenid armies is that the classical tradition tells us that we should.

I side with the skeptics, such as George Cawkwell, who feel that the numbers for barbarian armies in ancient sources are not worth much, and that as they drew on similar populations and administrative systems, Achaemenid armies were probably about as big as Hellenistic and Roman ones. In a broad survey like my thesis, I had no time to propose numbers for specific cases, even if I decided that that were possible. (My master’s thesis lays out the evidence for Cunaxa as clearly as I could, although today I would add a few sentences). While arguments against vast armies are not always perfectly formed, I am not sure that the remaining believers in countless Persian hordes are really driven by the evidence (a great article by T. Cuyler Young has some suggestions about the psychology and literary forces involved). So instead of arguing back and forth about logistics and the lengths of columns, I focus on some other perspectives.

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Cotton from Dilmun

An eroded ziggurat against the background of the blue sky with bushes and depressions in the foreground
Tschoga Zanbil, the greatest surviving ziggurat in Elam (modern Khuzestan). Photo by Sean Manning, May 2016.

In Achaemenid studies, Wouter Henkelman’s book The Other Gods Who Are is famous for using some very difficult sources to argue that we should not think about Iranians replacing and subjugating Elamites, but that the ancient Persians we know were the product of hundreds of years of interaction between Iranian-speakers and Elamite-speakers sharing the highlands of Fars, so that by the time of Cyrus or Darius it was hard to say what was Iranian and what was Elamite. Elam had traditionally included both lowland Susa and highland Anšan, and by the time of Cyrus the difference between mountain and plain may have felt more real than any difference in language or religion inside one region.

As this study aims to show, the religious landscape of the Achaemenid heartland was a fascinating and variegated tapestry woven from Elamite and (Indo-)Iranian traits. It will be argued that, though heterogeneous, this landscape was nevertheless a unity that was treated as such by the administrators at Persepolis. ‘Iranian’ and ‘Elamite’ cults were not only treated alike, but were actually not separated in clearly distinct sections. The gods venerated and the cults sponsored were only so because they were considered to be Persian, i.e. as belonging to the rich intercultural milieu of first-millennium Fārs. (p. 58)

As I take my first glance through it, I find that it has other treasures:

One question that arises at this point is whether [the hoard of silverware from] Kalmākarra is an exception, or an indication of the overall level of prosperity in the period under discussion [ie. the century after the Assyrian invasions around 640 BCE]. Confirmation of the thesis that ‘Kalmākarra’ is not an exceptional case is the rich inventory of a stone burial chamber, discovered by chance in 1982 at Arǧān near Behbahān in eastern Khūzestān. The funerary deposits, in and outside of a bronze coffin, included an elaborate bronze stand (or ‘candelabrum’), a large gold ceremonial object (‘ring’), a dagger decorated with precious stones and gold filigree, a silver rod, a bronze lion beaker and a large bowl with engraved scenes. Four of the objects have an Elamite inscription reading “Kidin-Hutran, son of Kurluš.” Apart from metal objects, the tomb also contained remains of embroidered garments. The 98 gold bracteates, also found in the coffin, may have been sewn to one or several of these garments. There is now a communis opinio on the tomb’s date: the later seventh or early sixth century BC (i.e. contemporaneous with the Kalmākarra hoard and the Acropole texts).[79] The Arǧān find is of major importance for its international context. The tomb inventory displays a range of different styles and iconographic themes (Phoenician, Syrian, Elamite, Assyrian) and some objects probably reached Kidin-Hutran via long-distance trade. This is particularly true for the textiles found in the tomb, at least three of which are made of cotton – these are, in fact,among the earliest Near Eastern examples of cotton garments. As Javier Álvarez-Mon argues, maritime trade between Elam and Dilmun, where cotton was grown in this period, is the most likely source of the fabric or the raw material (Álvarez-Mon [forthc. 1]).

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The Linen Karballatu

A bascinet with a perforated-metal visor wearing a red hood with cheek flaps and a tall comb at the top folded down
I am cautious about posting closeups of my face on the Internet, but while I am visiting my parents I have a convenient surrogate available

Some years ago, I made up one of the famous Persian hoods in red linen cloth. I machine-sewed it and bag-lined it, and did not have sources other than reliefs, the Darius Mosaic, the bonnet from one of the Pazyryk tombs, and an interesting woodcut which Jona Lendering showed me. I used linen because it was available and appropriately light and flowing. I had a feeling that wool would have been more common. Back then, I knew that Strabo said that ordinary Persians wore a rag of sindōn (fine linen? by the middle ages sindon was a delicate silk) about their heads while rich ones wore a tower-like felt hat, so I had one possible source for linen (the original Greek is ῥάκος σινδόνιόν and πίλημα πυργωτόν and the citation is Strabo, Geography, 15.3.19). In the meantime I learned a bit of Greek, and also some Akkadian. It turned out that both of those languages are relevant.

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Bandits in the Achaemenid and Roman Empires

Map of the Euxine Sea (our Black Sea) showing elevation, rivers, and Greek cities courtesy of Wikimedia Commons.
Map of the Euxine Sea (our Black Sea) showing elevation, rivers, and Greek cities courtesy of Wikimedia Commons.

Achaemenid historians with a background in classics are often impressed by the references to revolts and ungoverned areas in the Greek sources. Pierre Briant published a number of works in French on the subject of unruly mountaineers in the Zagros. Are these a sign that the Achaemenid empire was particularly flimsy, and achieved its great size by not worrying too much about the deserts between the great cities and fertile valleys? Did those wonderful, vigorous Greeks and Romans establish a new kind of state which was much more powerful and ambitious?

I have always thought that evidence from the Hellenistic and Roman periods might be helpful. When I read specialists in Roman history, it seems to me that they often quietly mention that large areas in the backwoods were effectively outside of Caesar’s power and in the habit of robbing, extorting, or murdering travellers and neighbours. Now and then this sort of unrest even appeared in Italy, and the army would have to go and haul a ruffian out of a swamp, proclaim him the ringleader, and put him to death creatively. However, it seems to have been especially common in Anatolia. Searching through some old notes, I finally found one reference:

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The Domain of Cyrus the Younger

A map of the eastern Mediterranean showing the Aegean coast, Lydia, and Greater Phrygia loyal to Cyrus, the Peloponnese, the Chersonesos, Kilikia, and Paphlagonia allied to Cyrus, part of southern Anatolia in revolt, and everything else east ot the Hellespont loyal to the king
Map of Cyrus’ domain [tan], allies [orange], royalist territories [red], and unruly territories [grey] in 401 BCE. Territories uninvolved in the struggle are white. Map by Daniel Dallet with additions based on Xenophon and Strabo, original at http://d-maps.com/carte.php?num_car=3160&lang=en

Three years ago I was presenting a poster at a different Melammu conference. Most of the contents of that poster are based on my dissertation (which is available for free download) or paintings and photographs which belong to other people, but I did create one map especially for the poster. This week, I thought I would share it, and some of my thoughts on what is wrong with this picture.

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