Book and Sword
The Reconstruction of an Iron Age Building

If you head up the valley of the stream which runs below Schloss Churburg, cross the river a short way past the wading pool which the Vinschgauers built for bathers who want enough water to get wet in in the summer drought or won’t dare the slippery stones of the streambed, and ascend the path which snakes up the right bank amidst jingling cowbells, you eventually reach an archaeological park on the mound called the Ganglegg. Aside from the uncovered foundations and picknick tables and aluminum signs, the designers of the park also decided to reconstruct a handful of buildings. But that decision was not without controversy amongst the archaeologists.
Read moreSome thoughts on “GURPS Fourth Edition Low-Tech”

William H. Stoddard, with Peter dell’Orto, Dan Howard, and Matt Riggsby, GURPS Fourth Edition Low-Tech. Steve Jackson Games: Austin, TX, 2010. Link to publishers’ online store.
Its a hard time for small publishers. On November the 12th Steve Jackson Games released its annual Report to the Stakeholders and announced that in a year with their second highest revenues ever they could not afford to print their fully typeset GURPS Discworld. Apparently they have a much harder time selling their roleplaying games than their card and board games. I think that is a shame, because many of their books would be valuable outside the small number of people who play games with the GURPS rules. One of these books is GURPS Fourth Edition Low-Tech.
Tromp l’oeil

Trying to interpret armour in art is not a new project. By the beginning of the sixteenth century at the latest, Italian armourers were looking at Roman coins and sculpture and paintings (and perhaps the odd scrap of bronze pulled from a tomb) and trying to decide how to give their customers their own Roman armour. In this case, the armourer looked at one of the statues of a Roman emperor wearing a form-fitting breastplate of scales with embossed decoration, and tried to imitate it with a few nods to the taste of their own day. But not all is as it seems.
Read moreThe Thrust of an Argument

Sometime in the sixteenth year of Xerxes great king (circa 468/7 BCE in our calendar), someone at Persepolis turned a tablet with Elamite writing on end and rolled his seal along it. A conversation with Josho Brouwers of Karwansaray BV recalled it to memory. Because this seems to show the style of body armour with a tall neck-guard and flaps over the shoulders which is often understood as distinctively Greek and said to have been invented about a hundred years before Xerxes based on its appearance in Greek vase paintings. But there is no hint of the Aegean in this scene, and this armour is missing the skirt of pteryges around the waist which usually appear in depictions of armour with this cut from the Aegean.
Showing where this style of armour was invented and how it spread and changed is more difficult than it sounds. It is true that the earliest evidence is painted pottery from mainland Greece in the early sixth or perhaps the late seventh century BCE. But in the sixth century BCE, it happens that we have much more evidence for arms and armour from the Aegean than from anywhere in the neighbourhood. The people there painted armoured men on their pots with durable glazes and carved them on stone, and they deposited large amounts of armour and weapons in graves and especially temples. So it is very dangerous to say that the Greeks invented an object just because it is first depicted in the Aegean, especially if that object is one which does not survive well in the ground. It is usually thought that the first armours with this cut were of cloth or felt or hide, and none of those materials survives 2500 years in the ground unless the conditions are just right. Although by the second century BCE armour with this cut was being worn all around the Mediterranean and made in every possible material, not a single fragment made from cloth or hide has been identified. So while this style of armour was probably invented somewhere in or near to the Aegean around the sixth century BCE, its hard to say for sure that it was invented by Greeks.
Cross-Post: Conference on Experiencing Warfare in the Ancient World, Brock University, February 2016
CFP: EXPERIENCING WARFARE IN THE ANCIENT WORLD STUDENT CONFERENCE CLASSICS GRADUUATE PROGRAM ─ BROCK UNIVERSITY FEBRUARY 6, 2016 From Stephanie Culp The Classics Graduate Program at Brock University is pleased to announce an interdisciplinary conference exploring the experience of warfare in the ancient world. How were the ancients affected by warfare? What can the literature... Continue reading: Cross-Post: Conference on Experiencing Warfare in the Ancient World, Brock University, February 2016
VENI VIDI VICI
Keeping Just One Cloak
In 1837, the remaining Protestants living in the Zillerthal in eastern Tyrol were ordered to convert to Catholicism or leave. Mathias Schmid (d. 1923), “Vertreibung der Zillerthaler Protestanten im Jahr 1837/Letzer Blick in die Heimat,” 1877. In Tiroler Landesmuseum Ferdinandeum, Innsbruck; catalogue number Gem 3718. Photo by author, October 2015. Xenophon,... Continue reading: Keeping Just One Cloak
Gadal-iama, Part 3: Grammars Pile High, Head Bows Low
Entrance to the Fachbibliothek Atrium, North Wing, Universität Innsbruck. Photo by Sean Manning, February 2015. Despite some health difficulties, I have been slowly making sense of the Gadal-iama contract and updating my transcription and further reading in an earlier post. Perhaps “making sense” is not the right expression. Because while historians... Continue reading: Gadal-iama, Part 3: Grammars Pile High, Head Bows Low
Link Dump

German for Classical Studies at the University of Cologne, free course June/July 2016, application deadline 30 November 2015 (link: warning, Facebook!)
The academics in Ghana went on strike again over nonpayment of their book allowance in August 2015 (link). As often with news from Africa, this has not received much attention in Europe and North America, even though its hard for any academics at universities in Ghana to work if they can’t buy books and journals.
Meanwhile, historian Alice Dreger has resigned from her post in Illinois after a dispute about whether a glossy magazine with her university’s logo was research (protected by academic freedom) or publicity (overseen by the university administration) revealed a deeper difference about what sort of institution she was working for (her public statement on the subject and her resignation letter). This issue has received a great deal of attention on the Anglophone internet.
The Carmarthenshire Archives in Wales are being devoured by mould, and a Freedom of Information request by J.D. Davies has revealed some disturbing facts about how the local authorities are responding to this crisis.
Some people with more money than sense decided to see what happens when you throw a human-weight or hobbit-weight mass of organic material into a pool of lava. There are videos.