Book and Sword
Cross-Post: Steel Symposium
Lorica Clothing in the United States is organizing an online armour scholarship conference from 3 to 9 May using Zoom (warning! security and privacy catastrophe).
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Staring Evil in the Face: Some Thoughts on Hanson’s “The Other Greeks”
Victor Davis Hanson, The Other Greeks: The Family Farm and the Agrarian Roots of Western Civilization (The Free Press: New York, 1995)
I hold then, that there never has yet existed a wealthy and civilized society in which one portion of the community did not, in point of fact, live on the labour of the other. Broad and general as is this assertion, it is fully borne out by history. This is not the proper occasion, but, if it were, it would not be difficult to trace the various devices by which the wealth of all civilized communities has been so unequally divided, and to show by what means so small a share has been allotted to those by whose labour it was produced, and so large a share given to the non-producing classes. The devices are almost innumerable, from the brute force and gross superstition of ancient times, to the subtle and artful fiscal contrivances of modern.
– John C. Calhoun, “Slavery a Positive Good,” 6 February 1837 https://en.wikisource.org/wiki/Slavery_a_Positive_Good
I finally read The Other Greeks by Victor Davis Hanson in summer 2018. This book, published in 1995, contains an argument that farmers working 9- to 13-acre (20-30 3 to 5 hectare) plots were key to Greek culture wrapped in two rants about the decline of the American family farm and the decadence of American academics. Victor Davis Hanson’s writings on ancient agrarianism are less famous than his political columns and his ideas about Greek warfare, but I enjoyed working through this book. Farming is obviously a topic that Hanson cares deeply about, and because he put so much care into this book I can tell that he sees some of the implications of his argument.
The ancient history in this book is interwoven with the story of a 40 acre farm near Selma, California which the Hansons have held for five generations (only three generations were able to make a living from it, his parents got jobs in town and he tried to keep the farm going after his grandfather retired but found that the only way was to use his salary and royalties from teaching and punditry to subsidize the farm). In his view, both classical Greek and modern US culture were at the best while society was dominated by rural small farmers, and any threat to this class is a threat to freedom and democracy.
To my knowledge, Victor Davis Hanson has never written about why his Swedish great great grandparents were able to take a share of “the richest farmland in the world” for a token price in 1875, just like Wikipedia estimates that the indigenous population of the San Joaquin Valley fell 93% from 1850 to 1900 but falls silent on what exactly happened (today all the nations of the Yokuts are a few thousand strong, about as many as one of the little farming towns Hanson loves).
Despoilers of the Golden Empire
In another place somebody cited Randall Garrett’s “Despoilers of the Golden Empire” (John W. Campbell Jr.’s Astounding Science Fiction, March 1959). If you don’t know that story, pop over to Project Gutenberg and read it, at least for a few pages until you understand the gimmick. Because this one story tells some things that most of the people talking about Silver Age science fiction don’t want you to hear.
Sue Brunning and the Quest for the Perfect Sword
Archaeologist Sue Brunning has a new book on the sword around the North and Baltic Seas. In an interview she brings up a way of thinking about the parts of a sword which is worth pondering:
There are common features that all swords had to have in order to be swords.
First, a blade – which I describe in the book as the “body” of the sword because it is the part that “does the work”, from a physical point of view; it is usually concealed beneath “clothing” (the scabbard) and only those most intimately acquainted with the sword would see and come to know its finer details. The blade also, like a body, became the repository for history, reputation, character…
Second, a hilt (or handle), which I describe as the “face” because this was the focus of a sword’s visual identity – it was the part that most people could see and come to recognise, as it was not concealed by “clothing” like the blade was. Hilts, like faces, had unique features manipulated by their owners; they could be altered to shape their identities in a desired way; and eventually, as we all know, they would show signs of ageing – wear patches, like wrinkles.
Next, the scabbard – the early medieval sources disagree to some extent over how essential this component was, but in reality it was quite important. It enabled you to carry the sword on your body, as well as keeping it bright and sharp thanks to the fur lining.
Within these three basic components, there was huge scope for customising your weapon in how it was decorated, the materials that were used and so on. This was a way to make your sword your own, or – I would argue – its own!
– Sue Brunning, “Sue Brunning on early medieval swords,” un trabajo tartamudo, 31 January 2020
I think that thinking about all three parts lets you understand swords much better than focusing on just one. If you aren’t a sword person, you might be surprised to learn that the standard typologies of Viking swords and rapiers just consider the hilts- which is like assigning cars a typology based on the bumper and paint, but the hilt is the easiest part to divide into groups and the people writing the typologies had never used a sword.
Roman swords in the 200 years after Augustus have fairly small and plain blades, but the scabbard are rich in finely worked brass and silver. And while swords and spears were as common in the early Roman empire as long guns are in rural Canada- Cicero, the gospels, and Petronius agree on that- soldiers were the only ones allowed to wear swords in public. The rich scabbards let soldiers communicate their wealth and taste at their own expense: Chaucer shows you how to size up someone using their clothes and knives and purse (the fancy scabbards also carried on a Celtic tradition, but that is another story). The army probably defined standards which blades had to meet (Cassius Dio accuses unruly Judeans of manufacturing weapons which would fail the army test and then stockpiling them), but how much bling a soldier wore was his own business.
Some Terrifying Numbers
So a lot of us have spent the past month or two staring at some scary numbers and working out their implications. These numbers are based on counts, even if the authors had to make some assumptions and do some arithmetic to turn something they can count into what they want to know. I spend a lot of time staring at Greek numbers for barbarian armies, and if they were based on counts they are hard to understand:
- If we have multiple sources, they give numbers which vary widely, even if they all drew on the same earlier writers
- The smallest Greek number for a barbarian army, 100,000, is as big as the largest army we can document in western Eurasia before the Napoleonic Wars, even if we are very generous about what counts as ‘documentation’ (hard-hearted historians would say we need archives so no army strength can be known until about a thousand years ago)
- The smallest Greek number for a barbarian army is about as many as the biggest army which any Near Eastern ruler claims to have commanded.
- Either there are no numbers for individual units, or the numbers given add up to a much smaller number than the grand total
- Usually, no source for the numbers is given: we are not told whether they are an estimate by scouts or by the enemy’s clerks.
- Such vast armies could not march, camp, and fight in the usual fashion or on the described battlefield.
If we assume that these numbers are based on counts, we have to chose one of the figures in our different sources, then ‘correct’ it by adding, subtracting, multiplying or dividing until it fits our expectations. As a fellow named Whatley said in 1920, these theories often sound convincing until you read the next article with another ingenious theory that contradicts the first one. So assuming that these numbers are based on counts has not lead to new knowledge that people with different perspectives can agree on, it has just lead to endless arguments and speculation.
So a few years ago, I asked myself what would we expect to see if these numbers are drawn from something other than counting. And instead of looking at different writers’ figures for the same army, I looked for the same number in stories about different armies. Have a look at the fifteen nineteen lines on this table and decide if you see what I see.
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Cross-Post: Dis Manibus Paul ‘Xenophon’ McDonnell-Staff (12 March 2020)
Important Assyriological Discovery!
Between looking for work and finishing articles, I have been working on a book on Achaemenid warfare which bears a certain similarity to a 2018 Innsbruck PhD dissertation and should be released this year. In Austria you make the mechanical fixes and the changes in response to the committee’s comments after the thesis is accepted, not before (in Canada, you are normally given a list of changes by the committee, make them, and pass the revised version back to the committee for them to approve before you are granted the title).
I never converted to citation-management software, preferring a simple word processor file with bibliographic information and notes on everything I had read, wanted to read, or thought I might one day want to read. When I was assembling the different files into a dissertation, I stripped out the metadata and dumped the individual entries into the bibliography then sorted it alphabetically with Tools → Sort. So one problem I had is that some works in the footnotes were not in the bibliography, and some notes were in different formats than others. To sort this out I went through each chapter recording the works cited, then removed duplicates and standardized the format, then combined the eight separate lists into one and removed the duplicates again. I checked that list against the bibliography, making sure that everything in the footnotes was in the bibliography.
And that leads to the important question, out of the roughly 1,232 works in the final bibliography (77 pages x 16 citations per page), how many do I actually cite?
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Cross-Post: Roland Warzecha Workshops 2020
Roland Warzecha is teaching five (!) workshops this year on his interpretation of fighting with Viking Age shields, and on the sword-and-buckler system of Royal Armouries MS. I.33. The living-history related workshops include: April 4/5, Viking Museum Haithabu: Viking shield (cancelled due to insufficient enrolment) June 13/14, History Park Bärnau: Viking shield August 1/2, History... Continue reading: Cross-Post: Roland Warzecha Workshops 2020
What is a Martial Art?
Back when I started historical fencing, I thought about what is a martial art and came up with a definition which worked for what I was doing (ie. trying to learn to fight a particular way). Someone interested in martial arts communities might chose a different definition: someone is an Olympic wrestler or SCA heavy fighter because they participate in a certain kind of event, and how they move is irrelevant.
Definition: A martial art is a subset of all the possible ways of moving effectively in combat which works well together and is sufficient to solve a martial problem.
We shall divide this sermon into six parts.
