Since 1933, it has been well known that the forces of madness have an affinity with unusual topology. In the case of this style of garment, layers of flat cloth are assembled into a three-dimensional garment shaped like an hourglass, using a saddle-shaped curve along the high waistline. From this stage onwards it is hard to lay the assemblies flat for photographing, because the whole point of assembling them is to stretch flat planes into a three-dimensional shape. I used some books to support the edges of the seam across the small of the back to help create the right effect for the camera.
JRMES 17, with its griffin guardians, has arrived in Rhaetia
The new issue of the Journal of Roman Military Equipment Studies has arrived in Tirol. The two volumes published last year contained articles such as:
A study of the impact marks from catapult balls and sling bullets on the walls of Pompeii, presumably dating back to the Roman siege of the town during the Social War.
A project on Roman locking scale from Carlisle by David Sim and J. Kaminski which started with billets of specially-made wrought iron and ended in having a good bash at the armour with replicas of Roman weapons. This particular armour was sophisticated and effective, and the authors have many interesting insights into metallurgy and manufacturing process, including a time that their wish to ‘tidy up’ more than the original armourers did created a problem. I was left wishing that they had addressed some other issues, but I will put those below the fold.
A pair of articles on the reconstruction of Roman boots and their use on a march across the Brenner Pass. I enjoyed the contrasting perspectives of the shoe-wearers and the shoemaker-cum-archaeologist who made the shoes.
The latest volume includes things like:
Two examples of Roman lorica hamata squamataque preserved as a whole (rather than as loose scales or small clusters of scales), one of which was preserved with its linen liner. To my knowledge, this is the first archaeological evidence for mail with a lining in the Roman world.
A copper-alloy crescent (lunula) similar to those mounted on Roman battle standards from a layer dating to the first century BCE at Gurzufskoe Sedlo in the Crimea. Both the date and the location are worth noticing.
A set of silvered bronze saddle plates which ended up buried with a cow in the Meroitic kingdom of Kush.
An article by Jon Coulston on Roman archery which makes use of comparative evidence from outside the Roman world.
If that sounds like the kind of thing you want to read or support, copies are available here.
The ground has been surveyed, the walls measured, and the materials gathered. Now it is time to build the siege ramp for this sartorial siege, or less metaphorically to quilt endless rows of stitches.
Stacks of pattern pieces ready for the final adjustment of the stuffing then quilting and assembly. From left to right: back, sleeves, front
It has come to my attention that there is a shortage of pictures of cats on the Internet. Although I am not equipped to deal with most global problems, my trip to Iran has armed me to fight against this one. There are also some dogs and lizards, but my photos of birds on the wing did not turn out very well, and other bloggers seem to have squid covered.
Self at Naqš-e Rostam, May 2016. Is it not passing brave to study this, And stroll in triumph through Persepolis? With apologies to Christopher Marlowe. Edit 2024-09-10: block editor
Like camels in the Brenner pass in the fourteenth century, military historians are more common in pictures and stories than real life in Canada today. Wall painting from about the 1330s in the Burgkapelle Aufenstein near Matrei am Brenner. Photo by author, July 2014.
Although military history fills the television screens, YouTube channels, and bookstore history aisles in Canada just as in other countries, its presence at universities is very modest indeed. Until October 2015 I did not know of anyone who studies any aspect of warfare before the nineteenth century who teaches history at a Canadian university to fund his research. At least a hundred faculty are paid to teach history before the nineteenth century at a Canadian university [1], but very few chose to publish on the military aspects. This week I thought I would list the determined scholars who insist on working on this topic at an advanced level at Canadian universities.
Last winter I read some novels instead of puttering around on the Internet. This week I thought I would talk about three novels by three authors which span the range of the genre of adventurous historical fiction. While all of these have peril, romance, blood, and all the other Dionysiac fluids, each has its own mix and its own style. In some ways this reflects the three different adventurous individuals who wrote them.
A Turkish target and three Turkish scimitars from the late sixteenth or early seventeenth century in the second armoury, Schloss Ambras. Photo by author, October 2015.
(Due to some events in my private life, this post is late and pulled out of my file of drafts)
A character sketch of Edward Luttwak, another of those curious American academics-cum-policymakers whom my readers may know for his Grand Strategy of the Roman Empire and Grand Strategy of the Bzyantine Empire.
A watercolour of Innsbruck in 1495 courtesy of Albrecht Dürer. He sat to sketch a little bit downstream from Conrad Seusenhofer’s house.
L. Sprague de Camp’s historical novels set in the Mediterranean between the fifth and the second centuries BCE have been reprinted in codex and ePub by Phoenix Pick. One of them imagines the events which might lie behind the very detailed description of an elephant in Aristotle; readers who enjoy stories about the gifting of large animals over long distance might enjoy reading up on the elephant Harun al-Rashid gave to Charlemagne, the elephants Nadir Shah sent to St. Petersburg for Emperess Anna of Russia, or the giraffe which Sultan Faraj of Egypt sent to Samurkand for Tamurlane.
Clockwise: Three pounds of cotton, a pound of linen thread, five ells of unbleached linen, two ells of smooth blue fustian, two and a half ells of unbleached linen, assorted silk floss for eyelets and buttonholes, one spool of purple silk thread Edit 2024-08-19: block editor
