One of the original gargoyles from the Gunpowder Tower, Prague, now on display inside the attic of the tower.
Because the Scholarly Skater has not been able to post for a few weeks, the supply of gargoyles on the Internet has been in decline. It is a little known fact that just as gargoyles in the real world channel away water away from flooding or dissolving the building to places where it can be used for irrigation and other useful purposes, gargoyles on the Internet channel spam and trolls so that instead of clogging the tubes they are safely redirected to a server farm in California where they keep spies and PhDs in Physics harmlessly busy. This week, I thought I would step in and fill the gap.
Although Prague is not known for its ancient history, I have some Achaemenid content at the end of this post.
I was recently in Prague on the way back from a visit to another city, and in their National Gallery I noticed this:
A cord-and-wax seal on a door in the National Gallery, Prague. Photo by Sean Manning, August 2016.
Art galleries in big old buildings often need to keep people from going un-noticed into areas which are not on public display, without blocking the connection completely. I saw the same solution at the Hermitage in St. Petersburg:
A cord-and-wax seal in the Hermitage, St. Petersburg. Photo by Sean Manning, September 2015.
But I knew it of old, because when I was growing up I had a book on Tutankhamun’s tomb which showed the cord-and-wax seal to the door of the shrine around his sarcophagus. The mourners who sealed Tut’s tomb added a special knot in the cord which thieves might find difficult to forge, but he was Pharaoh after all.
The four modules of the doublet, laid with their ‘right’ side facing the ground and their ‘wrong’ side facing the camera. Something is wrong with this picture.
While getting involved in a land war in Asia and going in against a Sicilian when death is on the line are classic blunders, most scholars agree that quilting a garment before you have made sure that you really have one right and one left breast is a good one too. Fortunately, that is a mistake which just costs time and thread to fix.
I hope that everyone reading a blog like this has read the late John Keegan’s Face of Battle. In 1976, Keegan interrupted the quiet field of military history with some rude questions: Why was it that so many “battle pieces,” however detailed and colourful they sounded, did not explain what happened and how? Just where did the idea of the decisive battle come from? How much did we really know about famous battles? Using a few carefully chosen examples, he demonstrated how conventionalized and unrealistic many stories about battles were, even those by “serious historians” writing “technical accounts.” And then he suggested that two things had to be done: historians needed to study the “battle piece” as a genre and consider the tropes and assumptions which shaped it, and they needed to ask what individuals and small groups actually did in battle. He then explained that he did not have the energy, skills, and ambition to write a history of the battle piece as genre. Thus the next three chapters of his book are studies of what happened on three different battlefields in northern France, beginning with a sketch of the strategic situation and the course of the battle then narrowing in to focus on how and why the men on both sides fought. He borrowed some exciting new ideas from psychology and sociology and literary criticism, and added a fifth chapter with an extended comparison between soldiering and mountaineering to make the point that for the last century or so combat had come to demand more and more of soldiers to the point that it was difficult to envision what a clash between two modern armies would look like, even before the first nuclear weapon went off.
Since 1933, it has been well known that the forces of madness have an affinity with unusual topology. In the case of this style of garment, layers of flat cloth are assembled into a three-dimensional garment shaped like an hourglass, using a saddle-shaped curve along the high waistline. From this stage onwards it is hard to lay the assemblies flat for photographing, because the whole point of assembling them is to stretch flat planes into a three-dimensional shape. I used some books to support the edges of the seam across the small of the back to help create the right effect for the camera.
JRMES 17, with its griffin guardians, has arrived in Rhaetia
The new issue of the Journal of Roman Military Equipment Studies has arrived in Tirol. The two volumes published last year contained articles such as:
A study of the impact marks from catapult balls and sling bullets on the walls of Pompeii, presumably dating back to the Roman siege of the town during the Social War.
A project on Roman locking scale from Carlisle by David Sim and J. Kaminski which started with billets of specially-made wrought iron and ended in having a good bash at the armour with replicas of Roman weapons. This particular armour was sophisticated and effective, and the authors have many interesting insights into metallurgy and manufacturing process, including a time that their wish to ‘tidy up’ more than the original armourers did created a problem. I was left wishing that they had addressed some other issues, but I will put those below the fold.
A pair of articles on the reconstruction of Roman boots and their use on a march across the Brenner Pass. I enjoyed the contrasting perspectives of the shoe-wearers and the shoemaker-cum-archaeologist who made the shoes.
The latest volume includes things like:
Two examples of Roman lorica hamata squamataque preserved as a whole (rather than as loose scales or small clusters of scales), one of which was preserved with its linen liner. To my knowledge, this is the first archaeological evidence for mail with a lining in the Roman world.
A copper-alloy crescent (lunula) similar to those mounted on Roman battle standards from a layer dating to the first century BCE at Gurzufskoe Sedlo in the Crimea. Both the date and the location are worth noticing.
A set of silvered bronze saddle plates which ended up buried with a cow in the Meroitic kingdom of Kush.
An article by Jon Coulston on Roman archery which makes use of comparative evidence from outside the Roman world.
If that sounds like the kind of thing you want to read or support, copies are available here.
The ground has been surveyed, the walls measured, and the materials gathered. Now it is time to build the siege ramp for this sartorial siege, or less metaphorically to quilt endless rows of stitches.
Stacks of pattern pieces ready for the final adjustment of the stuffing then quilting and assembly. From left to right: back, sleeves, front
It has come to my attention that there is a shortage of pictures of cats on the Internet. Although I am not equipped to deal with most global problems, my trip to Iran has armed me to fight against this one. There are also some dogs and lizards, but my photos of birds on the wing did not turn out very well, and other bloggers seem to have squid covered.
Self at Naqš-e Rostam, May 2016. Is it not passing brave to study this, And stroll in triumph through Persepolis? With apologies to Christopher Marlowe. Edit 2024-09-10: block editor
