Medieval

Posts on events in the late first and early second millenia CE

Good King Robert’s Testament

A group of soldiers in full suits of mail with bascinets and kettle hats and lances or axes and shields in their hands are standing in water on the left. A group of men in pseuydo-antique robes, one of them with a Jewish hat and the rest bare-headed, hold swords and axes and stand on land on the right
Soldiers and civilians in the age of Bannockburn (pharaoh’s soldiers drowning in the sea?) on folio 24v of the Queen Mary Psalter (British Library BL Royal 2 B VII, painted in London c. 1310-1320). A good general doesn’t plan for miracles!

Throughout the long five hundred years of war between Scottish and English kings, the Scots tended to win the wars but lose the big battles. Scotland was a smaller and poorer kingdom, and the way of fighting battles that the Scots were good at (lining up big masses of spearmen and axemen with jacks and steel caps) was not very effective against the way that the English were good at (dismounting their armed men and galling the enemy with arrows until they charged, breaking formation as they came because no prince in Europe could keep a large army together long enough to drill it). A fourteen-line gem of a poem describes the way of fighting which proved most successful in campaign after campaign:

On fut suld be all Scottis weire, // weire = Wehr “defense”
By hyll and mosse themself to reare. // reare: roar? an earlier edition has weire “defend”
Lat woods for wallis be bow and speire,
That innymeis do them na deire.
In strait placis gar keep all store,
And byrnen ye planeland thaim before.
Thane sall thai pass away in haist
Wenn that thai find na thing but waist.
With wykes and waykings of the nyght // wyke: wake
And mekill noyis maid on hytht, // mekill: big, large
Thaime sall ye turnen with gret affrai, // affray: fright, alarm
As thai ware chassit with swerd away.
This is the counsall and intent
Of gud King Robert’s testiment.

– After Sir Charles Oman, A History of the Art of War: The Middle Ages from the Fourth to the Fourteenth Century. New and Cheaper Issue (Meuthen & Co.: London, 1905) p. 579 https://archive.org/details/historyofartofw00oman/

Now roll that around in your mouth a bit and savour it. Enjoy the language and the rhythm and the joy with which it describes something horrible in ways that poor crofters and shepherds can understand. Think about how rare it is to have something like this from the side which was wise to avoid battle. And then if you really must, go on where I ask my annoying academic question, namely where does this poem come from?

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Datini’s Wares in GURPS

Two soldier crush silverware for easier packing as a comrade throws more loot out a window
Want to know whether helmets of scales like Mr. Red wears were just artists’ fantasies? Check out Medieval Warfare VIII.1. British Library, MS. Royal 20 C VII (painted in Paris between 1380 and 1400)

Last spring I published a two-page article in Medieval Warfare VIII.1 talking about the kinds of concealed armour which were for sale in the Avignon of the Babylonian Captivity. As far as I know nobody else has talked about these sources in any language except Italian, so I hope translating them was helpful! Now, I am interested in the real things and how they were made … if I ever have money I might commission a few reproductions. But what if your interest is in gaming? How might you represent this armour, say in GURPS?

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Oh, The Scholar and the Swordsman Should Be Friends

Two books with a wooden rondel dagger in a leather scabbard with a brass chape between them, laying on top of a hand-sewn linen shirt
Three historical fencing projects: a review of Jeffrey Forgeng’s “The Medieval Art of Swordsmanship” (2018) and a review of Guy Windsor’s “The Theory and Practice of Historical Martial Arts” (2018)

The historical fencing world had 20 glorious years. Between 1992 and 2012, people around the world came together, pooled their different skills and interests, and turned a jungle of confusing manuals and manuscripts into working martial arts. At first, everyone was so excited to find someone else interested in swords that they were willing to overlook some other differences and tolerate each other’s flamboyant eccentricity. In the twilight of this period, Tom Leoni wrote that “I look forward to the fruits of the next generation of researchers- of both the swordsman-historian and historian-swordsman types.” But as it got harder and harder to fit everyone in a single gymnasium, and as it became less necessary to learn things from books by academics rather than buddies in the salle, cracks emerged. The jocks stopped being polite to the nerds, the people whose passion was for medieval dagger fighting stopped attending workshops on 18th century smallsword play, and the people who thought a background in say Japanese sword arts was essential stopped having any time for the people who thought it was corrupting. This week, I would like to talk about three projects which show the state of the movement in 2019, as best as I can see it from the outside.*

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Folk Wrestling in Poland

The field behind the Zentrum für alte Kulturen, Langer Weg, Innsbruck, on 31 January 2019

Over on Patreon, Maciej Talaga talks about the folk sports which Polish peasants used to play in the slack times of the agricultural year. As he says, outside of the harvest season peasant societies tend to have more workers than useful things for them to do, so people on the land have to find ways to amuse themselves.

Biady, that is wrestling, was one of the most popular. It was played mostly by older boys and unmarried men, but there were exceptions. Participants would establish a specific hold – you can see it demonstrated on the video – and try to throw each other down without breaking it. Such matches could last anything from a few seconds to up to half an hour (with a single successful throw!). They involved no judges or coaches, as none of the participants would receive any formal training.

The latter was also the very reason why documenting “biady” required a specific research strategy. Since this martial game had no technolect or jargon, practitioners had no consistent way to talk about it. They couldn’t discuss given techniques, as we are used to do in HEMA, since there were no names for wrestling actions involved. Even less so in regard to tactics and theoretical concepts. In effect, my Grandpa also had hard times answering my inquisitive questions which I started bombarding him with after I discovered he has a vivid memory of this fascinating tradition. Being a simple man, he not only was surprised that anyone found it interesting, but also lacked words to explain martial matters in a structured way.

Having realised these difficulties, I called for help: I have a pleasure to run a little youth club teaching HEMA to some fantastic boys and girls. Three of them, Krzysztof Markowski, Marcel Kwapisz and Bruno Biernacki, enthusiastically agreed to assist me in a research trip. We went by bus to Wizna, a town located some 30 km away from my grandparents’ house in Łomża, and took a walk to visit the only Polish folk wrestler we knew about. And this time we were prepared much better – instead of asking questions, we started “biadying” in front of my Grandpa in the hopes that it would be easier for him to comment on our performance than talk about “biady” from a scratch on his own. And it worked!

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Cross-Post: Books Before Print

Erik Kwakkel, Books Before Print (Amsterdam University Press/ARC Humanities Press, 2018) EUR 34 (paperback), 105 (hardcover), 105 (ebook) (available on Biblio) Erik Kwakkel, excellent book historian and blogger, has a new book out on the medieval manuscript as a well-engineered tool shaped by readers’ habits and desires. This beautifully illustrated book provides an accessible introduction... Continue reading: Cross-Post: Books Before Print

Two Kingdoms, Both Alike in Dignity

A collection of Roman potsherds in front of a painting of a kitchen at Pompeii by Peter Connolly
Rimini is another part of the ancient world whose history may be more complicated than the stories about Greek colonies and Roman cities in the historians, but that is a story for another day. The City Museum, Rimini, October 2018.

We do not talk about the Red Sea much, except for news stories about the Saudi intervention in Yemen or conscripts in Eritrea forced to spend 20 years teaching school for a token wage. But every thousand years or so it becomes one of the key chokepoints for world trade. The sea is shallow, dotted with reefs and islands and prone to dangerous storms, but still a cheaper way to move goods from the Indian Ocean to the Nile than camel trains or railway cars. One of these periods of trade began at the end of the second century BCE when the secret of the monsoons escaped the Arabs and reached Egypt, where the Ptolemies were looking for new sources of revenue and exotic goods to balance the decline of their empire overseas and the wonderful things which were filtering into Syria over the Silk Road around the Tarim Basin. Rather than dredge out Darius’ old canal, they built harbours at Myos Hormos and Berenike and Arsinoe and set up guard posts along the sun-baked paths from the Nile to the Red Sea like Hatshepshut. But the straits at the mouth of the Red Sea are dangerous, and the best ship for following the monsoons back and forth across the Indian Ocean is not the best for navigating the narrows and small harbours from the Gulf of Suez to the Gulf of Aden. So two kingdoms emerged to control the havens at the narrows, Ḥimyar on the Arabian shore and Axum on the African.

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