Sean

There are those who say that because most people forget their false predictions and remember their true, it is healthy to make a note when one notices that one was wrong about something. There is a movement variously known as historical European martial arts, Western Martial Arts, or historical fencing. Its central activity is recreating dead martial arts from the manuals which they left behind, although many practitioners also try to recreate ‘prehistoric’ martial arts which died without leaving manuals, or revive obscure but still living European martial arts such as Irish stick-fighting. And my understanding of what it is about, and what sort of people it attracts, has drastically changed over the past few years.

When I got involved in historical fencing, I thought that it was a community of amateur scholars with a broad interest in history like the serious re-enactment groups I knew. The end of the community which I became involved with was led by former members of the Society for Creative Anachronism who had drifted away from the organization as their interests drew them in a more historical, less creatively anachronistic direction. While my academic déformation professionnelle means that I often have small differences with people whose focus is on recreating past skills and experiences, I can usually find enough common ground to have a conversation with them, and sometimes I have a source to contribute which is much more useful to them than to the academics who originally discovered it. It was obvious to me that turning 15th century manuscripts into working martial arts required a broad familiarity with academic research in medieval studies, and the historical fencers whom I knew seemed to agree.