Sean
User: Sean
Email: rab_berqi@bookandsword.com
Web: https://bookandsword.com
Some Thoughts on “Empire, Authority and Autonomy in Achaemenid Anatolia”

Elspeth R.M. Dusinberre, Empire, Authority and Autonomy in Achaemenid Anatolia (Cambridge University Press: Cambridge, 2013) ISBN 978-1-107-01826-6 (Oxbow Books)
Empire, Authority, and Autonomy in Achaemenid Anatolia deserves a wide readership because it is brave enough to try to talk about what life was like in Anatolia in the 220 years when it was part of a timeless empire with Persian kings. The only texts which survive come from the far western and southern fringes, where mountain chieftains and coastal cities carved messages into stone and a few writings became part of the classical tradition. But it has been well studied archaeologically, partially because the region is rich in metal and stone, and partially because Turkey is usually a safe and orderly country open to foreigners. For most of the last century, it was easier for foreign archaeologists to work in Turkey than in Turkmenistan or the Sinai.
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How Much Did a Shirt Really Cost in the Middle Ages?

Some people on the Internet are curious about how much a shirt cost in the middle ages. Now you could try to answer that question by trying to calculate how long it would take to spin and weave the linen and sew the shirt, combining your guesses in an elaborate chain of assumptions using your modern education. A certain Eve Fisher imagined and calculated and came up with the figures $3500 or $4200 for a shirt like those depicted by painters like Peter Brueghel the Elder. This has been re-posted by a number of popular websites, and several weavers and spinners have dropped by her website to comment that they are not so sure about some of her assumptions. But did you know that we can skip all of these guesses and calculations, and the questions which they pose about whether we spin and weave as fast as people in the past, and just ask medieval people how much they paid for a shirt?
Read moreCtesias Corrects Herodotus

“Ktesias ‘Korrigiert’ Herodot” is an article which is widely cited, but it first appeared in a Festschrift rather than a downloadable journal, and it is written in beautiful academic German and a somewhat associative style which makes it difficult for foreigners to follow. I recently made my way through it and thought I would write down my thoughts.
Bichler is interested in how to evaluate the Persica of Ctesias of Cnidus, who was very influential and disagrees with our other sources on many points. Ctesias’ work is lost except for one scrap of papyrus containing 27 lines, but he seems to have presented himself as a serious historian, interested in seeing things himself or hearing them from witnesses, and eager to criticize earlier writers for errors. He spent 17 years in the Persian empire as a prisoner and court physician, much of that time at court in Babylonia, Media, and Persis, and his presence is explicitly acknowledged by a contemporary (whereas the only evidence for Herodotus’ travels is Herodotus’ own words, and Herodotus never claimed to have travelled east of Sidon). And the problem is that most of what he says contradicts our other major sources like Herodotus and Xenophon. Since we have few ways to check the things which he and Herodotus say, a lot depends on who we decide to believe and what we think they were trying to do.
Armour of the Month: A St. George from Styria
If you make your way to the Belvedere in Vienna, grumble at the steep price for tickets and gawk at the splendid, arrogant promenade sloping down towards the city centre and the lower pavilion, you will find yourself in the marble lobby of the Upper Belvedere. On the upper floors they have the Napoleon Crossing the Alps by David, some colourful paintings by Gustav Klimt, and a lot of softcore nudes for lonely Victorian gentlemen, but the most magnificent work is in a little suite of rooms on the ground floor opposite the gift shop and the cafe: a collection of statues from a little village church in the hills of Styria. I could talk about each of them, but because this blog is what it is, I will focus on the St. George.
Take a few moments to take him in: the expressive arms, the long slender profile with a high narrow waist and a deep rounded chest, the ethereal, emotionless face as he places his lance just right … some of the best things about Latin Christian art at the end of the 14th century in one statue. The little church does not have records of when it was redecorated, so when he was made can only be guessed at: probably sometime within 20 years of 1380.
Cross-Post: Paladin Press is Shutting Down
Any One Method of Communication Can and Will Fail
A commentator on the Angry Staff Officer’s blog introduced me to Major Digby Tatham-Warter (d. 1993): A Company was then chosen by the battalion’s commanding officer, Lieutenant Colonel John Dutton Frost, to lead the 2nd Parachute Battalion in the Battle of Arnhem, part of Operation Market Garden, because of Digby’s reputation of being an aggressive... Continue reading: Any One Method of Communication Can and Will Fail
Cross-Post: Historical Metalworking Courses in Saskatchewan
The cheekguard of a bronze Chalcidian helmet, in repoussé, by Jeffrey Hildebrandt. Horsey! Jeffrey Hildebrandt is offering several courses on historical metalworking techniques in Saskatoon, Sakatchewan this winter. Schedule for 2017 November 4 – Repoussé. Learn the basics of this venerable art form, creating fine relief work over pitch. $150 + tax... Continue reading: Cross-Post: Historical Metalworking Courses in Saskatchewan
A Sword is a Two-Edged Gift

Courtesy of Samira Amir https://www.pinterest.com/samiraamir/
A time long ago- maybe in Darius’ Ecbatana, maybe in the bazaars of Tehran around the time Mosaddegh was overthrown- someone made this golden dagger. The classical sources let us see what such gifts could mean.
For who has richer friends to show than the Persian king? Who is there that is known to adorn his friends with more beautiful robes than does the king? Whose gifts are so readily recognized as some of those which the king gives, such as bracelets, necklaces, and horses with gold-studded bridles? For, as everybody knows, no one over there is allowed to have such things except those to whom the king has given them.
I don’t know whether Xenophon was correct about that last point: lots of Persians in sculptures from court or cemeteries in the provinces wear golden bracelets and silver torcs (and in fact, in the sculptures at Persepolis the subjects are giving the king jewellery rather than the other way around). But he knew that gifts were a serious matter.
Read moreOur Transliterations are Inconsistent

Over on Language Hat, people are arguing about how to pronounce LaTeX, the encoding for mathematical formulas: does it end with <k> like in <tech> or <ks> like in <hex>?
And for me it was worth it just for this footnote: “TeX is pronounced ‘tek’ and is an English representation of the Greek letters τεχ, which is an abbreviation of τέχνη (or technē).” All these years I’ve been saying “tex” (and “latex” for LaTeX) like a doofus!
…
And LaTeX is pronounced [lɑːtɛk]
If you cast your mind back to “How do you pronounce those accented characters in ancient Near Eastern languages anyways?” two lines on the chart might spring out:
Table 1: Special Characters Used for Transcribing Ancient Languages
Character | Name | Approximate Pronunciation | IPA |
---|---|---|---|
ḫ | n/a H with breve below | Classical Greek chi, <ch> as in Scots loch, German ich | x |
x | n/a x | In Old Persian, <ch> as in German auch (not [ks] as in English hex) | x |
One letter in Latinized Akkadian (ḫ) and one in Latinized Old Persian and the International Phonetic Alphabet (x) have the same pronunciation. But look at which pronunciation it is!
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