Larry Niven, A Gift from Earth (Ballantine Books: New York, 1968)
Larry Niven had a brilliant creative career from his first published story in 1964 to the Tales from Draco’s Tavern and The Integral Trees in the mid-1980s. Since then his star has faded, although his name often appears on covers next to a co-author; I get the impression that he got bored with writing but did not find a new vocation. I recently had a chance to re-read one of his novels which I don’t often return to, and was struck by how good it is. Read more
How much weight did these warriors carry? Archaeological finds let us give a pretty good estimate. A Corinthian aryballos (oil flask)in the Metropolitan Museum of Art, Accession Number: 41.162.157 Today, people with detailed direct knowledge of Iron Age arms and armour in the Aegean describe them as for athletes, as lightweight as the smiths could... Continue reading: The Myth of the Heavily Burdened Hoplite
Want to know whether helmets of scales like Mr. Red wears were just artists’ fantasies? Check out Medieval Warfare VIII.1. British Library, MS. Royal 20 C VII (painted in Paris between 1380 and 1400)
Last spring I published a two-page article in Medieval Warfare VIII.1 talking about the kinds of concealed armour which were for sale in the Avignon of the Babylonian Captivity. As far as I know nobody else has talked about these sources in any language except Italian, so I hope translating them was helpful! Now, I am interested in the real things and how they were made … if I ever have money I might commission a few reproductions. But what if your interest is in gaming? How might you represent this armour, say in GURPS?
Some time in the next few months, I will be moving this site from Automattic’s servers to another host which accepts that a website is a website, which customers (not the service provider) own and edit. It seems like the thing to do is first to move to self-hosting WordPress, then consider moving to a... Continue reading: What Device Do You View This Site On?
One of the most charming and exasperating traits of small-city Austria is the locals’ casualness about copyright law. From a local plumber whose logo alludes to a popular TV series, to the cafe with a Disney Corp artist’s version of a Kipling character on their sign, to the academics who publish wherever and then stick the PDF on academia.edu as soon as it arrives in their inbox, they just do what they want as long as large sums of money are not involved. Ironically, Austrian Urheberrecht guarantees creators some privileges which in other countries they can sign away, such as the right to be acknowledged as the origin of a work. But on some other areas, they don’t fuss the details. Also, the Austrian academics I know have mostly moved away from assigning textbooks which are sold for money; they don’t write long tracts about the affordability of education (university in Austria costs about EUR 1600 a year in fees) or wicked commercial publishers charging hundreds of dollars for a calculus book, just put handouts together and share them.
Although I can’t put my finger on how, somehow this feels different than my gamer buddies explaining why they are not willing to pay $40 for a beautiful illustrated hardcover book by a game designer, or Jessamyn West agonizingly debating whether to tell library patrons that DRM can be broken or sci-hub exists. To me it feels more like the way Austrians smoke like chimneys, manage the sex trade, and accept polite corruption and horse-trading. Austria had to put up with the counter-reformation and watch National Socialists rebranded themselves as libertarian (freiheitlich), and quite a few Austrians don’t want to fight for fundamental reform, just quietly get what they want done in the grey areas. Read more
Konijnendijk, Roel (2017) Classical Greek Tactics: A Cultural History. Mnemosyne, Supplements History and Archaeology of Classical Antiquity, Band 409 (Brill: Leiden)
Since the 1990s, there has been intense debate about early Greek warfare. Most people agreed that there was something wrong with the versions available in English, but it took time to agree on just what that wrongness was and whether it could be fixed with a few small changes or was more fundamental. This book is another Cyclopean stone in the walls of the current consensus.
Konijnendijk argues that the California School of writers on Greek warfare (John Kinloch Anderson, William K. Pritchett, and Victor Davis Hanson) were basically refining the ideas of Austrian, German, and English scholars before the First World War. The continentals were interested in a comparative history of warfare with the practices of the Prussian army at the top, the Roman army in the middle, and early Greek armies near the bottom, while the English scholars tried to explain why Greek warfare as described by the Prussians was so peculiar. For a long time it seemed like these early writers had solved the problem so little was written on the subject in English. When a new group of scholars in Cold War California became interested in warfare, they launched a flood of research in English which almost erased the original German context of their theories. In short, the ‘orthodoxy’ is really a set of received ideas from 19th century Europe which survived until a group of ‘scientific historians’ began to question them.
Deliberate allusion or accidental choice of a name? Just like the river shrine to a certain Lady, parallels with ancient motifs are all around you in Innsbruck!
Epictetus, Enchiridion 17 tr. Manning
Remember that you are an actor in a play, in whatever kind the producer chooses: if short, then short, if long, then long. If he wants you to play a pauper, or a cripple, or a ruler, or a private citizen, you should play it the best that you can. For this is your job, to play the part that is given to you well, but to chose it belongs to another.
Photo care of Neil Burridge of Bronze Age Swords Neil Burridge had to give up his annual bronze sword workshops when he noticed his competitors taking them, but he is making an exception this year. These days he holds them at the Scottish Crannog Center near Aberfeldy in Perthshire Sword workshop... Continue reading: Cross-Post: Bronze Sword Workshop, Scotland, 7-8 August
Randall Hixenbaugh, illustrated by Alexander Valdman, Ancient Greek Helmets: A Complete Guide and Catalog (Hixenbaugh Ancient Art Ltd: New York, NY, 2019) 738 pages (275 color pages), 8 1/2 x 11 in, ISBN 978-0-578-42371-5, USD 450 (hardcover) From Jeffrey Hildebrandt, for the deep of pockets: The most comprehensive study ever produced on the subject of... Continue reading: Cross-Post: Hixenbaugh on Ancient Greek Helmets
In Mantua did Gonzaga a stately pleasure dome decree. Being a renaissance tyrant, he decorated that dome with plaster frippery and curliques and paintings of fashionable Greek and Roman themes, but he also decorated it with these:
A decorated roof at one of the palaces in Mantua.
Those are fake hieroglyphics! Nobody could read heiroglyphics in the sixteenth century, but that was not a problem for the plasterers of Mantua any more than it had been for the priests of Isis at Pompeii 1500 years before. Putting up some old sculptures with a sphinx or obelisk and some mysterious inscriptions communicated a message of exotic cosmopolitanism, and that (not “a thousand of bread, a thousand of beer, a thousand of all good things to Semtutefnakht” or “Pa the scribe was here, these other scribes have trembling hands and stumbling lips”) was the message which visitors needed to read. Looking fashionably ancient in sixteenth-century Italy included Egyptian inscriptions as well as Greek friezes and busts of emperors. This raises the question when Europeans, and European settlers overseas, decided that the Greeks and Romans were ‘us’ and Egyptians, Syrians, or Persians were ‘them.’ Read more
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