Sean
User: Sean
Email: rab_berqi@bookandsword.com
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How the Greeks Got Battering Rams
People who see the ancient Greeks as an especially progressive and technically advanced people have a lot to boast about, but they have to admit that their heroes were a bit backwards at siege engineering. We have pictures of battering rams from Egypt and Upper Mesopotamia dating back to the third millennium BCE, and Early Bronze Age texts which mention them from Ebla in Syria, and in the 18th century BCE petty kings like Zimri-Lim of Mari took them for granted and students in scribal colleges dutifully memorized the proper Sumerian names for all the parts, but they are absent from early Greek vase painting, absent from the Homeric epics, and absent from Greek traditions of their wars until the time of Pericles. That is about 2000 years later than the first evidence for battering rams from Syria and Egypt.
Greek stories about their early wars, and the archaeology of Iron Age Greece, make it clear that Greek soldiers were very eager to take and destroy walled cities, but apparently they were too impatient to sit outside a town for a few months while they built something the size and complexity of a small boat and pushed it through enemy fire against a wall or gate. People who admire the Greeks usually say a few words about the Assyrians as masters of siegecraft then slip into telling a triumphant story of Greek progress from humble beginnings.
Later Greeks and Romans did not know about the Mari letters or Old Kingdom tomb paintings, but they saw that their ancestors lacked the siege engines which were used in their own times, and they told two types of stories about How the Greeks Got Siege Engines.
The Decade Still Has a Year Left
Friends! Netizens! Countrymen! The Dionysian era and the Common Era have no year 0 (because 0 did not exist in Europe when the Venerable Bede popularized numbering years by “the year of our lord”) so in those systems a decade runs from year 1 to year 10 and a century runs from year 1 to... Continue reading: The Decade Still Has a Year Left
2019 Year-Ender
Books are precious things, and Doctor Manning finally has time to read them for fun again (and to really read them, not just skim them looking for facts or quotes). At the end of this year and the start of another, as I sit in rainy Innsbruck, I would like to tell my gentle readers about some of the ones I read in 2019.
I read Victoria Corva’s very relatable young adult fantasy Books and Bone (self-published, 2019) about a town cartographer trying to follow a vocation which she can’t prove is more than a myth.
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Herodotus Didn’t Say That, Eduard Meyer Did
It has been too long since my last cheerful winter story, so on this Winter Solistice I will tell another.
Like the protagonist of a H.P. Lovecraft story, I came to Innsbruck to look for answers. The scholarship on Achaemenid armies in English was repetitive and fell apart at the first gentle question, but was there something more trustworthy in German? Duncan Head and Nicholas Sekunda cited all kinds of people who nobody else I was reading talked about. So I visited the wood-panelled Law Library reading room on the banks of a river named in a dead tongue, and borrowed an old copy of Eduard Meyer’s Geschichte des Altertums from a librarian who seemed surprised to have visitors. The first edition of Meyer’s Geschichte was completed in 1902, the last revision was in 1965 a generation after his death. Meyer tried to integrate the history of early Greece into the history of Egypt and Mesopotamia. And when I came to the following passage, I realized that the horrors were deeper and older than I had thought:
Dis Manibus Steven Johansson (20 September 2019)
Some time in the late 1990s “Guys! The first time one of us dies, we have to give them an all-black cover on the magazine.” “I see what you are doing, you just want a promise before you step in front of a bus and get the coveted cover spot. Munchkin!... Continue reading: Dis Manibus Steven Johansson (20 September 2019)
Comparing Lists of Works Cited with Regular Expressions
Saka Stockings and Plataea
Dario Wielec of Dariusz caballeros and Stefanos Skarmintzos want me to talk about the felt stockings with soles which have been found in some graves in eastern Central Asia. They were often worn in combination with a pair of short trousers that covered the thighs and crotch. You can find a full set of colour photographs and drawings on pp. 92-97 of the Russian book I cited in my original post. They are fascinating and beautiful objects (just think about having brightly coloured feltwork more than 2000 years old!) but I am not sure that they help us understand Chehrabad Saltman 4’s trousers for four reasons:
- they are not what Saltman 4 is wearing (they are felt, his are woven cloth; they are two separate legs, he wears joined trousers; they have seams up the back of the legs, his have seams at the side of the legs; the felt boots are close-fitting, his trousers are “baggy”)
- in artwork like the Darius Mosaic, Red Figure vase paintings, and the sculptures of the Aphaia temple on Aigina, the leggings of trousered warriors seem to go all the way up to crotch level without sagging. The felt stockings tend to be shorter (although I don’t have a full set of measurements) and in the middle ages when stockings (‘hose’) extended that high, they needed to be hung from a belt to stop them from falling down.
- trousers in early Achaemenid art often have a zigzag, diamond, or spotted pattern. That strikes me as something which would be easy to weave in tapestry weave like a kilim. Clothing in this period often had gold leaf, felt, or leather appliques, and its possible that the zig-zag was applied to felt. But we have a fragment of a textile with a rhombus pattern from the Achaemenid period at Chehrabad.
- I am not sure which genders wore these felt stockings, I seem to remember that the famous pair with shiny beads on the soles were from a female burial but I only have access to what has been translated into German or English and what I can obtain from my library or interlibrary loan.
Since none of the Chehrābād salt mummies are wearing these felt boots, and none of the artwork from the Achaemenid Empire or the Aegean clearly shows them, they don’t belong in a post on Saltman 4’s clothing. But if you scroll down, Herr Doktor Manning will give you his whole lecture on the trouser outfit across Eurasia.
What Reproductions Can and Can’t Teach You
In the past year I succumbed to the allure of two of Leo “Tod” Todeschini’s products: a table knife and a baselard. In the late middle ages baselards were big knives with H-shaped hilt hung from the belt between the legs (in barbarous northern countries) or at the right hip (by polite and civilized Italians who had other ways to show they had something long and hard between their legs). He offers two standard models, one which was popular in the Alps and another which was more common in northern Italy and England.
Tod is a brilliant cutler. He captures the essence of knives as objects of lust which you buy and carry against your better judgement. (People in the fourteenth and fifteenth century were not idiots, their coroner’s reports and city statutes show that they knew that when young men start carrying big knives some of them will stab each other with them- and Chaucer always tells you what kinds of knives people are wearing, and whether they are mounted with silver or brass). Tod includes scabbards and suspensions which let you understand knives as accessories not just as something to hang on your wall or leave in your kitchen or your travel chest. The scabbards are painted in a single colour like many originals and lightly tooled like finds from the Thames and the Low Countries. The brass chape is brazed so well that it is hard to see the join (whereas most of the originals Mark Shier has handled are just overlapped or stapled closed). The baselard is beautifully finished, with the nails evenly peened and the wood smoothly set onto the iron core, and has a pleasant substance in the hand thanks to the thick, heavy forte of the blade. The 44 cm length of this baselard is pretty typical (there were a few smaller examples, and many the size of a sword). (Parenthically, his working, table, and kitchen knives would make excellent gifts for a chef or camper in your life). But there is one thing about this knife which is not ideal for me.
I Don’t Understand Martin Gurri
A few people have recommended Martin Gurri’s The Revolt of the Public and the Crisis of Authority in the New Millennium (second edition 2018, available on Bookfinder) but I don’t understand the author’s ideas as they are presented on his blog and in interviews. Granted that he writes his blog in a poetic style, where key concepts are never defined because you are supposed to roll them around and absorb the general meaning in terms that make sense to you. I suspect that some times he says something he knows is not quite right because it will provoke readers or catch their attention. I would like to see how his book defines elite and why (to me, it seems like the period since 1990 has been hard for journalists and experts in bureaucracies, but great for the rich and academics). In 2017 he paraphrased José Ortega y Gasset that “The quality that sets elites apart – that imparts authority to their actions and expressions – isn’t power, or wealth, or education, or even persuasiveness. It’s integrity in life and work” but he also said that elites are those who “run the great institutions of the industrial age,” and I can’t reach from one definition to the other with a barge-pole made up of recycled Margaret Wente columns, Theranos stock certificates, and prospectuses for investors in Dalian, China.
I am confused by his prescription in ‘Has Government Failed?’ because that sounds like the response of the officeholding class, bureaucracy, and old-media commentators to critics in Canada: “you ask us to stop doing some evil thing, and we understand your idealism but that is just not practical for reasons which we can’t quite explain. Yes, we told you we would do it if you elected us, and its a matter of a few thousand words of legislation or a few phone calls to officials and police departments, but its much too difficult, maybe if you re-elect us we can make time for it then?” Contrarians in the United States often present climate change as a sinister plot to engineer society by distant intellectuals, and Gurri places such a scheme in the mouth of his ‘elite’, but in Canada it is grasasroots environmental organizations, small parties, and First Nations who push action and large business owners, the Liberal and Conservative party machines, and Old Media commentators who try to diffuse and delay.
