The Brenner Pass, Schloss Ambras, and a crossroads downstream from Innsbruck.
So, it is 2020. It has been an odd year in an odd decade. And while I am tempted to just note who was king and the most exciting thing that happened in the heavens, I want to finish this section of my chronicle. The conjunction of Mars, Saturn, and Jupiter in May was exciting but there are other things to write.
Today anyone who wants to can download photos of almost all the European fencing manuals written before the 20th century, and often buy a convenient reprint or translation. But this makes it difficult to get a sense of the genre as a whole. Which manuals should someone who is just getting interested in the subject read first? How can we decide which texts our readers or listeners are likely to know, so that when we mention them it helps them understand? The last academic monograph on the subject, Sydney Anglo’s The Martial Arts of Renaissance Europe (2000) is organized by themes so information on any one manual or tradition is scattered across different chapters.
So this week, I would like to give a short list of books which is representative of European fencing manuals before the middle of the 17th century.
Fuzzy Nation (by John Scalzi: Tor, 2011) is a fun quick read of a novel, and I hope it inspires more people to read H. Beam Piper. The author has the good taste to blog and to focus on what he loves about old science fiction not on proclaiming that he is morally and intellectually superior to it. But I found one difference between the original from 1962 and this book from 2011 revealing about cultural change in the past 50 years.
In honour of his retirement from Veste Coburg, a Festschrift for arms-and-armour scholar Alfred Geibig has been published. Contributions in English and ?German? are by Heiko Berger, Raphael Beuing, Dirk H. Breiding, Heiner Grieb, Heinz Huther, Armin König, Arne J. Koets, Stefan Mäder, Jürg A. Meier, Ingo Petri, Christopher Retsch, Mario Scalini, Tobias Schönauer, Jens... Continue reading: Cross-Post: FS Geibig Erscheint
Younger me would have been even more excited, his David Macaulay books are coming to life! Repairing the piers of the foot bridge downstream from the Hofgarten on the river Inn, Austria in summer 2019.
The Centre for Ancient Cultures in Innsbruck is a glass and steel building full of carefully catalogued books next to a grain field and a car dealership. A block away on one street is a church, a block away along another is a Chinese buffet. Our building and its neighbourhood embody the heritage of the ancient Near East
Most of the crops and animals which fed and clothed Eurasia until the Columbian Exchange were domesticated in the Near East. Many of the trees in our orchards come from the mountains of central Asia through gardens in Iran. Writing has been independently invented at least four times, but it was Near Eastern Semitic-speakers who turned hieroglyphics into the aleph bet gimmel which became our alphabet. And it was people in the fertile crescent in the first centuries CE who turned Near Eastern texts and customs into the largest single family of religions today, and their descendants who kept the Fertile Crescent a place of great religious diversity until the Ottoman Empire collapsed.
I grew up thinking that guff about the ancient Greeks being uniquely rational, creative, free, and so on was as dead as Theosophy. The writers who influenced me as a child, like Peter Connolly or L. Sprague de Camp, either ignored it or mocked it, and none of the teachers and books which influenced me at university took it seriously. But I am watching a talk by Dimitri Nakassis on “Orientalism and the Myceneans” and I am coming to a horrid revelation.
This fall, I have been thinking about why some communities did not feel right for me. I enjoy learning from different types of experts, from craft workers to retired thugs to academics, but the kind of journalists who write opinion pieces and columns always gave me a bad feeling. I have trouble talking about feelings, but I think I can articulate two reasons why I feel this way.
Armed Force in the Teispid-Achaemenid Empire: Past Approaches, Future Prospects. Oriens et Occidens Band 32 (Franz Steiner Verlag: Stuttgart, 2021) 437 pp., 8 b/w ill., 4 b/w tables. ISBN 978-3-515-12775-2 EUR 74,– (softcover) (publisher’s website)
My first book is coming out from Franz Steiner Verlag this month. It is the first book on Achaemenid armies since 1992, and the first written by someone who can read any ancient Near Eastern language. I show that most of what we think we know about Achaemenid armies and warfare goes back to classical writers and to 19th and 20th century stereotypes about the east. So many books sound the same because they are repeating the ideas of early authorities in new language. By focusing on indigenous, contemporary sources and placing the Achaemenids in their Near Eastern context- the standard methods in Roman Army Studies and Achaemenid Studies since the 1980s- we can tell a different story.
Mt. Douglas as seen from Mt. Tolmie, November 2020 Today is Remembrance Day. I am not as mobile as I would be in an ordinary November, and neither of the ways people often talk about Remembrance Day feels right to me. Some people turn it into a festival of peace and... Continue reading: Remembrance Day 2020
In September and October, I came across several projects in archaeology which help us understand early warfare. This week’s post will take us from China to Germany, Italy, and England and from the Bronze Age to the 18th century CE.
Figure 7 from Hermann et al. 2020 (see below). Left is a replica sword which has delivered a strike to the socket of a bronze spearhead, right is an original bronze sword
I will start with the Bronze Age (best age!) then move on to ages of other metals. A German-UK-Chinese team published the latest project trying to understand how Bronze Age swords were used. They examined damage to the edges of originals and then compared it to damage on replica swords by Neil Burridge after performing Andre Lignitzer’s six sword-and-buckler plays. I’d like to see more studies like this borrowing ideas from other martial arts like Shastar Vidiya to see which seem to work best with Bronze Age weapons from Europe. Fifteenth-century German fencing such as Andre Lignitzer’s plays has a lot of blade-on-blade contact and twisty actions while the blades are crossed, whereas other martial arts rely on the shield to defend or prefer simpler weapon-on-weapon actions. But I think that the evidence that swords from some periods often have marks characteristic of controlled parrying, whereas in other periods the edge damage is more random, is valuable. I am also glad that they experimented with common matchups like sword against spear, and not just the rare occasions when a sword was used against another warrior with a sword who was ready for the attack.