modern

Economists vs Historians on Economic History

A man with stag`s horns growing out of his head and a spear in his hand is bitten by a pack of small dogs with long snouts
Aktaion is devoured by his hounds. Imagine me as a particularly yippy one just out of scene. Photo of an Apulian red-figure vase in the Badisches Landensmuseum, Karlsruhe, Germany courtesy of the Theoi Project http://www.theoi.com/Gallery/K6.8.html; they have copyright

Economists such as Gregory Clark and Brad DeLong like to tell people that between the dawn of time and 1800 or 1900 there was no growth in GDP per capita and very slow population growth. As an ancient historian this leaves me scratching my head. I decided to write this post after reading the 1998 version of DeLong’s ideas but similar ones appear to be common.

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Some thoughts on John Lynn’s “Battle”

Title text over a sixteenth-century charcoal drawing of a man with a fleshy face in profile wearing fanciful embossed armour
Cover photo c/o The Caffeinated Symposium blog


John A. Lynn, Battle: A History of Combat and Culture. Updated with a new epilogue. Westview Press: New York, 2008. ISBN-13: 978-0-8133-3372-4 (Bookfinder link)

This week I am going to talk about a book written by a specialist in the wars of Louis XIV of France, only two of whose eight chapters deal with ancient warfare in the broadest sense. That is because the book is one of the few which does the work of demolishing one of the most influential and least accurate ideas which an ancient military historian has ever presented to the public: the Western Way of War. Yet rather than be purely destructive, it goes on to sketch a scientific approach to war and culture, and even presents a model which scholars can apply to other cases. It does all that in an affordable volume written for lay readers in the United States where belief in a western way of war is strongest.

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How Can Ancient Art Help Us Read Ridolfo Capo Ferro?

A photo of two naked fencers with round strapped shields and long thrusting swords.
Capo Ferro’s engraver illustrates the perils of lifting one’s shield to parry a feint to the high left, giving one’s opponent a chance to strike low unseen (Gran Simulacro, Siena 1610 edition, plate 42). Photo c/o Wiktenauer http://www.wiktenauer.com/wiki/File:Capo_Ferro_42.jpg

A discussion on another blog revised an old controversy, namely what size of sword the Italian master Ridolfo Capo Ferro expected his students to use. I am not a student of any seventeenth-century art, whether rhetoric or fencing, so I can’t contribute to the discussion with a perspective on what length of sword works best with his techniques, or what length was most common in northern Italy in 1610. I am a student of ancient literature, so this week I will talk about some things from the ancient world which help me to interpret his manual.

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Link Dump

A photo of a small blocky statuette of a seated man carved from rough stone
A votive statue of Chai-Hapi (a thousand of bread, a thousand of beer, a thousand of all good things to him!) excavated from the remains of Roman Vienna. Carved from gneis. In the style of late 19th Dynasty Heliopolis. Wien, Kunsthistorisches Musem, Ägyptische-Orientalische Sammlung, Inv. Nr. Äs 64. Photographed on special exhibition at Schloss Ambras by Sean Manning.

When Tutankhamun’s tomb was opened, the excavators found a copper trumpet and a silver trumpet. The British looked at them and thought a bit and decided that the obvious thing to do was to play them for the BBC. The recording is now available on YouTube (c/o Bronze Age Centre)

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Time-Binding

A black and white photo of Pluto silhouetted against the emptiness of the outer solar system
The last photo broadcast by New Horizons as it approached Pluto and concentrated all its resources on collecting data rather than transmitting it. Photo by NASA/APL/SwRI http://www.nasa.gov/feature/new-horizons-spacecraft-displays-pluto-s-big-heart-0/

About 2550 years ago, the latest king of Babylon deposited a cylinder in the foundations of a building which proclaimed to the Babylonian literati that he was just the kind of king that all the best Babylonian literature said a king should be. Building and renovating monuments was one of the basic responsibilities of a Babylonian king, and Cyrus wished to be accepted by his new subjects. Cyrus expected that every few centuries workers in the service of another king would dig up his cylinder, read it, and deposit it again with appropriate honours. In fact, Cyrus assures his audience that he has done just that as he restored walls and temples:

(43) ši-ti-ir (Erasure) šu-mu ša2 {m}AN.ŠAR2-DU3-IBILA LUGAL a-lik mah-ri-[-ia ša2 quer-ba-šu ap-pa-a]l-sa(!) (44) […] (45) [… a-na d]a-ri2-a-ti3

“A cuneiform text in the name of Assurbanipal, a king who went before me, which appeared within it [… to] immortality.” (Cyrus Cylinder ed. Schaudig tr. Manning)

Until recently, only one example of this cylinder was known, and that was excavated from the foundations of that building (exactly where has since been lost as excavations in 1880-1881 were not documented to modern standards). But in December 2009 and January 2010, W.G. Lambert and Irving Finkel identified two fragments of a transcription of the cylinder onto a tablet which was signed by one Qishti-Marduk son of Marduk or Iqish-Marduk, son of X. While the cylinder was buried in the earth, its message could circulate in copies, and perhaps in speech as well.

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How the Grafs Trapp Acquired the Armour of the Vogts of Matsch

No energy to be poetic sorry
Schloss Churburg as seen from a third-story balcony outside the walls of Glorenza. Photo by Sean Manning.

Most weeks I post about things which I have seen or read myself, about domains in which I have reason to consider myself an expert, and refer to supporting evidence which my gentle readers can check if they doubt me.  This is a kind of history which began to take shape in the eighteenth and nineteenth centuries along with other kinds of modern science.  It is certainly not the only way to tell stories about the past.  So this week I decided to try something more Herodotean.  What I will tell you this week comes from people met here and things read there, and I think that it tells something important, but in the end it is still a story about things long ago and far away, and just because it is great fun does not mean that every detail is true.  This is the story of how the Grafs Trapp acquired Schloss Churburg and the armour of the Vogts of Matsch.

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Fortification Report: Glorenza

No excess poetry to use here sorry
May mowing between the Etsch and the walls of Glurns in the Vinschgau, South Tyrol, Italy

Most travellers from Lombardy to the Germanies take the road up the Adige from Catullus’ Verona past Trent of the council. When they come to Bolzen beneath its castles the road divides to the right and left and they can follow the Eisack towards the Brennerpass or the Adige (now called the Etsch as one moves into German-speaking areas) towards the Reschenpass. In rich and well-organized ages, most travellers prefer the first route, because the Brenner has certain advantages if one can build bridges and cut roads and drive tunnels through the most difficult sections. If they take the second they will find themselves in a district called the Vinschgau where the fields yield rye more readily than wheat and the orchards apples and pears more readily than grapes. In that district on the bank of the Adige is the remarkable town of Glorenza.

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History as Rhetoric

A pale red marbe statue of a man in robes and cap seated at a weighty desk
The protective statue of Virgil, Mantua’s patron, now looks down from the inside wall of a museum instead of the outside wall of the Palazzo della Ragione (Palazzo Te, collezione civiche inv. n. 11605, photo by author)

There is a school of thought which says that ancient Greek and Roman historians were more interested in telling pretty stories than about critically comparing different reports to understand what had happened in the past. Generally advocates of this view appeal to later and Roman writers like Livy and Tacitus, and to proscriptions by rhetoricians about how history ought to be written; opponents appeal to earlier and Greeker writers like Thucydides, and note that those proscriptions were seldom written by working historians, and often fail to say what the relativists wish they said. And like unto the battle-lines in Homer, back and forth the combat goes, enlivening the discussion periods at conferences, fattening journals, and keeping librarians busy delivering the latest salvo. Since ancient historians only left incidental traces of their working methods in their writings, and not many non-historians wrote anything about the subject at all, the debate will keep scholars happily bickering for decades to come. I tend to lean against this way of thinking, but because the debate focuses on later periods than I do, I would recommend that interested readers check Luke Pitcher’s book below for an introduction.

One of my favorite tools in such situations is to look for parallels. Medievalists tell me that very little is known about how chroniclers worked in the middle ages, and little research has been done (Anne Curry’s book on Agincourt has some helpful footnotes here). More seems to be known about writers from the sixteenth century as in the following quote from Robert Black, Machiavelli (Routledge: London and New York, 2013) pp. 248-252. I was struck by his remarks on how Italian humanists in the fifteenth and sixteenth centuries wrote history, and since they are evidence against my own views they deserve to be quoted:

Machiavelli intended his work to conform to the norms of humanist history, aiming to imitate Bruni’s and Poggio’s Florentine histories. The text is laden with features characteristic of ancient Roman historiography such as lengthy speeches … It is clear that Machiavelli was attempting to recreate the periodic style of the classical Roman historians, and particularly Sallust and Livy, in the modern vernacular … In line with the conventions of humanist historiography, Machiavelli showed little concern for factual accuracy. The work’s many methodological shortcomings, errors and even inventions have been frequently highlighted, beginning in the sixteenth century with the definitive historian of grand-ducal Florence, Scipio Ammirato (1531-1601) …

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The Liebster Award, or, Becoming Aware of an Internet Tradition

Photo of a red limestone building with a weathered gateway of white stone carved in relief built into it
The very rich and very patient can ignore practical constraints on their collecting too: random Tudor gateway built into the Burrell Collection, Scotland.

A few weeks ago Alexandra of ascholarlyskater nominated me for the Liebster Award. Thanks Alex! I see that Judith Weingarten won one of these in 2013. Although I do not normally post personal things on this blog, I thought I would get into the spirit of things in my reply. Those of you who are here for the history can come back next week when I will have something nice and martial and either Babylonian or Phoenician.

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