For a long time I have been meaning to find the original citations for the great debate between sociologist Max Weber and historian and orientalist Eduard Meyer about the significance of the first two Persian invasions of Attica (the Athenians didn’t like to talk about the third Persian army and fleet which arrived a hundred years later and was welcomed with open arms). Jona Lendering mentioned it in his article on the significance of Marathon but when he was creating his site he was bullied into leaving out citations by teachers who were worried that their students would crib from it. I finally have the passage: Eduard Meyer, Geschichte des Altertums, 4th edition (Därmstadt, 1965), Bd. IV.2.3 p. 420 http://www.zeno.org/nid/20002751402 Meyer had just noted that Delos and many other sacred sites in Greece seemed to have a working relationship with the Persian kings by the beginning of the fifth century BCE. I will give the original German and then my translation.
In print and on this blog I have written a lot about how I think the basic debate in the study of Greek warfare from 1989 to 2013 was about whether we should read Greek writers as giving faithful glimpses at a timeless unchanging practice of warfare, or as class and civic partisans whose stories about the good old days were just as wishful as the ones we hear today. People who like to talk about abstract ideas often link the second approach to words like deconstruction and postmodernism and names like Eric Hobsbawm and Jill Lepore. But they were not the only thoughtful people to realize this, and in October I found some similar thinking in an unexpected place.
Back in 1924, Sir Charles Oman revised his history of warfare in Middle Ages after being introduced to the works of Hans Delbrück. Have a look at his new account of the battle on the Marchfeld between Austro-Hungarian and Bohemian forces in 1278, in one of the chapters which he says he specially reworked in response to the German historian.
Early in the pandemic, British History Online was free to access. And I remember reading an Anglo-Norman proclamation from Edward II or Edward III forbidding anyone whatsoever from bringing any daggers, swords, hatchets, bows and arrows, long knives, aketons, plates, steel caps, or other offensive or defensive arms into sight of the palace at Westminister... Continue reading: Apropos of Nothing
The Brenner Pass, Schloss Ambras, and a crossroads downstream from Innsbruck.
So, it is 2020. It has been an odd year in an odd decade. And while I am tempted to just note who was king and the most exciting thing that happened in the heavens, I want to finish this section of my chronicle. The conjunction of Mars, Saturn, and Jupiter in May was exciting but there are other things to write.
Today anyone who wants to can download photos of almost all the European fencing manuals written before the 20th century, and often buy a convenient reprint or translation. But this makes it difficult to get a sense of the genre as a whole. Which manuals should someone who is just getting interested in the subject read first? How can we decide which texts our readers or listeners are likely to know, so that when we mention them it helps them understand? The last academic monograph on the subject, Sydney Anglo’s The Martial Arts of Renaissance Europe (2000) is organized by themes so information on any one manual or tradition is scattered across different chapters.
So this week, I would like to give a short list of books which is representative of European fencing manuals before the middle of the 17th century.
Fuzzy Nation (by John Scalzi: Tor, 2011) is a fun quick read of a novel, and I hope it inspires more people to read H. Beam Piper. The author has the good taste to blog and to focus on what he loves about old science fiction not on proclaiming that he is morally and intellectually superior to it. But I found one difference between the original from 1962 and this book from 2011 revealing about cultural change in the past 50 years.
In honour of his retirement from Veste Coburg, a Festschrift for arms-and-armour scholar Alfred Geibig has been published. Contributions in English and ?German? are by Heiko Berger, Raphael Beuing, Dirk H. Breiding, Heiner Grieb, Heinz Huther, Armin König, Arne J. Koets, Stefan Mäder, Jürg A. Meier, Ingo Petri, Christopher Retsch, Mario Scalini, Tobias Schönauer, Jens... Continue reading: Cross-Post: FS Geibig Erscheint
Younger me would have been even more excited, his David Macaulay books are coming to life! Repairing the piers of the foot bridge downstream from the Hofgarten on the river Inn, Austria in summer 2019.
The Centre for Ancient Cultures in Innsbruck is a glass and steel building full of carefully catalogued books next to a grain field and a car dealership. A block away on one street is a church, a block away along another is a Chinese buffet. Our building and its neighbourhood embody the heritage of the ancient Near East
Most of the crops and animals which fed and clothed Eurasia until the Columbian Exchange were domesticated in the Near East. Many of the trees in our orchards come from the mountains of central Asia through gardens in Iran. Writing has been independently invented at least four times, but it was Near Eastern Semitic-speakers who turned hieroglyphics into the aleph bet gimmel which became our alphabet. And it was people in the fertile crescent in the first centuries CE who turned Near Eastern texts and customs into the largest single family of religions today, and their descendants who kept the Fertile Crescent a place of great religious diversity until the Ottoman Empire collapsed.
I grew up thinking that guff about the ancient Greeks being uniquely rational, creative, free, and so on was as dead as Theosophy. The writers who influenced me as a child, like Peter Connolly or L. Sprague de Camp, either ignored it or mocked it, and none of the teachers and books which influenced me at university took it seriously. But I am watching a talk by Dimitri Nakassis on “Orientalism and the Myceneans” and I am coming to a horrid revelation.
This fall, I have been thinking about why some communities did not feel right for me. I enjoy learning from different types of experts, from craft workers to retired thugs to academics, but the kind of journalists who write opinion pieces and columns always gave me a bad feeling. I have trouble talking about feelings, but I think I can articulate two reasons why I feel this way.
