There is now a Historical Dictionary of Science Fiction (https://sfdictionary.com/) which got started with help from the Oxford English Dictionary. When I encounter a new historical dictionary or encyclopedia, the first thing I do is check some entries to see if they exist and how good they are.
H. Beam Piper’s Terro-Human Future History features two weapons, planet-busters and hellburners. Planet-busters are some especially powerful kind of atomic weapon, like a hydrogen bomb but even more destructive, while hellburners are atomic weapons which create some kind of self-sustaining incendiary reaction (Piper alluded to Hans Bethe’s solar phoenix reaction). Planet-busters go back to a popular article on the hydrogen bomb from 1950 and appear in many writers’ stories, but hellburners are rare outside Piper’s works. In a chat with Jesse Sheidlower, I realized where the name ‘hellburner’ may come from.
My posting is becoming irregular because, well, its 2022. I have heard of some talks which my gentle readers might be interested in. One is definitely online, one I am not sure about. Amanda Podany, “Ea-naṣir, Microhistory, and Popular Interest in Ancient Mesopotamia” Friday 14 October 11.00-13.00 New York time (I think I remember that... Continue reading: Two Upcoming Talks in New York
The war in Ukraine has changed since spring. I thought that some of my readers might be interested in the resources I am currently using to follow it. Since I don’t know Russian or Ukrainian, and since many people have agendas, sorting things out is tricky for me. People following the war like corporate social media with feeds, and on those sites quotes and images float around without attribution. People who like them imply that they hear all kinds of rumours. And because so much is at stake (the future of 200 million people, the energy supply to Europe and grain for the Mediterranean) many people slip into boosting their side rather than provide dispassionate analysis.
Now that Ukraine has much larger armies, and weapons to counter Russian artillery, I expect Ukraine to keep driving Russian forces back until at least spring 2023. The most likely things which could change the situation would be a complete collapse of Russian forces and Russian use of nuclear weapons (which would probably end very badly for Russia, but Putin keeps making stupid decisions and does not live in the same world we live in). Turning recruits into an army takes 3 to 12 months if you have systems for gathering, training, and arming them, and those trainers and vehicles are dead or destroyed in Ukraine. Putin is scared of mass popular movements like the original levée en masse. So until 2023, the main effect of Russian mobilization will be a lot of dead Dagestanis and Buriyats and a lot of rich landlords in Tbilisi and Istanbul.
In my post on that hilarious book on US soldiers overseas under the second President Bush, I mentioned that its full of pithy ethnography of the people Americans fight with or against (or both, as in Iraq and Columbia). Some things I read in January 2022 make me want to come back to it. This week let us think about the relationship between ethnography and military theory.
Lara Broecke, Cennino Cennini’s Il Libro dell’Arte: A New English Translation and Commentary with Italian Transcription (Archetype Publications: London, 2015) ISBN-13 978-1909492288
This summer I am reproducing some ancient shields, and since most face-to-face classes where I live are still closed, I am turning to the best possible teachers: Theophilius (fl. around 1100 CE) and Cennino Cennini (fl. around 1400 CE). Theophilius and Cennino teach almost everything you need to prepare a shield (or a panel) for painting.
The standard way to access Cennini is through three books published by Daniel V. Thompson around 1930 (an Italian text, a translation titled The Craftsman’s Handbook, and a practical handbook called The Practice of Tempera Painting). Lara Broecke has recently published a new edition, translation, and commentary of Cennini. These are thorough and scholarly and synthesize the past 85 years of art-technological research. If you want to know the chemical composition of Cennini’s gesso grosso plaster or giallorino pigment, look here. But Broecke distances herself from people who read Cennini as a textbook (pp. 1, 13, 305). Cennini was not a very good writer, his book may have been incomplete when he died, and none of the surviving copies of his work is a perfect representation of what he wrote. To understand why the old translations and editors of Cennini’s Book of the Art have the quirks which they have, lets turn to the Italian independent scholar Giovanni Mazzaferro:
Over on another place, I have been talking to Jean Henri Chandler the fencer and RPG writer about the trope of poisoned weapons. Writers of adventure stories in the 20th century loved this trope. In Robert E. Howard’s “Black Colossus” a beast is defeated with a poisoned dagger, while in Hour of the Dragon a poisoned needle protects a treasure and can kill with a scratch. Tolkien’s Witch-King wields a cursed knife whose wounds cannot be healed by ordinary medicine, and in the Warhammer setting Dark Elves or Dark Eldar love their poisoned daggers and flechette launchers. Brian Jacques’ villain Cluny the Scourge has a poisoned barb on his tail, and Jack White’s Arthurian novels (goodreads) have poisoned needles too.
In its day, Tumblr was very effective at spreading some ideas and ways of communicating. Tumblr post found in the early 2010s, captured in January 2018, source unknown.
Anglo culture in the early 21st century makes it hard to use good curses and insults. Our middle and high culture is strongly against insulting anyone for their parentage, body shape, disabilities, religion, private life, and other natural human things. But one of the insults which almost everyone feels comfortable throwing around is LARPer. If third-parties object, it is to dispute whether the object of the insult is really a LARPer, not to ask whether being a LARPer is a bad thing. Ten years ago when I was spending time with more types of geeks, I noticed that people whose hobbies have a lot in common with LARP, such as the historical fencers in black or the Society for Creative Anachronism, wanted you to know that LARP was totally different from what they do. People from socialists to the hard right agree that being a LARPer is bad. This week I would like to talk about what people object to, and some of the things which the insult misses.
saying everything’s on the internet is great if you know how to use the internet. People who say it’s all on Google probably haven’t spent a lot of time watching people try to find what they want on Google. It’s challenging. There’s a lot of syntax to know, you’ve got know how to use a mouse, you’ve got to understand clicking, what’s a tab, what happens when I do this that and the other (thing), and there really isn’t a social institution dedicated to helping you figure it out. And then, that’s just for digitally divided folks, but for average folks who know how to use a computer, they still need to know how to be discerning about the information they get.
“Don’t be evil” or not, Google has a great deal of power over Internet culture. One example is the way that Google discourages searchers from marking up their search (with quotes, Boolean logic, restrictions like “only from the following domain,” etc.) Google Advanced Search was removed first from their main page and then from their list of other Google tooks on google.com, and their algorithm takes more and more freedom to ignore quotes and deliver sites with only partial matches. Rather than encouraging users to become skilled searchers, it teaches them to type quickly and trust the algorithm.
In fall 2021, Winchell ‘Nyrath’ Chung [Patreon] – [hellbirdsite] was diagnosed with terminal cancer. As of April 2022 it is in remission. His site Project Rho is one of the great Internet preservation projects: it collects material in various essays, books, and Internet posts and organizes it so it can be turned into something more digestable one day. In his case, that material is calculations and speculations about how high-powered spacecraft would work, especially in combat. This week I will talk about some of the things I learned from worldbuilding geeks which I did not learn from science fiction stories.
One of the tools which made preindustrial life work (and kept chariots rolling and kings supplied with gilt wooden thrones): a pole-lathe from a Central European master gunner’s book painted in 1411 (Österreichische Nationalbibliothek, Vienna, Codex 3069, p. 189 of 347) https://digital.onb.ac.at/RepViewer/viewer.faces?doc=DTL_2316748
In two earlier posts I showed that science is verified trust, but that the verification is not always well done. What happens when the verification is not done at all? We can see the horrid results in many different areas of life.
