Modern

Posts on events in the last few hundred years

The Key Question in the Fall of the Roman Empire

a chart of a proxy for the height of men and women buried in the Roman empire with a dep dip from 150 BCE to 400 CE and then a dramatic rise after 400 CE
Trends in the height of men and women buried in what became, and then ceased to be, the western Roman empire. Heights are lowest in the time when Rome dominated the Mediterranean world, then as Roman power west of the Adriatic collapses heights rise farther than before. Until a 2022 blog post by Bret Devereaux, i had never encountered an ancient historian who had seen the evidence of human remains and denied that something went terribly wrong with human health in the Roman empire at the same time as humans acquired unprecedented amounts of stuff. For the technical details see W.M. Jongman, et al., “Health and wealth in the Roman Empire”, Econ. Hum. Biol. (2019), https://doi.org/10.1016/j.ehb.2019.01.005 Image added 13 February 2022

A conversation with Nathan Ross inspired me to track down two essays by Steve Muhlberger on what I think is the key issue in the fall of the western Roman empire. (The debate “were foreign invasions or civil wars more destructive?” is a bit of a semantic issue, since soldiers tried to be as Germanic as possible and wealthy Germans in the Imperium tried to become as Roman as possible: its never going to be easy to define figures like Stilicho as either Roman or barbarian). It has long been obvious that the fifth century saw light beautiful pottery, stone houses, roofs with leak-proof terracotta tiles, and philosophers who could do original work vanish from Europe north of the Alps, but recently archaeologists have noticed that people buried in Post-Roman Europe seem to be living longer and eating better than their ancestors who bore the Roman yoke.

My second reflection is on the current debate about the fall of the Roman Empire (the fifth-century fall) between people who equate it with “the End of Civilization” (Bryan Ward-Perkins) and people who don’t think it was an ending of unprecedented significance (say, Peter Brown and Walter Goffart). I really think that the unresolved and maybe unresolvable debate is about what civilization is. Is it a situation where a leisured minority sit around in the palace library, enjoying bread made from Egyptian wheat and dipping it in Syrian olive oil or Spanish fish sauce, and debating the great ideas of the ages, while other people dig minerals from the earth in dirty, dangerous mines, or harvest cotton in the hot sun, and die young? If that’s it, then there was probably a lot less “civilization” in large parts of the formerly Roman world after AD 400 than there had been for some centuries, in that it was far more difficult to assemble a large variety of enviable luxuries in one spot through the routine operations of centralized imperial power. And there is more civilization now, because here I sit, not even close to being rich by Canadian standards, but able to read, think and then speak to a privileged minority around the world while hundreds of millions sweat profusely (and all too often, die young).

But it might be worth considering whether the height of luxury — whatever luxury you prefer — is the only measure of civilization.

I say, bring on those resilient decentralized networks and extend them as far as we can. The only alternative is slavery for somebody.

Steve Muhlberger, “Brave New War, The Upside of Down, and the fall of the Roman Empire,” 22 April 2007 https://smuhlberger.blogspot.com/2007/04/brave-new-war-upside-of-down-and-fall.htm
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Some Thoughts on Niven’s “A Gift from Earth”

Larry Niven, A Gift from Earth (Ballantine Books: New York, 1968)

Larry Niven had a brilliant creative career from his first published story in 1964 to the Tales from Draco’s Tavern and The Integral Trees in the mid-1980s. Since then his star has faded, although his name often appears on covers next to a co-author; I get the impression that he got bored with writing but did not find a new vocation. I recently had a chance to re-read one of his novels which I don’t often return to, and was struck by how good it is.
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Urheberrecht in Österreich

A delivery van in Neurum, Innsbruck, Austria

One of the most charming and exasperating traits of small-city Austria is the locals’ casualness about copyright law. From a local plumber whose logo alludes to a popular TV series, to the cafe with a Disney Corp artist’s version of a Kipling character on their sign, to the academics who publish wherever and then stick the PDF on academia.edu as soon as it arrives in their inbox, they just do what they want as long as large sums of money are not involved. Ironically, Austrian Urheberrecht guarantees creators some privileges which in other countries they can sign away, such as the right to be acknowledged as the origin of a work. But on some other areas, they don’t fuss the details. Also, the Austrian academics I know have mostly moved away from assigning textbooks which are sold for money; they don’t write long tracts about the affordability of education (university in Austria costs about EUR 1600 a year in fees) or wicked commercial publishers charging hundreds of dollars for a calculus book, just put handouts together and share them.

Although I can’t put my finger on how, somehow this feels different than my gamer buddies explaining why they are not willing to pay $40 for a beautiful illustrated hardcover book by a game designer, or Jessamyn West agonizingly debating whether to tell library patrons that DRM can be broken or sci-hub exists. To me it feels more like the way Austrians smoke like chimneys, manage the sex trade, and accept polite corruption and horse-trading. Austria had to put up with the counter-reformation and watch National Socialists rebranded themselves as libertarian (freiheitlich), and quite a few Austrians don’t want to fight for fundamental reform, just quietly get what they want done in the grey areas.
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Life as a Play

A flyer for a business in Innsbruck: "NABU RECORDS: Schallplattn An- und Verkauf.  Exotica - Reggae - Dub - Hiphop - Austro Funk - Soul - Jazz - Rock - Metal - Pop - African - Arabic - Electro - Turntables - Poster"
Deliberate allusion or accidental choice of a name? Just like the river shrine to a certain Lady, parallels with ancient motifs are all around you in Innsbruck!

Epictetus, Enchiridion 17 tr. Manning

Remember that you are an actor in a play, in whatever kind the producer chooses: if short, then short, if long, then long. If he wants you to play a pauper, or a cripple, or a ruler, or a private citizen, you should play it the best that you can. For this is your job, to play the part that is given to you well, but to chose it belongs to another.

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Hieroglyphics in Mantua

In Mantua did Gonzaga a stately pleasure dome decree. Being a renaissance tyrant, he decorated that dome with plaster frippery and curliques and paintings of fashionable Greek and Roman themes, but he also decorated it with these:

A roof decorated with neo-classical reliefs and fake heiroglyphics
A decorated roof at one of the palaces in Mantua.

Those are fake hieroglyphics! Nobody could read heiroglyphics in the sixteenth century, but that was not a problem for the plasterers of Mantua any more than it had been for the priests of Isis at Pompeii 1500 years before. Putting up some old sculptures with a sphinx or obelisk and some mysterious inscriptions communicated a message of exotic cosmopolitanism, and that (not “a thousand of bread, a thousand of beer, a thousand of all good things to Semtutefnakht” or “Pa the scribe was here, these other scribes have trembling hands and stumbling lips”) was the message which visitors needed to read. Looking fashionably ancient in sixteenth-century Italy included Egyptian inscriptions as well as Greek friezes and busts of emperors. This raises the question when Europeans, and European settlers overseas, decided that the Greeks and Romans were ‘us’ and Egyptians, Syrians, or Persians were ‘them.’
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Folk Wrestling in Poland

The field behind the Zentrum für alte Kulturen, Langer Weg, Innsbruck, on 31 January 2019

Over on Patreon, Maciej Talaga talks about the folk sports which Polish peasants used to play in the slack times of the agricultural year. As he says, outside of the harvest season peasant societies tend to have more workers than useful things for them to do, so people on the land have to find ways to amuse themselves.

Biady, that is wrestling, was one of the most popular. It was played mostly by older boys and unmarried men, but there were exceptions. Participants would establish a specific hold – you can see it demonstrated on the video – and try to throw each other down without breaking it. Such matches could last anything from a few seconds to up to half an hour (with a single successful throw!). They involved no judges or coaches, as none of the participants would receive any formal training.

The latter was also the very reason why documenting “biady” required a specific research strategy. Since this martial game had no technolect or jargon, practitioners had no consistent way to talk about it. They couldn’t discuss given techniques, as we are used to do in HEMA, since there were no names for wrestling actions involved. Even less so in regard to tactics and theoretical concepts. In effect, my Grandpa also had hard times answering my inquisitive questions which I started bombarding him with after I discovered he has a vivid memory of this fascinating tradition. Being a simple man, he not only was surprised that anyone found it interesting, but also lacked words to explain martial matters in a structured way.

Having realised these difficulties, I called for help: I have a pleasure to run a little youth club teaching HEMA to some fantastic boys and girls. Three of them, Krzysztof Markowski, Marcel Kwapisz and Bruno Biernacki, enthusiastically agreed to assist me in a research trip. We went by bus to Wizna, a town located some 30 km away from my grandparents’ house in Łomża, and took a walk to visit the only Polish folk wrestler we knew about. And this time we were prepared much better – instead of asking questions, we started “biadying” in front of my Grandpa in the hopes that it would be easier for him to comment on our performance than talk about “biady” from a scratch on his own. And it worked!

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What to Keep, What to Discard: The Mesopotamian Answer

Men and women in Neo-Classical dress talk and consult plans as a city is built in the background
Rome was not built in a day, but my emails were transferred in one! A Baroque tapestry of the AEDIFICATIO BABILONIAE in the city museum, Rimini.

It is the end of the semester in which I graduated, so I have been working to back up my emails onto my computer (Austrian university webmail is limited to 500 MB, and does IMAP not POP, so when the account closes the emails go away unless you move them to local folders). The Anglo chattering class loves to talk about what to do with old papers and knicknacks, with Marie Kondo or the Swedish Death Purge inspiring opinion pieces and social media threads. Did you know that the cuneiform world had a pretty firm opinion on the matter?
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A Herodotean Sentiment

The remains of the Roman amphitheatre, Rimini (ancient Ariminum) Evans-Pritchard [1937] (1977: 153) made the comment that when informants fall out; it is to the anthropologist’s advantage. However, in the modern era where informants read the anthropologist’s work, disputes among informants lead to all kinds of complications, and one must be especially careful in preparing... Continue reading: A Herodotean Sentiment
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