Modern
Posts on events in the last few hundred years
Thanks to the University of Victoria
This summer, my plan is to publish two posts a month while I enjoy the weather and the slowdown in the pandemic and get some other things in my life sorted out. But with the burst of traffic from Hacker News, and a reminder of a previous life beyond the ocean sea, I would like to thank one of the biggest intellectual influences on my thought which does not get called out in my book: the University of Victoria.
Read more
How to Build Healthy Geeky Communities
Geeky communities attract people who milk them for money, sex, and throngs of adoring flatterers. In the Anglo world I can trace this from New York science-fiction fandom in the 1940s through some of the groups I knew face-to-face in Canada to the Southern California tech world (and the closely related SoCal kink and porn worlds) in the 2010s. There are theories why this happens such as Michael Suileabhain-Wilson’s “Geek Social Fallacies” (2003). But today I would like you to read an essay on how to build a community of plumbers working side by side not rock stars and groupies, a community that the parasites bounce off like a mosquito landing on a buckskin jacket.
No More Rock Stars (2016) by Valerie Aurora, Mary Gardiner, and Leigh Honeywell
Cross-Post: Oxbow Books Sale
Pavel Vaverka reminds me that Oxbow Books has its usual spring sale right now. Here are some of the ones that my gentle readers might be interested in: Thomas Fischer and M. C. Bishop, Army of the Roman Emperors: Archaeology and History (Oxbow Books, 2019) £45 ISBN: 9781789251845 Paul R. Sealey, EAA 118: A Late... Continue reading: Cross-Post: Oxbow Books Sale
Where Did Ancient Slaves Come From?
A retired economist in another country wants to know how we know that many ancient slaves were prisoners of war, kidnap victims, or the children of slaves. Ok! Readers who don’t want to hear about slavery and child abandonment might want to skip this one.
So in the Ur III period around 2000 BCE we see massive numbers of people being rounded up and deported into labour camps near Ur. Some were starved to death so their supervisors could sell their rations, and others seem to have been blinded to stop them running away (they could still haul water and do other simple tasks). A bit later we have contracts where parents sell their children to someone willing to feed them during sieges or famines. Moving on to the 8th and 7th century BCE, the archive from Nippur (Oriental Institute Publication 114) and the Iliad describe people being captured by raiders and bandits and either ransomed or enslaved. A little later we see massive numbers of captives being dedicated to the gods in Babylonia, where they would work for the rest of their lives for the temple (although it is worth noting that these širāku had what we would call human rights other than the right to move freely and choose their employer- there were even worse statuses to be placed in). We also see that people with unfree status were tattooed or branded so they could be identified if they ran away. Later stories about Solon around 600 BCE describe how farmers in Attica fell into debt and were forced to sell themselves and their lands, possibly share-cropping for one sixth of the produce (the ἑκτημόριοι “sixth-parters”).
Starting with the first surviving Greek historians Thucydides and Herodotus at the end of the 5th century BCE, we have account after account of prisoners of war and the populations of captured cities being sold into captivity or executed by Greek cities or Persian kings. We also know that one of the biggest employers of slaves near Athens was the silver mines, and mine slaves seem to have had a very short life expectancy. Early Greek and Latin had words for “home-born slave” and “bought slave” and slave-holders told each other that the first kind was best. In Egypt under the Ptolemies, letters and slave names indicate that many slaves were abandoned children left out with the trash: whoever took them in and fed them owned them. There is an Akkadian phrase which may mean something similar: where Greeks said that these foundlings came “from the dungheap” (ἀπὸ κοπρίας), Babylonians seem to say they came “from the dog’s mouth” (ie. they were about to be eaten by stray dogs: ša pī kalbi). The idea that if someone was going to die and you save them, you can do what you like with them is very common in different cultures because it let masters tell themselves that whatever they did was not as bad as killing.
Paradoxes of Sword Design
In February, I started to think seriously about swords after sketching the swords from Ghalekuti (which I will blog about one day). I am the “armour” sort of historical fencing person not the “swords” sort (thanks Steve Muhlberger) and I don’t have access to many originals in good condition. A group of European and American bladesmiths and engineers have been thinking about how to describe swords and how they want to move. The names I know best are Michael Tinker Pearce, Vincent le Chevalier, and Peter Johnsson; other people would mention Angus Trim and George Turner.
Swords are simple objects, but designing a specific sword requires trading off all kinds of goods against one another. The longer sword is more of a nuisance to wear and slower to draw, the stiffer sword may not be as effective in cutting, the more complex hilt limits how the weapon can be held. These seemingly simple objects hide a lot of engineering that you can slowly train your eye to see and your arm to feel.
This is a topic where not much has been formally published, but two great web resources are “Understanding Blade Properties” by Patrick Kelly and Peter Johnsson’s talk “Paradoxes of Sword Design” from Arctic Fire 2012 (warning: YouTube). Peter Johnsson is probably the most charismatic speaker discussing these ideas today and he has his own theory of how the medieval cruciform sword was designed. Because his talk is 80 minutes long and on a scary Google website I want to call out two things which I noticed.
Cross-Post: Steel Symposium
Lorica Clothing in the United States is organizing an online armour scholarship conference from 3 to 9 May using Zoom (warning! security and privacy catastrophe).
Read more
Staring Evil in the Face: Some Thoughts on Hanson’s “The Other Greeks”
Victor Davis Hanson, The Other Greeks: The Family Farm and the Agrarian Roots of Western Civilization (The Free Press: New York, 1995)
I hold then, that there never has yet existed a wealthy and civilized society in which one portion of the community did not, in point of fact, live on the labour of the other. Broad and general as is this assertion, it is fully borne out by history. This is not the proper occasion, but, if it were, it would not be difficult to trace the various devices by which the wealth of all civilized communities has been so unequally divided, and to show by what means so small a share has been allotted to those by whose labour it was produced, and so large a share given to the non-producing classes. The devices are almost innumerable, from the brute force and gross superstition of ancient times, to the subtle and artful fiscal contrivances of modern.
– John C. Calhoun, “Slavery a Positive Good,” 6 February 1837 https://en.wikisource.org/wiki/Slavery_a_Positive_Good
I finally read The Other Greeks by Victor Davis Hanson in summer 2018. This book, published in 1995, contains an argument that farmers working 9- to 13-acre (20-30 3 to 5 hectare) plots were key to Greek culture wrapped in two rants about the decline of the American family farm and the decadence of American academics. Victor Davis Hanson’s writings on ancient agrarianism are less famous than his political columns and his ideas about Greek warfare, but I enjoyed working through this book. Farming is obviously a topic that Hanson cares deeply about, and because he put so much care into this book I can tell that he sees some of the implications of his argument.
The ancient history in this book is interwoven with the story of a 40 acre farm near Selma, California which the Hansons have held for five generations (only three generations were able to make a living from it, his parents got jobs in town and he tried to keep the farm going after his grandfather retired but found that the only way was to use his salary and royalties from teaching and punditry to subsidize the farm). In his view, both classical Greek and modern US culture were at the best while society was dominated by rural small farmers, and any threat to this class is a threat to freedom and democracy.
To my knowledge, Victor Davis Hanson has never written about why his Swedish great great grandparents were able to take a share of “the richest farmland in the world” for a token price in 1875, just like Wikipedia estimates that the indigenous population of the San Joaquin Valley fell 93% from 1850 to 1900 but falls silent on what exactly happened (today all the nations of the Yokuts are a few thousand strong, about as many as one of the little farming towns Hanson loves).
Despoilers of the Golden Empire
In another place somebody cited Randall Garrett’s “Despoilers of the Golden Empire” (John W. Campbell Jr.’s Astounding Science Fiction, March 1959). If you don’t know that story, pop over to Project Gutenberg and read it, at least for a few pages until you understand the gimmick. Because this one story tells some things that most of the people talking about Silver Age science fiction don’t want you to hear.
Sue Brunning and the Quest for the Perfect Sword
Archaeologist Sue Brunning has a new book on the sword around the North and Baltic Seas. In an interview she brings up a way of thinking about the parts of a sword which is worth pondering:
There are common features that all swords had to have in order to be swords.
First, a blade – which I describe in the book as the “body” of the sword because it is the part that “does the work”, from a physical point of view; it is usually concealed beneath “clothing” (the scabbard) and only those most intimately acquainted with the sword would see and come to know its finer details. The blade also, like a body, became the repository for history, reputation, character…
Second, a hilt (or handle), which I describe as the “face” because this was the focus of a sword’s visual identity – it was the part that most people could see and come to recognise, as it was not concealed by “clothing” like the blade was. Hilts, like faces, had unique features manipulated by their owners; they could be altered to shape their identities in a desired way; and eventually, as we all know, they would show signs of ageing – wear patches, like wrinkles.
Next, the scabbard – the early medieval sources disagree to some extent over how essential this component was, but in reality it was quite important. It enabled you to carry the sword on your body, as well as keeping it bright and sharp thanks to the fur lining.
Within these three basic components, there was huge scope for customising your weapon in how it was decorated, the materials that were used and so on. This was a way to make your sword your own, or – I would argue – its own!
– Sue Brunning, “Sue Brunning on early medieval swords,” un trabajo tartamudo, 31 January 2020
I think that thinking about all three parts lets you understand swords much better than focusing on just one. If you aren’t a sword person, you might be surprised to learn that the standard typologies of Viking swords and rapiers just consider the hilts- which is like assigning cars a typology based on the bumper and paint, but the hilt is the easiest part to divide into groups and the people writing the typologies had never used a sword.
Roman swords in the 200 years after Augustus have fairly small and plain blades, but the scabbard are rich in finely worked brass and silver. And while swords and spears were as common in the early Roman empire as long guns are in rural Canada- Cicero, the gospels, and Petronius agree on that- soldiers were the only ones allowed to wear swords in public. The rich scabbards let soldiers communicate their wealth and taste at their own expense: Chaucer shows you how to size up someone using their clothes and knives and purse (the fancy scabbards also carried on a Celtic tradition, but that is another story). The army probably defined standards which blades had to meet (Cassius Dio accuses unruly Judeans of manufacturing weapons which would fail the army test and then stockpiling them), but how much bling a soldier wore was his own business.
