Modern

Modern

Posts on events in the last few hundred years

A Carefully Worded Footnote

Trebuchet test at the University of Toronto Back Campus, 12 April 1991. Figure 1 in W. T. S. Tarver, “The Traction Trebuchet: A Reconstruction of an Early Medieval Siege Engine,” Technology and Culture, Vol. 36, No. 1. (January 1995) In the early middle ages, Europeans learned about a much simpler technology than the ancient catapult:... Continue reading: A Carefully Worded Footnote

Cross-Post: Conference on Antiquity and Immersivity, Bristol UK, 29-30 March 2021

From Dr. Emma Cole on Medium: Immersive experiences represent one of the highest growth areas within the UK’s cultural industries. Their centrality to the creative economy was recognised in the UK Creative Industries Sector Deal (2018), which estimated that the immersive content market would be worth over £30 billion by 2025 and pledged to invest... Continue reading: Cross-Post: Conference on Antiquity and Immersivity, Bristol UK, 29-30 March 2021

Dis Manibus Anton Powell

Anton Powell, Welsh ancient historian and publisher, died on 11 June 2020. As a researcher, organizer of conferences and editor of books and serieses, he helped launch a transformation in understandings of early Sparta away from the moralistic gossip from Roman writers like Plutarch and hoary fables about Lycurgus to focus on what contemporary texts,... Continue reading: Dis Manibus Anton Powell

Dis Manibus Arthur Keaveney

Classicist and Roman and Achaemenid historian Arthur Keaveney, retired from the University of Kent, died of covid-19 at the age of 68 on 23 June 2020. Non fuit, fuit. Non est, non curat. You can find testimonies from his colleagues at https://www.kent.ac.uk/european-culture-languages/news/12944/in-memoriam-arthur-keaveney and from his wife at https://www.theguardian.com/education/2020/jul/10/arthur-keaveney-obituary

Thanks to the University of Victoria

Good harness, attentive students, and a Gothic podium to profess from – teaching and writing brought different rewards in Giovanni da Legnago’s day (d. 1383). Sculpture in the Museo Civico Medievale, Bologna (possibly slightly later than his death).

This summer, my plan is to publish two posts a month while I enjoy the weather and the slowdown in the pandemic and get some other things in my life sorted out. But with the burst of traffic from Hacker News, and a reminder of a previous life beyond the ocean sea, I would like to thank one of the biggest intellectual influences on my thought which does not get called out in my book: the University of Victoria.
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How to Build Healthy Geeky Communities

Buttonholes being sewed with silk to an orange woolen vest lined with black linen
Despite the current situation, one creative project from last fall is finally moving forward! Vest in orange fulled cloth, interlined with linen canvas, lined with black linen, buttonholes in silk thread

Geeky communities attract people who milk them for money, sex, and throngs of adoring flatterers. In the Anglo world I can trace this from New York science-fiction fandom in the 1940s through some of the groups I knew face-to-face in Canada to the Southern California tech world (and the closely related SoCal kink and porn worlds) in the 2010s. There are theories why this happens such as Michael Suileabhain-Wilson’s “Geek Social Fallacies” (2003). But today I would like you to read an essay on how to build a community of plumbers working side by side not rock stars and groupies, a community that the parasites bounce off like a mosquito landing on a buckskin jacket.

No More Rock Stars (2016) by Valerie Aurora, Mary Gardiner, and Leigh Honeywell

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Cross-Post: Oxbow Books Sale

Pavel Vaverka reminds me that Oxbow Books has its usual spring sale right now. Here are some of the ones that my gentle readers might be interested in: Thomas Fischer and M. C. Bishop, Army of the Roman Emperors: Archaeology and History (Oxbow Books, 2019) £45 ISBN: 9781789251845 Paul R. Sealey, EAA 118: A Late... Continue reading: Cross-Post: Oxbow Books Sale

Where Did Ancient Slaves Come From?

a phoot of a cat walking determinedly across an asphalt street
This Tirolean cat has a place to get to and does not care what tries to get in its way, like me when I get a research burr in my blanket! Photo by Sean Manning, May 2020

A retired economist in another country wants to know how we know that many ancient slaves were prisoners of war, kidnap victims, or the children of slaves. Ok! Readers who don’t want to hear about slavery and child abandonment might want to skip this one.

So in the Ur III period around 2000 BCE we see massive numbers of people being rounded up and deported into labour camps near Ur. Some were starved to death so their supervisors could sell their rations, and others seem to have been blinded to stop them running away (they could still haul water and do other simple tasks). A bit later we have contracts where parents sell their children to someone willing to feed them during sieges or famines. Moving on to the 8th and 7th century BCE, the archive from Nippur (Oriental Institute Publication 114) and the Iliad describe people being captured by raiders and bandits and either ransomed or enslaved. A little later we see massive numbers of captives being dedicated to the gods in Babylonia, where they would work for the rest of their lives for the temple (although it is worth noting that these širāku had what we would call human rights other than the right to move freely and choose their employer- there were even worse statuses to be placed in). We also see that people with unfree status were tattooed or branded so they could be identified if they ran away. Later stories about Solon around 600 BCE describe how farmers in Attica fell into debt and were forced to sell themselves and their lands, possibly share-cropping for one sixth of the produce (the ἑκτημόριοι “sixth-parters”).

Starting with the first surviving Greek historians Thucydides and Herodotus at the end of the 5th century BCE, we have account after account of prisoners of war and the populations of captured cities being sold into captivity or executed by Greek cities or Persian kings. We also know that one of the biggest employers of slaves near Athens was the silver mines, and mine slaves seem to have had a very short life expectancy. Early Greek and Latin had words for “home-born slave” and “bought slave” and slave-holders told each other that the first kind was best. In Egypt under the Ptolemies, letters and slave names indicate that many slaves were abandoned children left out with the trash: whoever took them in and fed them owned them. There is an Akkadian phrase which may mean something similar: where Greeks said that these foundlings came “from the dungheap” (ἀπὸ κοπρίας), Babylonians seem to say they came “from the dog’s mouth” (ie. they were about to be eaten by stray dogs: ša pī kalbi). The idea that if someone was going to die and you save them, you can do what you like with them is very common in different cultures because it let masters tell themselves that whatever they did was not as bad as killing.

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Paradoxes of Sword Design

cross-sections of six swords near the guard
Cross-sections of six swords near the hilt. From Peter Johnson’s talk “Paradoxes of Sword Design” at Arctic Fire 2012 https://youtu.be/nyAc5HbUuqw?t=2630

In February, I started to think seriously about swords after sketching the swords from Ghalekuti (which I will blog about one day). I am the “armour” sort of historical fencing person not the “swords” sort (thanks Steve Muhlberger) and I don’t have access to many originals in good condition. A group of European and American bladesmiths and engineers have been thinking about how to describe swords and how they want to move. The names I know best are Michael Tinker Pearce, Vincent le Chevalier, and Peter Johnsson; other people would mention Angus Trim and George Turner.

Swords are simple objects, but designing a specific sword requires trading off all kinds of goods against one another. The longer sword is more of a nuisance to wear and slower to draw, the stiffer sword may not be as effective in cutting, the more complex hilt limits how the weapon can be held. These seemingly simple objects hide a lot of engineering that you can slowly train your eye to see and your arm to feel.

This is a topic where not much has been formally published, but two great web resources are “Understanding Blade Properties” by Patrick Kelly and Peter Johnsson’s talk “Paradoxes of Sword Design” from Arctic Fire 2012 (warning: YouTube). Peter Johnsson is probably the most charismatic speaker discussing these ideas today and he has his own theory of how the medieval cruciform sword was designed. Because his talk is 80 minutes long and on a scary Google website I want to call out two things which I noticed.

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