Modern
Posts on events in the last few hundred years
Another Lovecraftian Revelation c/o Dimitri Nakassis
I grew up thinking that guff about the ancient Greeks being uniquely rational, creative, free, and so on was as dead as Theosophy. The writers who influenced me as a child, like Peter Connolly or L. Sprague de Camp, either ignored it or mocked it, and none of the teachers and books which influenced me at university took it seriously. But I am watching a talk by Dimitri Nakassis on “Orientalism and the Myceneans” and I am coming to a horrid revelation.
Incurious Black Magic

This fall, I have been thinking about why some communities did not feel right for me. I enjoy learning from different types of experts, from craft workers to retired thugs to academics, but the kind of journalists who write opinion pieces and columns always gave me a bad feeling. I have trouble talking about feelings, but I think I can articulate two reasons why I feel this way.
Read moreRemembrance Day 2020
Insights from Experience, Excavation, and Reconstruction
In September and October, I came across several projects in archaeology which help us understand early warfare. This week’s post will take us from China to Germany, Italy, and England and from the Bronze Age to the 18th century CE.

I will start with the Bronze Age (best age!) then move on to ages of other metals. A German-UK-Chinese team published the latest project trying to understand how Bronze Age swords were used. They examined damage to the edges of originals and then compared it to damage on replica swords by Neil Burridge after performing Andre Lignitzer’s six sword-and-buckler plays. I’d like to see more studies like this borrowing ideas from other martial arts like Shastar Vidiya to see which seem to work best with Bronze Age weapons from Europe. Fifteenth-century German fencing such as Andre Lignitzer’s plays has a lot of blade-on-blade contact and twisty actions while the blades are crossed, whereas other martial arts rely on the shield to defend or prefer simpler weapon-on-weapon actions. But I think that the evidence that swords from some periods often have marks characteristic of controlled parrying, whereas in other periods the edge damage is more random, is valuable. I am also glad that they experimented with common matchups like sword against spear, and not just the rare occasions when a sword was used against another warrior with a sword who was ready for the attack.
Ascham on Teaching
Dis Manibus James Randi
Battles and Sieges

Academic histories sometimes get very narrowly focused. There are some good reasons for this, but its not so good to read a book on archaic or classical Greek warfare which barely acknowledges that Italy or the Hellenistic period existed. Did I fall into that trap in my book on Achaemenid armies and warfare?
To find out, I made a list of all the battles and sieges which I mentioned in my forthcoming book. Edit 2024-01-11: periods are the same as in Armour in Texts
Some Addenda to the History of the Historical Fencing Movement
The mysterious (and tracking-heavy and script-heavy) website historicaleuropeanmartialarts.com
has a history of the current historical fencing movement. Although they don’t provide an email address, I would like to add a few lines to their chronicle.
1969: Poul Anderson publishes a call for early fencing manuals and a description of the Society for Creative Anachronism in the Conan fanzine Amra (quoted on this blog).
1972: James Louis Jackson publishes Three Elizabethan Fencing Manuals (Scholars’ Facsimiles and Reprints), a facsimile of the English version of di Grassi, Vincento Saviolio, and George Silver’s Brief Instructions. This book is purchased by many university libraries and becomes the starting point for many English-speaking fencers.
1979: Archaeologist William Gaugler founds a program teaching masters of classical Italian fencing (the fencing taught to army officers and potential duelists in the late 19th century) at San José State University in California (Britannica). His books and students have a major influence in the historical fencing community in North America after the year 2000 and help keep this tradition alive in North America where it is threatened by versions of fencing optimized for winning bouts under the Olympic rules and electric scoring. Two articles are Tony Wolf, “The Future of Fencing is in its Past: An Interview with Maestro John Sullins.” Journal of Manly Arts, August 2003 https://www.ejmas.com/jmanly/articles/2003/jmanlyart_wolf_0803.htm and Puck Curtis, “In Search of the Rudis,” A Midsummer Night’s Blog 18 June 2014 http://www.puckandmary.com/blog_puck/2014/06/in-search-of-the-rudis/
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