Captured Turkish arms from the 2. Rustkammer, Schloss Ambras, Innsbruck, July 2013
Back when I started historical fencing, I thought about what is a martial art and came up with a definition which worked for what I was doing (ie. trying to learn to fight a particular way). Someone interested in martial arts communities might chose a different definition: someone is an Olympic wrestler or SCA heavy fighter because they participate in a certain kind of event, and how they move is irrelevant.
Definition: A martial art is a subset of all the possible ways of moving effectively in combat which works well together and is sufficient to solve a martial problem.
When I compared the 2006 and 2009 updates to Taagepera’s lists, I missed one new empire in the 2009 article: Scythia. I have added it to the original post.
I said that the 2006 article added eight empires to Taagepera’s lists. I was wrong. I trusted a note on page 221 of the 2006 article by Turchin, Adams, and Hall:
Our list of large historical states was based on the compilation by Taagepera, which has been systematized and posted on the web by Chase-Dunn and coworkers http://irows.ucr.edu/. We checked the Taagepera list with all major historical atlases in the library of the University of Connecticut and found eight additional empires that fit our criteria (Axum, Hsi-Hsia, Kara-Khitai, Srivijaya, Maurian, Kushan, Gupta, and Maratha).
Four of their eight empires (Axum/Aksum in the Horn of Africa, Srivijaya in Indonesia, the Hsi-Hsia/Western Xia who were rivals of the Song Dynasty in China, and Maratha in South Asia) appear to be absent from Taagepera’s articles, but the other four are present and accounted for: Kara-Khitai (as W. Liao in Taagepera 1997), Gupta (Taagepera 1979 p. 132), Kushan (Taagepera 1979 p. 132), Maurian (as Maurya in Taagepera 1979 p. 132).
I certainly should like to see Peisander the demagogos learning to turn somersaults among the knives; for, as it is now, his inability to look spears in the face makes him shrink even from soldiering. – Xenophon, Symposium, 2.14 (tr. Loeb, slightly edited) Concerning the dagger, that which is to bee done therewith, it is... Continue reading: Is That a Dagger I See Before Me?
Herodotus’ Cyrus (9.122.3) said that soft lands birth softies. I don’t think he was thinking of Tirol! Looking west at the Alps south of Innsbruck, September 2019.
A very popular story today explains that when people learn agriculture, they quickly breed to fill the landscape and got hungrier and hungrier until a war or a plague came. In this view, peasant life was a zero-sum game and shaped by the scarcity of land and the ability of those who claimed it to squeeze resources from those who worked it: there just was not enough land for everyone to have enough to eat, and if a village cleared woods or turned hillsides into rice paddies and harvested four bushels where they used to harvest three, before too long there would be four villagers where there used to be three and they would all be hungry again. This has been strengthened by archaeologists studying the first farmers and people working in poor countries since 1945, but the core idea goes back to the Reverend Thomas Malthus in 1834 and to early population historians who saw that every 200 years the population of England was high and wages were low until disaster drastically reduced the population and a period of low population and high wages began. This story is a good match for part of the historical record, but people who look at other parts tell other stories.
Isn’t this a cool map? The places where states which controlled at least a million square kilometers before 1800 were founded, from Turchin, “A Theory for the Formation of Large Empires.” Look how many there are in North China and Southwest Asia, and how few in Southeast Asia or Europe! (Although part of that is the fact that we treat the long history of the Byzantine and Roman empires as one thing, but each Mongol or Chinese dynasty as different)
After a chat with T. Greer of The Scholar’s Stage, I read an interesting article by Peter Turchin called “A theory for formation of large empires” (2009). He is curious whether other world regions show the same pattern as China of empires beginning in the steppe or in the neighbouring farmland not the richest and safest agricultural districts. As he says, a lot of research focuses on the decline and disintegration of empires, not so much how a single king can come to rule millions or tens of millions of people in the first place: why do some empires last centuries when most fall to pieces within decades?
Turchin catalogued 64 states until the year 1800 CE with an area of at least a million square kilometers, and found that “over 90% of historical mega-empires were located next to or within the Old World arid zone extending from the Sahara desert to the Gobi desert” (which is a slightly different claim than the one about steppe frontiers, but never mind). When I read his list, one line popped out at me:
The table lists a Median empire with 2.8 million square kilometers in -585 (which is 586 BCE in Julian astronomical years with a year 0, but I think he means 585 BCE). That would have been as large as Iran, Afghanistan, and Pakistan combined. And the trouble is that such an empire probably did not exist, and if it did exist we don’t know its area.
This may have been part of the first battering ram deployed in Greece. It was made sometime in the 5th century BCE, around the time when later Greeks remembered battering rams were first deployed, and dedicated to Zeus at Olympia. Archaeological Museum, Olympia, object B2360 c/o https://arachne.uni-koeln.de/item/objekt/208439
People who see the ancient Greeks as an especially progressive and technically advanced people have a lot to boast about, but they have to admit that their heroes were a bit backwards at siege engineering. We have pictures of battering rams from Egypt and Upper Mesopotamia dating back to the third millennium BCE, and Early Bronze Age texts which mention them from Ebla in Syria, and in the 18th century BCE petty kings like Zimri-Lim of Mari took them for granted and students in scribal colleges dutifully memorized the proper Sumerian names for all the parts, but they are absent from early Greek vase painting, absent from the Homeric epics, and absent from Greek traditions of their wars until the time of Pericles. That is about 2000 years later than the first evidence for battering rams from Syria and Egypt.
Greek stories about their early wars, and the archaeology of Iron Age Greece, make it clear that Greek soldiers were very eager to take and destroy walled cities, but apparently they were too impatient to sit outside a town for a few months while they built something the size and complexity of a small boat and pushed it through enemy fire against a wall or gate. People who admire the Greeks usually say a few words about the Assyrians as masters of siegecraft then slip into telling a triumphant story of Greek progress from humble beginnings.
Later Greeks and Romans did not know about the Mari letters or Old Kingdom tomb paintings, but they saw that their ancestors lacked the siege engines which were used in their own times, and they told two types of stories about How the Greeks Got Siege Engines.
Books are precious things, and Doctor Manning finally has time to read them for fun again (and to really read them, not just skim them looking for facts or quotes). At the end of this year and the start of another, as I sit in rainy Innsbruck, I would like to tell my gentle readers about some of the ones I read in 2019.
I read Victoria Corva’s very relatable young adult fantasy Books and Bone (self-published, 2019) about a town cartographer trying to follow a vocation which she can’t prove is more than a myth. Read more
When I walked along the breakwater at Bregenz, I did not meet any old drunks willing to tell me the town’s terrible secrets for a tot of Schnapps, but that is a different winter story.
It has been too long since my last cheerful winter story, so on this Winter Solistice I will tell another.
Like the protagonist of a H.P. Lovecraft story, I came to Innsbruck to look for answers. The scholarship on Achaemenid armies in English was repetitive and fell apart at the first gentle question, but was there something more trustworthy in German? Duncan Head and Nicholas Sekunda cited all kinds of people who nobody else I was reading talked about. So I visited the wood-panelled Law Library reading room on the banks of a river named in a dead tongue, and borrowed an old copy of Eduard Meyer’s Geschichte des Altertums from a librarian who seemed surprised to have visitors. The first edition of Meyer’s Geschichte was completed in 1902, the last revision was in 1965 a generation after his death. Meyer tried to integrate the history of early Greece into the history of Egypt and Mesopotamia. And when I came to the following passage, I realized that the horrors were deeper and older than I had thought:
Some of the felt stockings/felt boots from graves of the Pazyryk Culture in the Altai Mountains, in Polos’mak, N.V., Barkova, L.L., Костюм и текстиль пазырыкцев Алтая (IV-III вв. до н.З.) / Kostium i tekstil’ pazyryktsev Altaya (IV-III vv. do n. e.) / Pazyryk Altai Costume and Textiles (4th-3rd centuries BCE). Infolio: Novosibirsk 2005 (in Russian) pages 94-95 ISBN 5-89590-051-8 (copies occasionally appear on Bookfinder but expect to pay several hundred for a copy, this copy comes the Bayerische Staatsbibliothek by interlibrary loan)
Dario Wielec of Dariusz caballeros and Stefanos Skarmintzos want me to talk about the felt stockings with soles which have been found in some graves in eastern Central Asia. They were often worn in combination with a pair of short trousers that covered the thighs and crotch. You can find a full set of colour photographs and drawings on pp. 92-97 of the Russian book I cited in my original post. They are fascinating and beautiful objects (just think about having brightly coloured feltwork more than 2000 years old!) but I am not sure that they help us understand Chehrabad Saltman 4’s trousers for four reasons:
they are not what Saltman 4 is wearing (they are felt, his are woven cloth; they are two separate legs, he wears joined trousers; they have seams up the back of the legs, his have seams at the side of the legs; the felt boots are close-fitting, his trousers are “baggy”)
in artwork like the Darius Mosaic, Red Figure vase paintings, and the sculptures of the Aphaia temple on Aigina, the leggings of trousered warriors seem to go all the way up to crotch level without sagging. The felt stockings tend to be shorter (although I don’t have a full set of measurements) and in the middle ages when stockings (‘hose’) extended that high, they needed to be hung from a belt to stop them from falling down.
trousers in early Achaemenid art often have a zigzag, diamond, or spotted pattern. That strikes me as something which would be easy to weave in tapestry weave like a kilim. Clothing in this period often had gold leaf, felt, or leather appliques, and its possible that the zig-zag was applied to felt. But we have a fragment of a textile with a rhombus pattern from the Achaemenid period at Chehrabad.
I am not sure which genders wore these felt stockings, I seem to remember that the famous pair with shiny beads on the soles were from a female burial but I only have access to what has been translated into German or English and what I can obtain from my library or interlibrary loan.
Since none of the Chehrābād salt mummies are wearing these felt boots, and none of the artwork from the Achaemenid Empire or the Aegean clearly shows them, they don’t belong in a post on Saltman 4’s clothing. But if you scroll down, Herr Doktor Manning will give you his whole lecture on the trouser outfit across Eurasia.
When Greek artists show the bottoms of leggings, they usually end straight at the ankles, sometimes ‘breaking’ over the top of the foot and sometimes fitting tightly. A Red Figure plate signed Epiktetos, in a style attributed to around 520-510 BCE. British Museum, Registration Number 1837,0609.59 I would cite the British Museum’s Terms of use but I can’t see them without enabling a bunch of Javascripts so just search https://research.britishmuseum.org/research/collection_online/search.aspxAchaemenid textile with ?woven? or ?embroidered? pattern, from Karina Grömer, Archaeological Textiles Review 60 (2018) p. 113 fig. 3 and Aali and Stöllner (eds). (2015) fig. 55 Photo: DBM/RUB/MFZ, K. GrömerRead more
People representing Median, Persian, or Saka soldiers at Plataea in 2021 will need trousers. Not everyone needs them: the King rules many lands full of all kinds of men, many of whom have not adopted the Median dress. But reenactors representing men (and possibly women?) from those nations will need them.
One kind of evidence to use is artwork. Aside from the reliefs from Persepolis, the goldsmith’s work from Scythian tombs and the Oxus Treasure, and the mosaic from Pompeii which everyone knows, you will want to have a close look at some of the glazed terracottas of servants from Susa in Forgotten Empire: The World of Ancient Persia or on achemenet and of course at the tomb paintings from Tatarlı, Turkey.
By far the most important archaeological find are the trousers of saltman No. 4 from Chehrābād, Iran, radiocarbon dated to around 405-380 BCE. The saltman is still wearing trousers tucked into his shoes and covered by the skirt of his coat, and all of the textiles are so delicate and salt-encrusted that they cannot be removed, spread flat, and examined. What we know can be summarized in the following few sentences:
The trousers are woollen, tabby weave, 8 z-spun weft threads per cm, 11 s-spun warp threads per cm.
There are lateral seams in the trouser legs to ankle, and a vertical slit in the lateral thigh at hip level with the skin of the deceased exposed underneath. (Whether the seams are at the medial leg (inner thigh) or lateral leg (outer thigh) is not clear to me)
A red woollen thread is sewn along the side seams hiding them except at the slit.
Overall, they strike the excavators as loose and baggy.
There is no published information about stitches, thread, or dye of saltman 4’s trousers (the cloth looks natural white to me). Edit: Dr. Grömer describes the trousers and tunic as “made of a sturdy, plain natural white woollen cloth” (aus robustem einfarbig naturhellem Wollstoff bestehend).
