Ancient

Posts on events before the middle of the first millennium CE

Romans and Barbarians

a photo of a tall round stone building with a low domed roof silhouetted against the sky
The tomb of Theodoric, King of the Ostrogoths in Italy (died 526 CE). That roof is a single piece of stone, and he seems to have been buried in a porphyry bathtub. I once visited Ravenna for a few hours. Source: Wikimedia Commons

If you can bear not just Romans but Christian Romans, late antiquity is a fascinating time. The period from when the Roman empire fell into civil wars in the third century CE, and the remainder of the empire drew inwards under pressure from Arabs and Slavs and angry theologians was a time of rapid changes that we know just enough about to argue about. Some of the biggest questions are about how to think about interactions between Romans and barbarians. This has been discussed so intensively by very clever people with very similar backgrounds that debates sometimes get dogmatic and people have a hard time listening to new perspectives.

In his brief period of experimenting on posting on other people’s sites, Canadian historian and essayist Phil Paine had a discussion with medievalist Jonathan Jarett. For my post in October I would like to share his words, and the comparative evidence that he uses.

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Citations are Rebels

In summer 2025 I finished revising the manuscript and bibliography of my second book and started to sort out the image rights and commission artwork. I will have more to say about that project in 2026. In the meantime, I want to talk about some of the troubles which come up when trying to clearly indicate where your information comes from or where readers can learn more.

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The Population of the Americas in 1492 is Disputed

A view of the island of Hispaniola in the Caribbean from the International Space Station. Historical demographics tries to look down on past societies from space, but there are always a lot of clouds in the way. https://en.wikipedia.org/wiki/Hispaniola#/media/File:ISS027-E-17333_-_View_of_Dominican_Republic.jpg

After an email exchange, I have learned that some prominent people want to believe that the population of the Americas in 1492 is known closely. Here is why I say it is debated within a factor of 20.

Colin McEvedy and Richard Jones have the following to say in their 1978 Atlas of World Population History:1

The estimate of 1m Amerindians north of the Rio Grande- which breaks down into 0.2m in Canada, 0.05m in Alaska, and 0.75m in the rest of the Continental USA- goes back at least as far as J. Mooney (Smithsonian Miscellaneous Collections 80.7 (1928)); it seems to be generally accepted, though the California school of revisionists has issued a trial balloon in favour of 20m (sic). The present population of 0.6m represents a recovery from the all-time low of 0.5m reached in 1925. … The size of the population of Mexico in 1492 has lately become the subject of much academic argument. … The point at issue is this: was the population of Mexico in 1492 no more than 5m (Rosenblat) or was it more than 30m (Cook and Borah)? Comparisons with other parts of the world at comparable levels of culture leads us to throw in our lot with Rosenblat.

So McEvedy and Jones acknowledge disputes about the pre-Columbian population of the USA and Canada within a factor of 20, and disputes about the population of Mexico within a factor of 6. Their arguments for one end of the range are no more sophisticated than “it seems to be generally accepted” and that if the population of Mexico had been as high as 30 million, then the rate of decline which this implies would be an “improbability.” Most of their numbers for the period 1 to 1500 CE were copied by Angus Maddison whose numbers are very widely used today. But 1978 is a long time ago, so if you prefer you can check a more recent survey.

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What Ridley Scott’s “Gladiator” Gets Right

a blue-tinted photo of a white horse with a headless man riding it; Roman soldiers are in the background
I wish I could like a flick where this happens to a Roman in the first scene! This and all subsequent screenshots are from Gladiator (Ridley Scott dir., 2000) and the ActionPicks YouTube channel

In the Kingdom of Khauran, every hundred years a witch shall be born to the royal family. In the United States of America, every ten years Ridley Scott shall borrow unimaginable sums of money to mangle a new period of warfare. This has been foretold and has come to pass although none can foretell whether he will return with an Amarna Age epic where the chariots have exhaust pipes or a science fiction adventure which makes Starship Troopers look like sound military science.1 Making fun of all the things these films get wrong is healthy fun around a gaming table or along a bar, and recently Bret Devereaux entered the genre on his ACOUP blog (part 1) (part 2) (part 3). But as I wrote back in 2016, complaining about bad things is often bad strategy. So this week I will wrote about the things I like about the opening scene in Ridley Scott’s Gladiator. That is something I can cover in a short bookandsword post, whereas it takes three long ACOUP posts to cover some of the things that are wrong with the same scene.

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Some of My Recent Publications

A wooden bookshelf stained dark brown with many issues of the classics journal "Mouseion" in its dark blue softcover binding, three burgundy hardcover volumes of "Festschrift Rollinger", a white hardcover issue of "Medieval Clothing and Textiles," and the red and yellow hardcover "Soldiers and Silver" by Michael J. Taylor sitting on it

In the past year a number of my academic publications have come out (it often takes years from submitting an article to an academic venue to seeing it in print because almost everyone involved is a volunteer with a demanding day job and no personal assistant to help them organize and focus). This week I would like to talk about them.

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Babylonia and Across the River

a low relief of a man in a hat shaped like a candle snuffer standing with a long knobby staff in his let hand and symbols of the sun, moon, and winged disc overhead
Stele of Nabonidus king of Babylon from Haran in northern Iraq. Photo by Jona Lendering c/o Wikimedia Commons https://commons.wikimedia.org/wiki/File:Nabonidus.jpg

Its hard to understand the Babylonian empire of Nebuchadnezzar and Nabonidus. Pagan texts in Aramaic were not selected to be copied and recopied by Christian scribes like Christian scribes copied some pagan Greek and Latin texts, and the heart of the empire fell to Cyrus without a fight. Burning cities can preserve texts painted on or pressed into clay, but archivists under Cyrus and Darius just continued to throw out old documents like they had under Nabopolassar, and so those documents were lost to us. Most surviving documents from the Neo-Babylonian empire are from temple or family archives which stuck to the old script and language, not the archives of the kings or governors which may not have been written on clay anyways. The famous Babylonian chronicles tell us about some events but not the structure of the kingdom or life in the provinces. By the time Greeks like Herodotus and Ctesias were writing, they were as vague on the difference between Assyrians and Babylonians as we are on the difference between upper and lower Egyptians. We know far more about Babylonia in the sixth century BCE than Greece in the sixth century BCE, but not everything (and not much about the rest of the empire). Some teaching in spring made me think of one of the oddest things about this empire.

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How Heavy Were Iron Age Bows? Part 3

well-lit photo of a shallow relief of a chariot galloping from left to right. The driver holds the reins, the archer draws a bow, and a lion has fallen to the ground with three arrows in its body
A relief from the reign of Assurnasirpal II or Shalmaneser III of Assyria in the 800s BCE. London, British Museum, Museum Number 124579, photo asset number 112855001; see them for rights.

In previous posts I talked about how the bows used for war in Europe and Asia in the 15th and 16th century were much stiffer than hunters or target archers use today. They usually had draw weights on the order of 100-150 pounds, so you could draw the bow to full draw length by tying twine to the string, hanging the twine over a pulley, and hanging a 100-150 pound weight off it. Deer hunters in Canada and the USA tend to use draw weights around 40-70 pounds with traditional bows (compound bows with pulleys are another kettle of fish). Some researchers today invoke the heavy bow hypothesis and argue that bows in the ancient world were as stiff as Chinese, Turkish, and English bows 2000 years later. I am not convinced.

In those previous posts I talked about extant bows which can be reproduced and measured (or sometimes plugged into a physics model- there is a whole PhD thesis just on the physics of archery). Anecdotes about famous shots or feats of arms are a little too subtle for me to discuss in a blog post, and the surviving treatises on archery date to the sixth century CE and later so are past the period I focus on. But there is one other type of evidence!

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Had Marlowe Read Ctesias?

a cracked wall painting in the sketchy dark Roman style of two seated gamblers with a table between them resting on their knees
Marlowe could not see these ancient Roman gamblers at a pub because they were still buried with the Pompeiians, but we can. The caption reads EXSI (“I’m out!”) and NON TRIA DUAS EST (“Its not three, but two!”) In the next scene they start to shove each other around. Note the dice-box and the lack of legs for the table where they play. Its possible that the gambler in yellow has just bet his tunic. https://commons.wikimedia.org/wiki/File:Wall_painting_-_scenes_around_the_pub_-_Pompeii_(VI_14_35-36)_-_Napoli_MAN_111482_-_04.jpg

Christopher Marlowe has not yet departed that that little, little span the dead are borne in mind. We remember that he wrote Dr. Faustus and Tamburlane the Great and died in a drunken quarrel over a bar bill (and perhaps because he was part of the long tradition of English writers working as spies to pay the bills). Unlike Shakespeare he had a good formal education, not just grammar-school Latin but a Master of Arts from Cambridge, and unlike Shakespeare he could not keep his subversion in the mouth of fools and madmen. His life of Tamurlane was what J.J. Abrams would have done at an early modern theatre, with overblown rhetoric, battles, love affairs, and special effects. There was even a disappointing sequel driven by crass commercialism. Its full of ancient Greek flavour because Marlowe knew much more about ancient Greeks than modern Persians (emissaries of the English East India Company would reach Shah Abbas by 1614 after Marlowe’s timely death, and Robert Shirley arrived in Iran in 1598 a decade after the play was written). Several times Marlowe’s characters accuse Tamburlane of being a shepherd which sounds like a way to get a tower of skulls with your name on it.

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Victor Davis Hanson was a Manichaean

a scroll with a Chinese painting of a man sitting cross-legged on a giant flower and surrounded by an aura
This Chinese scroll from the Ming Dynasty shows the Prophet Mani. Mani’s teachings survived in China and central Asia after their followers were persecuted out of the Persian empire and the Roman empire and the House of Islam. Photo from Wikimedia Commons https://commons.wikimedia.org/wiki/File:Icon_of_Mani_2.jpg

Victor Davis Hanson can be a scholar when he wants to be, although since 2004 that has just been a hobby while he focused on punditry. Many people who have read his books and articles on antiquity are confused at the positions he takes, where Spartans can be admirable defenders of Freedom in the pass at Thermopylae, but despicable slave-holders at Leuctra (and there were helots at Thermopylae, and Hanson was not one of the radicals who teach that the Sparta we think we know emerged after the death of Leonidas). I know a bit about ancient Persian religion so this was always easy for me to understand. This week I have written up the way I explain it when it comes up in conversation ever since a much younger self was reading one of his trade books at the Greater Victoria Public Library Central Branch.

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