Poul Anderson

Poul Anderson

On Thud and Blunder (1978)

a screenshot from a historical drama. The clothes are dark browns, greys, and blacks with light blue hose, the shields are black and faded yellow, the tent is blue-white, and the sky is a faded blue
In medieval films and TV, bright colours are forbidden on the battlefield and colours other than black, grey, brown, and blue are strongly discouraged. A clip from a Flemish historical drama on the Battle of the Golden Spurs from 1302 (The Story of Flanders / Het Verhaal van Vlaanderen (Bert Ceulemans and Filip Lenaerts directors, 2023)

Something elsewhere made me think of Poul Anderson’s classic essay “On Thud and Blunder” about sword-and-sorcery authors who don’t bother to consider the how and why as well as the what. I wanted to check when it was first published and link to the online text.

It was first published in Andrew J. Offutt (ed.), Swords Against Darkness III (Zebra Books, 1978) and reprinted online by the Science Fiction & Fantasy Writers’ Association. Anderson’s essay was the predecessor to Diana Wyne Jones’ book The Tough Guide to Fantasyland (first edition 1996, revised 2006 – Wikipedia).

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A Path not Taken

a beach in twilight with sand, an area of rocks and seawead, pebbles, and steep cliffs covered with trees and brush
A beach at low tide in Greater Victoria, BC. Photo by Sean Manning 4 April 2021. At high tide there are two beaches!

The modern international historical fencing movement began in the 1990s, but before that there were isolated or short-lived attempts to collect old fencing manuals and practice their teachings. Like some exiled scholars before me, I am taking advantage of the situation to read books and find references which I could not at home. I read the following long before I discovered the historical fencers or was in the habit of listing all the useful passages I read. It was published in 1969 and describes the foundation of SCA Heavy combat in California. It begins:

Fencers and kendo men occasionally take part in tournaments. At present, some people are experimenting with rapier and dagger. No doubt still other weapons will appear. It will be interesting to see how they do.

It is likely interesting to consider the methods of their appointment. Except for a recent discovery of an old German manual by Jakob Sutor, which treats only a few kinds of arms, nobody has yet turned up contemporary instructions for sword and shield or the like. If any of you out there know of some, the Society will be grateful for the information. Meanwhile, reconstruction has been by trial and error. The influence of judo and karate is noticeable in the results. We would love to know if the men who stood at Hastings or Crécy- a time gap which may well have seen considerable evolution- had developed similar styles or quite different ones. In the later case, which set would be more effective?

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