philology

Early Greek Texts Speak to the Reader

The Greeks invented scripts for their own language based on Phoenician writing during the eighth century BCE. From the eighth century BCE we have a few short Greek texts written on pottery or carved or scratched into stone. Nestor’s Cup from the settlement of Pithekoussai on an island in the Gulf of Naples is especially famous since it seems to allude to a character in the Iliad (less famously, all three lines go from right to left like in the Semitic languages, not left to right like in later European alphabets – other early inscriptions alternate between right to left and left to right like an ox plowing a field). But classicist Peter Gainsford tells us that these early Greek texts have something in common:

All extant Greek writing from before about 540 BCE is framed as an utterance designed for the moment at which it is read – declarative statements, instructions, etc. for the reader at the moment of reading it. We have no direct evidence that writing was used to transcribe anything at all until after that point. (See further Jesper Svenbro, “Phrasikleia”, opening chapter.) [JSTOR]

Peter Gainsford, comment to the Kiwi Hellenist blog, “Getting the Iliad Right” 1 March 2017 https://kiwihellenist.blogspot.com/2017/03/getting-iliad-right.html

Many of these inscriptions speak as if they were the object they are written on.

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How To Track Down a Manuscript of a Classical Text

a colour photo of a Greek manuscript with a small round stamp in the bottom margin
The first page of the manuscript of Herodotus in Florence, courtesy of https://tecabml.contentdm.oclc.org/digital/collection/plutei/id/1358114/rec/4

Over on another site, Anoneuoid asked how to track down the past owners of a manuscript of a classical text such as the “A” manuscript of Herodotus in Florence (manuscript Laurentianus 70.3).

The first place to start when tracking down the manuscripts of a classical text is a critical edition (that is, an edition in the original language with notes in the margins about how the manuscripts are different from each other and the printed text). I have the Clarendon edition by Karl Hude which was last updated in 1927 but still seems to be the standard edition of Herodotus (the 2015 edition by N.G. Wilson has some updates). Hude discusses the manuscripts in Latin because until recently that was the best way to give a classicist in Egypt and a classicist in Norway equal access to his thoughts. He does not say much on the history of the manuscripts because he is more interested in which are most useful for reconstructing what Herodotus actually wrote.

You can find a much more detailed discussion of the manuscripts of another ancient text and their owners in Philip Rance, “Aineias Tacticus in Byzantine Military Literature,” in Nick Barley and Maria Pretzler, eds., Brill’s Companion to Aineias Tacticus. Brill’s Companions in classical studies (Leiden and Boston: Brill, 2017).

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Baumwolle is an Old Word

a Victoria, BC street scene with a brick building and a brick building with a stone facade
The building one street up, at Government and Fort, reminds me of architecture from the last days of the Austro-Hungarian empire!

Cotton is an old word, but people west of India and north of Sudan often call cotton “tree wool.”

iṣe naš šipati “the tree which bears wool” (inscription of Sennacherib of Assyria describing plants in his garden, 705-681 BCE) Chicago Assyrian Dictionary volume “I” p. 217

“This breastplate had been stolen by the Samians in the year before they took the bowl; it was of linen, decked with gold and tree-wool (εἰρίοισι ἀπὸ ξύλου), and embroidered with many figures” Herodotus 3.47.2 (c. 430-420 BCE) tr. A.D. Godley slightly adapted, cp. 3.106.3, 7.65 on tree-wool in India and Theophrastus, On Plants IV. 7, 8 on cotton grown on the island of Bahrain (Akkadian and Sumerian Dilmun, Greek Tylos)

Middle and Modern German Baumwolle “tree wool, cotton” (already appears in Erec by Hartmann von Aue around the year 1185 per https://www.koeblergerhard.de/mhd/mhd_b.html “boumwolle”, Jacob and Wilhelm Grimm do not have much to say. The line about a saddle cushion soft as a cotton (ein Paumwol) is line 7703 of the Ambraser Heldenbuch so there is Innsbruck content!)

Do my gentle readers know this calque in other languages?

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Too Many Maiden Castles

a ruined stone castle on a rocky hilltop silhouetted against the sky
Dokhtar castle alias Firuzabad in Iran. Photo by Hadi Karimi from Wikimedia Commons under a CC BY-SA 4.0 license. I miss Iran.

Fans of classic Nintento games know that sometimes the princess is in another castle. People researching sites called Maiden Castle have to figure out which of the sites called that in Farsi, Arabic, or English they mean.

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Linguistics B(h)at Signal: Phylogenetics and PIE Again

Martin Rundkvist has told me that Russell Gray is writing about Proto-Indo-European using phylogenetics again (basically, trying to figure out when languages diverged from one another by seeing how many words they have in common). The last paper in Science on this topic using these methods was so poor from a linguistic point of view that a whole monograph from Cambridge University Press was needed to explain the problems. Like the last paper, this one is in Science, which is a good journal for some things but not competent to review papers on linguistics. I’m a philologist but not a linguist or a specialist in PIE. Can any of my gentle readers point me to where linguists are discussing it? I am sending out the <*bhat> signal.

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Hellburners and Philology

a woodcut of a bastioned fort with fireworks in the background and riders and carts in the foreground
Fireworks upon the Entry of Maximillian II into Nürnberg, 7 June 1570, by Jost Amman. Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/335994 c/o Wikimedia Commons https://commons.wikimedia.org/wiki/File:Entry_of_Maximilian_II_into_Nuremberg,_June_7,_1570_MET_MM26201.jpg

There is now a Historical Dictionary of Science Fiction (https://sfdictionary.com/) which got started with help from the Oxford English Dictionary. When I encounter a new historical dictionary or encyclopedia, the first thing I do is check some entries to see if they exist and how good they are.

H. Beam Piper’s Terro-Human Future History features two weapons, planet-busters and hellburners. Planet-busters are some especially powerful kind of atomic weapon, like a hydrogen bomb but even more destructive, while hellburners are atomic weapons which create some kind of self-sustaining incendiary reaction (Piper alluded to Hans Bethe’s solar phoenix reaction). Planet-busters go back to a popular article on the hydrogen bomb from 1950 and appear in many writers’ stories, but hellburners are rare outside Piper’s works. In a chat with Jesse Sheidlower, I realized where the name ‘hellburner’ may come from.

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Translating Fiore’s Armour Jargon Correctly

as a man in late medeival armour bends down to pull off his coat of mail, another man in armour stabs him in the flank with a sword
BGE Ms. fr. 190/1 Des cas des nobles hommes et femmes (painted in Paris around the year 1410) https://manuscriptminiatures.com/3991/10007

The self-taught scholars in the historical fencing world do many things well, but their translations of arms-and-armour terms are not always the best. A story from ancient Persia, how Artabanus murdered the king and his older sons and then was killed in turn by the young son he meant to use as a figurehead, helps us improve our translations. This story is available in the original Latin and in French and Italian translations written and illustrated during Fiore’s lifetime, so we can compare the Latin terms to the French or Italian terms to the paintings.

In Fiore’s sword in armour, both Tom Leoni and Colin Hatcher translate lo camaglio as “the mail coif.” It obviously means “camail: drape of mail hanging from a headpiece to protect the throat and the sides of the head.” Warriors in Fiore’s day no longer wore a complete hood of mail, but they often wore a camail to protect their faces and necks. In the picture above, two soldiers in the background have blue steel camails attached to their grey headpieces. Perhaps the blue indicates that the mail has been quenched in water and tempered by reheating to around 650-700 degrees Fahrenheit (Giambattista della Porta describes this in Natural Magic, book 13, chapter 4).

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We the People

Old Iranian kāra- and spada-, Greek laos, Latin populus, German Heeresvolk, Babylonian uqu “the militarily and therefore politically significant part of the community” –

Manning, Past Approaches, Future Prospects (2021) p. 138

In my first book, I touched on something which is obvious to military historians but might not be as clear to other kinds of people. When people from the Iron Age to the 19th century spoke of <the people>, they meant the militarily and therefore politically significant part of the society. Political change had to be literally fought for- if not by revolution then by a new section of the population doing something so conspicuously useful in war that the people who ran things had to give them a voice. One reason why combined-arms tactics were harder in practice than theory was that they required integrating the poor with stones and darts, the middle sort with bows and spears, and the rich with horses and swords. Often, the thing which was tactically advantageous was politically disadvantageous for the people who were currently living easy on others’ work. The French lost the battle of Courtrai in 1302 because their crossbowmen and javelin-men were breaking up the Flemish pikemen on their own, and the French lords decided that they needed to charge so they could say they had really won by themselves. For the next century, French aristocrats lost battle after battle which was unfortunate for individual aristocrats, but aristocrats as a class kept control of French society at the expense of the peasants and the burgers. There was a vicious political battle after 479 BCE about whether working-class rowers or leisured hoplites had saved Hellas from the Mede. People who seized power often disarmed their opponents and dissolved their militias. That might make society as a whole less able to defend itself, but it made the losers in the power struggle less able to defend themselves against the winners.

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Semitic Words in Greek

The tube stop just outside the tower of London, June 2019. I don’t entirely understand the topography, but anything higher than the walls is out of bowshot of the moat (currently drained and replaced with a dry ditch, and the water gate is only accessible through a long tunnel).

Back in 2013, Jerker Blomqvist took the time to compare three books on Semitic words in ancient Greek texts. Scholars often disagree about which arguments are “certain,” “probable,” or to be “rejected.” Out of about 400 words which have been seen as loans, he found about 25 which are accepted by all three authorities:

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Our Transliterations are Inconsistent

A photo of a tabbycat sitting on a pathway and staring at a closed door with a white rabbit painted on it
Although a brute beast who does not even know aleph bet gamel, this cat knows exactly what that sign means! A model of clear communication. Photo by Sean Manning, October 2017.

Over on Language Hat, people are arguing about how to pronounce LaTeX, the encoding for mathematical formulas: does it end with <k> like in <tech> or <ks> like in <hex>?

And for me it was worth it just for this footnote: “TeX is pronounced ‘tek’ and is an English representation of the Greek letters τεχ, which is an abbreviation of τέχνη (or technē).” All these years I’ve been saying “tex” (and “latex” for LaTeX) like a doofus!

And LaTeX is pronounced [lɑːtɛk]

If you cast your mind back to “How do you pronounce those accented characters in ancient Near Eastern languages anyways?” two lines on the chart might spring out:

Table 1: Special Characters Used for Transcribing Ancient Languages

CharacterNameApproximate PronunciationIPA
n/a
H with breve below
Classical Greek chi, <ch> as in Scots loch, German ichx
xn/a
x
In Old Persian, <ch> as in German auch (not [ks] as in English hex)x

One letter in Latinized Akkadian (ḫ) and one in Latinized Old Persian and the International Phonetic Alphabet (x) have the same pronunciation. But look at which pronunciation it is!

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