L. Sprague de Camp

On Trip-Hammers and Rolling Mills

a colour photo of a squarish breastplate embossed with an imitation of human torso muscles
The breastplate of an armour from Campania in southern Italy around 300 BCE. Originally it would have been mached with a backplate, bronze belt,greaves, and probaably reinforcements for the straps over the shoulders and under the armpits. Leeds, Royal Armouries, Object number II.197 b

Over on his site Bret Devereaux has a good description of a problem in Roman Military Equipment Studies. In book 6 of his histories, Polybius says that most Roman infantry wear a plate of bronze a span broad called a kardiophylax “heart-protector” on their breast, except for the wealthy who wear coats of mail. No such plate survives from a Roman site after 300 BCE, and no sculpture or painting shows it. As Roman rule expands across Italy, locals stop building tombs with detailed paintings full of arms and armour, and body armour tends to be a rare find. By the fifth century BCE, Samnites and Campanians had replaced simple disc breastplates with more complex arrangements of a breastplate, a backplate, a bronze belt and armoured straps over the shoulders and under the arms. We therefore have to assume that Romans either reverted to a style of armour from several hundred years before, or that Polybius’ description just mentions one-part of a seven-part armour. To my knowledge, no other surviving writer says that Romans wore such a breastplate, and there are no carvings or paintings which show Romans wearing them (Varro’s pectorale was made of strips of leather, De Lingua Latina 5.24). Both interpretations match objects from the ancient Mediterrean, and both match later armour from other cultures such as the “good iron for his body” worn by Robert the Bruce’s militia in 13181 and char-aina “four mirrors” armour in the Persianate world. I am doubtful that most Romans could afford not only a helmet, a sword, and and iron-bound shield but most of a bronze breastplate, but Devereaux is more confident. There are a lot of things to think about here, such as why the Roman Republic, a relatively egalitarian society, did not leave much art which showed ordinary soldiers. However, this week I will write down my thoughts about one technical question which I took the time to work through.

Read more

Saint Hippolytus the Skeptic

a black and white print out of words sorry tired
Albrecht Dürer’s print “The Witch” from around 1500. Metropolitan Museum of Art, Accession Number 17.37.31 https://www.metmuseum.org/art/collection/search/391138 I visited Dürer’s house, it was saved from bombing by being built next to the city wall.

About sixty years ago, L. Sprague de Camp discovered a list of ancient magic tricks and stagecraft.

Most of the tricks employed by the witch Saphanbaal to awe her clients (in my novel) are described by Bishop Hippolytus in his Refutation of All Heresies. In the early third century, the bishop constituted himself a one-man Society for Psychical Research. He exposed the deceptions of magicians, such as putting lumps of alum in the fire and gluing fish scales to the ceiling. Of course, this was six hundred years after the time of my story. But, since some of the methods Hippolytus describes have been used by mediums right down to modern times, we may assume for the purposes of fiction that these sleights were already old when he revealed them.

“Author’s note,” L. Sprague de Camp, The Arrrows of Hercules (1965)
Read more
paypal logo
patreon logo