H. Beam Piper

H. Beam Piper

Hellburners and Philology

a woodcut of a bastioned fort with fireworks in the background and riders and carts in the foreground
Fireworks upon the Entry of Maximillian II into Nürnberg, 7 June 1570, by Jost Amman. Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/335994 c/o Wikimedia Commons https://commons.wikimedia.org/wiki/File:Entry_of_Maximilian_II_into_Nuremberg,_June_7,_1570_MET_MM26201.jpg

There is now a Historical Dictionary of Science Fiction (https://sfdictionary.com/) which got started with help from the Oxford English Dictionary. When I encounter a new historical dictionary or encyclopedia, the first thing I do is check some entries to see if they exist and how good they are.

H. Beam Piper’s Terro-Human Future History features two weapons, planet-busters and hellburners. Planet-busters are some especially powerful kind of atomic weapon, like a hydrogen bomb but even more destructive, while hellburners are atomic weapons which create some kind of self-sustaining incendiary reaction (Piper alluded to Hans Bethe’s solar phoenix reaction). Planet-busters go back to a popular article on the hydrogen bomb from 1950 and appear in many writers’ stories, but hellburners are rare outside Piper’s works. In a chat with Jesse Sheidlower, I realized where the name ‘hellburner’ may come from.

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Some Thoughts on “The Cosmic Computer”

A cover painting of infantry in pressure suits crouched behind the wreckage of a crashed jet vehicle and blazing away with automatic weapons against a red sky and purple moon
The cover of the Ace edition of The Cosmic Computer by Michael Whelan c/o http://www.zarthani.net/ Say what you like about the 1970s, but their oil painters could do cover art!

On Canada Day 2017 I finished re-reading the project Gutenberg text of Piper’s Cosmic Computer (my paperback copy with the wonderful red-and-purple cover is back in Canada). I read this novel every few years, and I always learn something new. Quite a few people who grew up on the American science fiction of the 1940s through 1970s have been reading the news, finding something uncomfortably familiar, and looking back to those Silver Age writers to understand some current madness (Phil Paine reread Revolt in 2100 for the same reason). I can’t talk about that here, but I want to talk about some of the things which I found valuable in this novel.

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