early Greek warfare
In 1875, an old tomb on Cyprus was cleaned out in search of antiquities. One chamber contained a copper cauldron, and in that cauldron were shield fragments, an iron dagger, and about half of a corroded metal bowl 16 cm in diameter. The looters had cast it aside as they broke the sarcophagi open and ransacked the tomb for salable goods. This was a mistake, because the bowl was of wrought and engraved silver and contained a beautiful series of reliefs in concentric bands. Shortly after it was discovered, the bowl was sketched by a careful artist and published in a volume on the archaeology of Cyprus so that it would be available to scientists. Thanks to the generosity of the Gallica project in France, this volume is now available to the world.
Josho Brouwers, Henchmen of Ares: Warriors and Warfare in Early Greece. Karwansaray Publishers: Rotterdam, 2013.
I can enthusiastically recommend Henchmen of Ares to anyone interested in ancient Greek warfare. It is beautifully made, backed by serious research, and clearly written, but its greatest value is that it comes from the perspective of an archaeologist. Most work on early Greek warfare is written by historians or literary scholars, so Brouwers provides an interesting alternative. While Brouwers clearly knows early Greek poetry, he also gives a prominent place to art, architecture, and funerary practice and puts Greek warfare in an East Mediterranean context. In particular, he emphasizes that the development of Classical warfare was bound up with practices in Lydia, Caria, Phoenecia, and Egypt. Not all hoplites were Greek, just as not all early Greek warriors were hoplites. He also makes a serious attempt to cover the period between the collapse of the Mycenaean palace kingdoms and the revival of cities which has left very little evidence (so little, in fact, that a minority of scholars think that it was much shorter than the 400 years allowed in most chronologies). And he explains his methodology, rather than simply telling a plausible story based on sources with a few brief remarks on the literary evidence.