drama – Book and Sword

drama

Had Marlowe Read Ctesias?

a cracked wall painting in the sketchy dark Roman style of two seated gamblers with a table between them resting on their knees — Marlowe could not see these ancient Roman gamblers at a pub because they were still buried with the Pompeiians, but we can. The caption reads EXSI (“I’m out!”) and NON TRIA DUAS EST (“Its not three, but two!”) In the next scene they start to shove each other around. Note the dice-box and the lack of legs for the table where they play. Its possible that the gambler in yellow has just bet his tunic. https://commons.wikimedia.org/wiki/File:Wall_painting_-_scenes_around_the_pub_-_Pompeii_(VI_14_35-36)_-_Napoli_MAN_111482_-_04.jpg

Christopher Marlowe has not yet departed that that little, little span the dead are borne in mind. We remember that he wrote Dr. Faustus and Tamburlane the Great and died in a drunken quarrel over a bar bill (and perhaps because he was part of the long tradition of English writers working as spies to pay the bills). Unlike Shakespeare he had a good formal education, not just grammar-school Latin but a Master of Arts from Cambridge, and unlike Shakespeare he could not keep his subversion in the mouth of fools and madmen. His life of Tamurlane was what J.J. Abrams would have done at an early modern theatre, with overblown rhetoric, battles, love affairs, and special effects. There was even a disappointing sequel driven by crass commercialism. Its full of ancient Greek flavour because Marlowe knew much more about ancient Greeks than modern Persians (emissaries of the English East India Company would reach Shah Abbas by 1614 after Marlowe’s timely death, and Robert Shirley arrived in Iran in 1598 a decade after the play was written). Several times Marlowe’s characters accuse Tamburlane of being a shepherd which sounds like a way to get a tower of skulls with your name on it.