Richard Taylor, The Macedonian Phalanx: Equipment, Organization & Tactics from Philip & Alexander to the Roman Conquest (Pen & Sword: Barnsley, 2020) xii + 482 pages ISBN 978-1-52674-815-7
The Macedonian Phalanx is a thoughtful, engaging account of the ancient pike phalanx. By drawing upon literature, inscriptions, archaeology, and comparative evidence it uses the best available methods in ancient history. I am both jealous and relieved that I no longer have to write such a book myself.
How much weight did these warriors carry? Archaeological finds let us give a pretty good estimate. A Corinthian aryballos (oil flask)in the Metropolitan Museum of Art, Accession Number: 41.162.157 Today, people with detailed direct knowledge of Iron Age arms and armour in the Aegean describe them as for athletes, as lightweight as the smiths could... Continue reading: The Myth of the Heavily Burdened Hoplite
Detail from a wrought silver plate in the Castelvecchio, Verona. Said to come from northern Italy and date to the sixth century CE. Photo by Sean Manning.
One of the treasures housed in the Castelvecchio of Verona is an extraordinary silver plate. It dates a bit later than the Sasanid silverwork which I have blogged about before, to the age which gave us Maurice’s Strategikon when East Romans, Goths, and Lombards were struggling for control in Italy and destroying what was left of the wealth and learning built up in the centuries when Rome ruled the world. Read more
Courier firms work in mysterious ways: Armour of the English Knight 1400-1450 in its double packaging
Tobias Capwell, Armour of the English Knight, 1400-1450 (Thomas Del Mar: London, 2015)
308 pages, 24 x 30 cm
All glossy paper, most pages contain at least one line drawing or colour photo
ISBN 978-0-9933246-0-4
GBP 54 (UK, France, Germany, Italy), 64 (other countries) including shipping and handling; I don’t see any reason to believe that it will ever be available from other sellers or in softcover. Link to publisher’s online store
After five years of anticipation, the first volume of the results of the inquiries of Toby Capwell into English armour began to arrive at customers’ doors in the middle of October. For reasons which seem good to them, the publisher and author have made very little information about the book available on their website. For quite a few buyers, “a book on English armour by Toby Capwell with drawings by Mac and Jeff Wasson” was all they needed to know. But for those who are on the fence, or waiting for their copy to arrive, I thought it would be helpful to sketch out the sort of things which this volume contains.
This book has a diverse audience. I will do my best to say things which I think armourers and armoured fighters would like to know, then give my own academic thoughts. But this is definitely not a review, and I refuse to find something to quibble about. Since I do not even dabble in fifteenth-century history, there would not be much point. I also refuse to give a summary since this book is newly published.
This is a study of full harnesses in a distinctive style worn by extremely rich men in England and Wales in the early fifteenth century. The main source is effigy sculptures, but documents, literature, funerary brasses, manuscript illuminations, and other kinds of medieval evidence are used to supplement them. The author’s experience as a jouster, and his helpers’ experience making plate armour, are also used to help interpret the sources.
The contents are divided into four parts. First is an introduction which sets the effigies in context in fifteenth-century England and discusses the problems of studying a style of armour which has all been destroyed (52 pages long). Then there are two sections on armour in the periods 1400-1430 (136 pages long) and 1430-1450 (75 pages long), each broken down by part of the body (helmets, cuirasses, shoulder defenses, vambraces, gauntlets, leg armour, sabatons). Last comes a miscellaneous section with a conclusion, the author’s experiences wearing armour in the English style, a bibliography, a list of effigies divided into six styles, a glossary, and two short indices (total 45 pages).
This miscellaneous section contains 25 pages on the famous blackened and gilt harness which he commissioned from Mac, and his experiences planning it, having it built, jousting in it, and having it modified.
Pages 204 and 205 of Armour of the English Knight 1400-1450. Full-page colour photos of important sources, closeup colour photos of details, pencil sketches, written commentary. As always, click to enlarge.
All pages are glossy, and some contain double-page spreads of important manuscripts, effigies, paintings, etc. Many of these images are not available online, and all the photos are printed in higher resolution than normal computer screens can display.
There are a series of line drawings by Mac of six typical harnesses representing six styles of English armour. Each is sketched from front, side, and rear for maximum clarity, and each of these views fills half a page.
There are a number of comments by Mac on specific technical problems which armourers in the fifteenth century faced, and how this might have affected the armour that they built.
There are pages of pencil sketches by Jeff Wasson with structural diagrams of different styles of armour and details of motifs, borders, etc. Individual sketches are scattered throughout the book alongside the closeup photos of details.
So for armourers, this is 300 pages on the development of armour in England with photos and sketches of details and suggestions of how to reconstruct it. For armoured fighters, this is 300 pages on the development of armour in England with suggestions of the advantages and disadvantages of different choices. And for academics, this is 300 pages of analysis of armour in England as a social tool and as a martial tool. While the publishers could make it easier and cheaper to buy and quicker and cheaper to deliver, and while this is a specialized book, I think it does what it tries to do very well. Although the shipping is a bit slow and expensive, the basic book is quite cheap for its size and complexity, especially considering that it will not sell thousands of copies. And everything about the physical book is professional.
Now I will put my academic hat back on and say why I think this book is important. Even though I can’t really afford it, and even though my dabblings in medieval history focus on late 14th century Italy rather than early 15th century England, I pre-ordered a copy. This was because I knew two things about this book. Read more
Plate with the king hunting predators. Chased and gilt silver. Iran, 7th century CE. Found as part of a treasure in the Perm Region, 1878. Acquired by the Hermitage in 1925 from the Counts Stroganov Collection. Photo by Sean Manning, September 2015.
In the comments section of an earlier post I have been talking with ryddragyn about archery on the border between the Roman and Sasanid empires around the sixth and seventh centuries CE. Often we do not have sources to answer all the questions which people have today about how soldiers used their weapons, because ancient people preferred to pass that kind of knowledge on in person. But it happens that we have many kinds of evidence for archery in this period, including slightly later archery manuals, books on generalship, a wide variety of works of art, the remains of archery equipment, and odd references in histories and other kinds of literature. I would say that we have at least as good evidence for how Romans and Persians shot at each other in the age of Khosrow and Heraclius as for how Greek hoplites fought one another in Xenophon’s day.
One of the most important pieces of evidence for how the Sasanid Persians drew their bows is a group of gilt silver plates and vases hammered with images of the king hunting with the bow on horseback. It happens that I was recently in St. Petersburg, and I was able to photograph many of these bowls and vases in the State Hermitage Museum. This week I thought I would post some of my photos. Because I have not shot a bow for too many years, nor read up on this period of history, I won’t try to provide a commentary. The captions for each photo are based on the English labels in the Hermitage. Read more
