Capo Ferro’s engraver illustrates the perils of lifting one’s shield to parry a feint to the high left, giving one’s opponent a chance to strike low unseen (Gran Simulacro, Siena 1610 edition, plate 42). Photo c/o Wiktenauer http://www.wiktenauer.com/wiki/File:Capo_Ferro_42.jpg
A discussion on another blog revised an old controversy, namely what size of sword the Italian master Ridolfo Capo Ferro expected his students to use. I am not a student of any seventeenth-century art, whether rhetoric or fencing, so I can’t contribute to the discussion with a perspective on what length of sword works best with his techniques, or what length was most common in northern Italy in 1610. I am a student of ancient literature, so this week I will talk about some things from the ancient world which help me to interpret his manual.
My collection of photos of Mesopotamian artifacts is small, so here is another set from Palazzo Te in Mantua
One of the quirks of Sumerian is that things are often referred to twice, once as substantives and once as affixes to the verb. The following example comes from Gudea Cylinder A (column ii, line 4) courtesy of the ETCSL.
The individual signs were pronounced something like this:
One thoroughly used copy of Geoffrey Bibby’s “Four Thousand Years Ago” (Collins: St James’ Place, London, 1962)
I first encountered Geoffrey Bibby’s Four Thousand Years Ago in a “Best-of” volume of the Robert E. Howard fanzine Amra where the reviewer enthused that the second millennium BCE was a time when Conan could have lived again. For a younger self that was recommendation enough, and I tracked down a copy in the library. On a whim I decided to order a copy and have a look with more scholarly eyes. The volume which arrived in the mail has an old bookseller’s stamp from The Public Bookshop, PO Box 1, Bahrain which is very appropriate, for Bibby excavated there and believed it was the Dilmun of the Sumerians, the place through which all good things came. Like the statuette of Lakshmi from Pompeii, who can say how it made its long way to its current home?
On the Internet as in a cavalry fight, there are too many things flashing in front of your face. Unknown painting of an incident in the Thirty Years’ War, Heeresgeschichtliche Museum, Wien. A village in France has preserved the bedroom of a young officer who died in the First World War Wardle, Higham, and Kromer,... Continue reading: Link Dump
War is a very old and very common custom, and so are commemorating it, celebrating it, and praying it away. Others more learned than I have commented on the war which was raging in Europe one hundred years ago. Today I thought I would share two perspectives on war from four thousand years ago.
My visits to Heuneburg and Haithabu/Hedeby reminded me that I don’t know enough about one of the great puzzles in world history: why cities spread so slowly, with frequent retreats and abandonments. There were towns in the Balkans before the Indo-Europeans came, but it was almost the year 1,000 before there was a single town on the Baltic, and that was burned and abandoned. Why did it take 5,000 years for cities to spread from Mesopotamia to Denmark, when other innovations spread in a few centuries? And why did many societies which once had prosperous cities give them up? Read more
In April I participated in a prehistoric bronze-casting workshop with Dr. Bastian Asmus at the open air museum at Heuneburg (near Herbertingen, Baden-Wurtemburg, Germany). I believe that it is helpful for historians to understand the world of things and skills in which their subjects lived. Like any other art, imitating historical bronze-casting requires a range of skills and is best learned by practice.
