Low-tech people tend to be good at preserving commons. They have to be, because they don’t have a global supply chain to save them if they wreck their environment. And so for thousands of years people have conserved the cedar forest on Mount Lebanon and saved its wood for special purposes. Ancient inscriptions tell the story.
A group of hitmen have been jailed after repeatedly trying to subcontract a job to each other in Guangxi, China.
Businessman Tan Youhui hired a hitman to “take out” his competitor for $282,000 (£218,000), a court heard.
But the hitman hired another man to do the job, offering $141,000. That man hired another hitman, who hired another hitman, who hired another hitman.
The plan crumbled when the final hitman met the man, named only as Wei, in a cafe and proposed faking his death.
All six men – the five hitmen and Tan – were convicted of attempted murder by the court in Nanning, Guangxi, following a trial that lasted three years.
Some people might see this as a story about outsourcing, neoliberal capitalism, or the rough-and-tumble nature of some things in China. I have a classical education so this made me think of the fall of the Bacchidae of Corinth in the seventh century BCE. The story was told by Herodotus two centuries later, and he puts it in the mouth of someone telling the Spartans that it is terrible to be ruled by a monarch or tyrant, so beware:
An ordinary Late Bronze Age European sword of the so-called Naue type II. It has a bronze hilt of hollow scales riveted to the tang and has a longer blade and wider pommel than some swords but a shorter blade and smaller pommel than others. The long ridge down the centre of the blade both makes it stiffer and helps the bronze flow all the way to the end of the mould (contact with the surface of the mould cools out the metal, and a long flat blade has a lot of surface of mould to contact). Metropolitan Museum of Art, Accession Number 54.46.8
Over on his website and social media, Roland Warzecha has been talking about how to hold European swords of the Late Bronze Age and Early Iron Age, the so-called Naue type II. These swords have a broad flat blade, a broad tang with scales riveted to the sides, and usually a mushroom-shaped pommel. If you are at all interested in swords, these are worth studying, because they are the earliest swords that we can understand really well. Iron tends to shrink or expand in the ground or water, and especially after it is excavated, so the remains of iron or steel swords tend to be ugly misshapen things. Bronze swords can emerge from the ground looking like they just left a cutler’s shop, and sometimes they have bronze grips and pommels so all parts of the sword are preserved. In the worst case the handle and the area where the handle joins the blade are usually preserved. In most of Bronze Age Europe it was not customary to make detailed images of human beings. Nor was it customary to write things down. But the swords, spears, and shields in museums speak to us and tell us how they want to be used if we can learn to hear them. They were carefully designed by sophisticated people for sophisticated people.
Albrecht Dürer’s print “The Witch” from around 1500. Metropolitan Museum of Art, Accession Number 17.37.31 https://www.metmuseum.org/art/collection/search/391138 I visited Dürer’s house, it was saved from bombing by being built next to the city wall.
About sixty years ago, L. Sprague de Camp discovered a list of ancient magic tricks and stagecraft.
Most of the tricks employed by the witch Saphanbaal to awe her clients (in my novel) are described by Bishop Hippolytus in his Refutation of All Heresies. In the early third century, the bishop constituted himself a one-man Society for Psychical Research. He exposed the deceptions of magicians, such as putting lumps of alum in the fire and gluing fish scales to the ceiling. Of course, this was six hundred years after the time of my story. But, since some of the methods Hippolytus describes have been used by mediums right down to modern times, we may assume for the purposes of fiction that these sleights were already old when he revealed them.
“Author’s note,” L. Sprague de Camp, The Arrrows of Hercules (1965)
Three Salish Sea ferries in one shoot! The photo is from one, another from Vancouver is coming behind, and a third is hidden behind the grey steel upright.
In my article for the Journal of Ancient Civilizations, I tried to be as clear and concise about Greek soldiers in the Achaemenid empire as I could. In the 20th century scholars often used the subjective and partisan term ‘mercenary‘ and focused specifically on Greek soldiers and Greek hoplites. I think its better to think about them differently.
Beginning with Ctesias, Greek writers often mention that thousands of Greeks fought for Achaemenid kings and satraps in exchange for pay (in earlier periods Greeks fought for the king as allies or subjects). Modern researchers have written half a dozen books about these so-called “mercenaries” but have not always considered the Egyptian and Near Eastern context. Since the Old Kingdom, Egyptian armies had contained large contingents of Nubians, Libyans, and other people from the edges of the Egyptian world. The Neo-Assyrians and Neo-Babylonians deported all kinds of people to the cores of their empires, gave them land to work, and extracted civil or military service from them. By the Achaemenid period Babylonians often provided a substitute or paid a fee rather than serve themselves. Hiring Greeks for coins was just another way of obtaining foreign soldiers.
“The Armies of the Teispids and Achaemenids: The Armies of an Ancient World Empire,” Journal of Ancient Civilizations Vol. 27 Nr. 2 (2022) p. 156 hosted here
Thirty years ago, Gillian Vogelsang-Eastwood gave us a book of Patterns for Ancient Egyptian Clothing. Now a researcher in the UK wants to do the same for clothing from prehistoric Denmark. This new book will be lavishly illustrated with colour photos of reconstructions. If that is of interest, check it out on Kickstarter.
The Greeks invented scripts for their own language based on Phoenician writing during the eighth century BCE. From the eighth century BCE we have a few short Greek texts written on pottery or carved or scratched into stone. Nestor’s Cup from the settlement of Pithekoussai on an island in the Gulf of Naples is especially famous since it seems to allude to a character in the Iliad (less famously, all three lines go from right to left like in the Semitic languages, not left to right like in later European alphabets – other early inscriptions alternate between right to left and left to right like an ox plowing a field). But classicist Peter Gainsford tells us that these early Greek texts have something in common:
All extant Greek writing from before about 540 BCE is framed as an utterance designed for the moment at which it is read – declarative statements, instructions, etc. for the reader at the moment of reading it. We have no direct evidence that writing was used to transcribe anything at all until after that point. (See further Jesper Svenbro, “Phrasikleia”, opening chapter.) [JSTOR]
In early June I wrote a guest post for the L. Sprague de Camp Fan Blog about the wild animal which one of the delegations on the Apadana at Persepolis brings as tribute. Its common to read that the animal above is a giraffe (!) but there are two other plausible theories. Below the fold I have some additional bibliography.
Hellenistic diplomacy, like all Hellenistic rulership, was fundamentally personal: agreements and alliances were not struck between abstract states or nations, but between individuals. When a monarch died, previous agreements no longer stood, and new agreements with the next monarch had to be negotiated. The contemporary purpose of these marriage alliances at the time was to create a direct and personal link two monarchs, symbolized and meditated by marriage to a royal woman. In other words, the marriage of Stratonice I to Seleucus created a direct bond between her husband and her father that, in turn, united their two families.
Some architectural terracotta moulding from the House of the Black Room, Pompeii c/o BBC
There are many things to talk about the excavations at the House of the Black Room in Pompeii, from the awesome Parthian Perseus to the poor bakery workers who may have been locked in their quarters to die when the volcano erupted. Onetime Bookandswordblog commentator Sophie Hay gets to work there! One thing which I like is this piece of terracotta architectural decoration with painting which is colourful but not fussily precise.