ancient world in film

ancient world in film

The First Braveheart Brigandine

a fanciful colour painting of Cú Chulainn riding a galloping chariot loaded with weapons and brandishing a red spear and a round shield
Cú Chulainn in battle, from T. W. Rolleston, Myths & Legends of the Celtic Race (New York, 1911). The painting is signed by J.C. Leyendecker https://en.wikipedia.org/wiki/File:Cuinbattle.jpg

Film and TV costumers love to give extras vests with random pieces of metal or leather laced or riveted to them separated by gaps. Traditional armour was meant to stop spears and arrows, so all armour like this would do would be cause the points to slide into the gaps between the plates and go through. The late Tony Bryant says that some of the very cheapest Japanese tatami-do armours were made like this, but it was never common. On the Internet we often call these Braveheart brigandines after the infamous 1995 Mel Gibson film. But the trope is older!

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The Paraskeuastikon of Peter the Son of Jack

A brick fortress with swallowtail battlements, a high tower, and double walls
Since I start this post by talking about an imaginary fortress designed by ignorant people, how about a real fortress designed by people skilled in the art: the Castelvecchio facing what was once outside the medieval town and is now part of the city centre, Verona. The low grey wall and the high red brick wall are separated by a ditch which was once wet.

In December I re-watched Peter Jackson’s Lord of the Rings trilogy. A younger self would have used this post to have a good rant about all of the aspects of Jackson’s battles and sieges which just would not work. Tolkien was vague about many things, but he was a combat veteran who knew his classics, and both showed. However, I now realize that if someone with hundreds of millions of dollars at their command can’t be bothered to read a handful of Ospreys, let alone Aeneas Tacticus and Philon of Byzantium and the Old Norse King’s Mirror, or hire an underemployed doctor of ancient history and listen to what they say, there is no point in lecturing to them. Some people just don’t care how they really did it or want to engage with sources (although Jackson did let people who understood material culture and fight direction do their stuff). But watching these films reminds me of one thing which might be right.

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