“‘How can you say, “We are wise, for we have the law of the Lord,” when actually the lying pen of the scribes has handled it falsely?
Jeremiah 8:8 New International Version
The ancient world was a long time ago, but even in antiquity it was often hard to know what happened in the ancient world. With no trusted neutral institutions to establish facts, and no way of making many identical copies of a text or a speech, the curious had no reliable way to decide between competing claims by different interested parties. Already in antiquity, clever people turned to old writing painted on wood or carved on stone. But dishonest people realized that they could destroy or alter awkward inscriptions and forge new ones. Greeks, Romans, and Babylonians show us how this worked.
St. Felix (probably not the bishop of Nola?) From a polyptych by Battista da Vicenza (b. ca. 1375, d. 1438), Vicenza, Museo Civico, inv. no. A 18-22. Photo by Sean Manning, 2020.
So a lot of us have spent the past month or two staring at some scary numbers and working out their implications. These numbers are based on counts, even if the authors had to make some assumptions and do some arithmetic to turn something they can count into what they want to know. I spend a lot of time staring at Greek numbers for barbarian armies, and if they were based on counts they are hard to understand:
If we have multiple sources, they give numbers which vary widely, even if they all drew on the same earlier writers
The smallest Greek number for a barbarian army, 100,000, is as big as the largest army we can document in western Eurasia before the Napoleonic Wars, even if we are very generous about what counts as ‘documentation’ (hard-hearted historians would say we need archives so no army strength can be known until about a thousand years ago)
The smallest Greek number for a barbarian army is about as many as the biggest army which any Near Eastern ruler claims to have commanded.
Either there are no numbers for individual units, or the numbers given add up to a much smaller number than the grand total
Usually, no source for the numbers is given: we are not told whether they are an estimate by scouts or by the enemy’s clerks.
Such vast armies could not march, camp, and fight in the usual fashion or on the described battlefield.
If we assume that these numbers are based on counts, we have to chose one of the figures in our different sources, then ‘correct’ it by adding, subtracting, multiplying or dividing until it fits our expectations. As a fellow named Whatley said in 1920, these theories often sound convincing until you read the next article with another ingenious theory that contradicts the first one. So assuming that these numbers are based on counts has not lead to new knowledge that people with different perspectives can agree on, it has just lead to endless arguments and speculation.
So a few years ago, I asked myself what would we expect to see if these numbers are drawn from something other than counting. And instead of looking at different writers’ figures for the same army, I looked for the same number in stories about different armies. Have a look at the fifteen eighteen lines on this table and decide if you see what I see.
The ivory pommel and chape of an akinakes and scabbard in the Louvre. For more information see Bernard, Paul (1976) “À propos de bouterolles de forreaux achéménides,” Revue Archéologique pp. 227-246 or for our Russian friends Perevodčikova, E.V. (1983) “Subjects Depicted Upon the Bouterolles of Akinakes-Sheaths in the Achaemenid Period.” Vestnik Drevnej Istorii 3 (165) pp. 96-103
Between looking for work and finishing articles, I have been working on a book on Achaemenid warfare which bears a certain similarity to a 2018 Innsbruck PhD dissertation and should be released this year. In Austria you make the mechanical fixes and the changes in response to the committee’s comments after the thesis is accepted, not before (in Canada, you are normally given a list of changes by the committee, make them, and pass the revised version back to the committee for them to approve before you are granted the title).
I never converted to citation-management software, preferring a simple word processor file with bibliographic information and notes on everything I had read, wanted to read, or thought I might one day want to read. When I was assembling the different files into a dissertation, I stripped out the metadata and dumped the individual entries into the bibliography then sorted it alphabetically with Tools → Sort. So one problem I had is that some works in the footnotes were not in the bibliography, and some notes were in different formats than others. To sort this out I went through each chapter recording the works cited, then removed duplicates and standardized the format, then combined the eight separate lists into one and removed the duplicates again. I checked that list against the bibliography, making sure that everything in the footnotes was in the bibliography.
And that leads to the important question, out of the roughly 1,232 works in the final bibliography (77 pages x 16 citations per page), how many do I actually cite? Read more
The architecture of holy places in the Middle East has changed a bit since the glory days of the Ebabbar, but how about this photo of a mosque in Isfahan? A tablet from Sippar with the forgettable names BM 57222 and CT 57, 82 contains the following lines: “(6) 1/2 mina... Continue reading: Horse Troops and Troops of the Bow
Sometimes the tablet-gods smile on us. Over the last hundred years, scholars have worked to establish when the properties known as bow, horse, and chariot estates first appeared in Mesopotamia. Earlier writers often saw them as examples of Iranian feudalism, imposed on Babylonia by the Medes or Persians, but there were a few examples under Nabonidus. Then in 1998 Michael Jursa reread a text from Uruk from the 35th year of Nebuchadnezzar with the following lines:
1 kur 2 pi of seed (ie. field which is sown with 7 bushels of barley), the bow estate of Dannēa, which Nergal-dān acquired to sow, is pledged to Gimillu, until Gimillu received the barley.
Tablet HS 643 in Jena. On the graph paper in the background each small square is 1 mm wide.
At the beginning of October I had the pleasure of visiting the Frau Professor Hillprecht Collection in Jena to handle and sketch tablets. Doing so made clear to me some of the issues with reading and publishing cuneiform tablets. In this post, I will try to explain what those issues are.
Ancient Warfare X.4 has reached the borders of Rhaetia. Copies are available here. While some of my publications are stuck at stages between “handing in the manuscript” and “opening the package with my author’s copy,” my latest article for Ancient Warfare is now available. It has ostraca! Bored clerks! Desperate bandits!... Continue reading: The Achaemenid Storehouse At Arad
Self at Naqš-e Rostam, May 2016. Is it not passing brave to study this, And stroll in triumph through Persepolis? With apologies to Christopher Marlowe.
A Red Figure Vase of Achilles and Patroclus, painted around 500 BCE. Courtesy of Wikimedia Commons https://en.wikipedia.org/wiki/File:Akhilleus_Patroklos_Antikensammlung_Berlin_F2278.jpg
I am sick again this week and have not been able to finish a craft project which I wanted to talk about, so I thought I would post half a thought about armour instead. The vase painting above is one of the most famous. Pottery geeks try to assign it to a group of paintings from the same workshop, students of mythology appreciate that Akhilles and Patroklos are labeled, and students of material culture enjoy the details of military equipment. The view of the shoulder-piece springing upwards as soon as it is untied, and of the skirt of ‘feathers’ stopping above the genitals, have shaped many modern ideas about Greek armour. Long ago Peter Connolly repainted it for his Greek Armies.
A tomb relief depicting a man in a toga with six writing boards, Archaeologisches Museum, Schloss Eggenburg, Graz. Photo by Sean Manning, September 2015. A good long time ago, Julius Caesar faced the problem of how to boast about military achievements so great and so numerous that one war threatened to... Continue reading: VENI VIDI VICI
