Digitalizing old cuneiform texts poses some special issues which digitalizing old Teubners and Loebs does not. Working with the Gadal-iama contract has been an excellent excuse to explore them. I hope that they will have some interest for my readers who don’t read Akkadian.
Copyright is the first issue. At present I do not have time to make my own transcription of the published drawings (this has changed since October 2014- ed.). The following edition is based on that published by Henry Frederick Lutz in 1928. On the basis of Cornell University’s handy guide, I believe it to be in the public domain.
Our understanding of cuneiform writing has changed since 1928. An example which leaps out is that Lutz read the signs AN.BAR as the god Ninurta rather than the adjective parzillu “iron.” I have corrected this and noted where Ebeling’s more recent reading of other signs differs.
Conventions for transliterating cuneiform have also changed. I have tried to move Lutz’ text towards the conventions of the Open Richly Annotated Cuneiform Corpus as defined in their Akkadian Stylesheet. I have replaced the most obvious logograms with the corresponding Sumerian, but not tampered with Lutz’ sign numbers and vowel lengths where they are slightly different from the conventions today (this has changed since October 2014- ed.). All capitalized Sumerograms and all material in brackets except for the line numbers are my own.
This is neither a completely modernized edition (which would take more time than I have available) nor an exact transcription of Lutz’s edition (which would be hard for many Assyriologists to use). Serious scholars with access to a good library will want the second edition by Ebeling, but I hope that this will be worthwhile regardless. I would very much appreciate it if anyone who spots an error would email me. In the future I may make my own transcription to practice the script and understand which signs lie behind the logograms in the existing transcriptions.
Alex Usher of the Higher Education Strategy Associates recently posted a summary of some surveys of students at Canadian universities. He and his colleagues found that students at most Canadian universities answered questions about their university the same way. Usher often suggests that he wants universities to become more diverse, but in this post he mentions with a hint of disdain another view, that universities exist to provide a uniform social service. That strikes me as a very good description of the role which I would like Canadian universities to play. Moreover, while I think his heart is in the right place, I can see a few disadvantages of greater “differentiation” which Alex Usher has not spelled out.
With the [Ionian] burning of Sardis in mind we may turn to the question of the Persian military presence in western Asia Minor. The evidence from the Greek sources is scrappy, but we know of a number of cases of fiefs being granted and of Persians having taken over good land. It is generally in... Continue reading: A Weakening Grip, or More of the Same?
A good many historians have complained to their readers that their predecessors were DOING IT WRONG. Few of them have done so with the sonorous rhetoric with which Scipione Ammirato in the sixteenth century dismissed Machiavelli’s History of Florence: In sum he mistakes the years, changes the names, alters the facts, confounds the causes, expands,... Continue reading: The Academic Dis, Sixteenth-Century Style
Roman relief of a man wearing what scholars call an “Attic helmet” (style of first or second century CE, Palazzo Ducale, Mantova, inv. gen. 6733). Showing someone wearing one of these helmets associated them with Greek culture, but examples from this period are hard to find in the ground.
People, especially people who are most interested in material culture, often find it hard to accept that ancient art does not directly and literally depict the world. People who recreate Roman material culture, for example, often fret that when we can check it against other evidence, Trajan’s column is usually wrong. “But the rest of the sculpture is so lifelike,” they complain. “Shouldn’t we use what evidence we have?” “Why would they go to so much trouble to depict something wrong?”
Random clay artifacts from ancient Iraq, on display in Palazzo Te, Mantua and connected with one Ugo Sissa.
One of the most interesting texts from Achaemenid Babylonia which has been published is a contract between Gadal-iama, son of Rahîm-ilê, and Rîmût-Ninurta, son of Murašû. Amongst other things, it contains the first description of special garments meant to be worn with armour which I have ever heard of. Because there do not seem to be any good discussions online, and because the translations in books for non-specialists are often very loose, I decided to post an Akkadian text and a translation or summary online. Before I do so, I should probably explain what this contract is.
Since I am too busy this week to spare many words, I thought I would post some pictures instead. This relief from a sarcophagus belongs to the Palazzo Ducale, Mantua. The caption dates it to the second quarter of the second century CE and labels it as a battle of Greeks and Amazons, but the barbarians look awfully masculine to me.
A student reading in his room, as painted in Paris circa 1420. British Library Royal MS 20 B XX. Cropped from an image in the Catalogue of Illuminated Manuscripts which has been released under a Creative Commons CCO 1.0 Universal Public Domain Dedication.
One of my academic interests is knightly combat in late medieval Europe as described in four manuscripts by Fiore dei Liberi dating to the beginning of the fifteenth century. Fiore’s works, and those of his contemporaries in more northerly lands, give us a unique chance to understand how the weapons and armour racked in museums were meant to be used. They at the very least give anyone interested in how ancient people fought food for thought.This series of posts is inspired by the Greek scholar Plutarch, who wrote an antiquarian essay asking why the Romans practiced some curious customs. Plutarch was wise enough to give questions not answers, and that will be my policy in these posts as well.
Blows, steps, and guards make up the vocabulary of an early European martial art. While Fiore describes these things more clearly than his contemporaries did, his words still leave some ambiguity.
A few weeks ago I had a chance to visit the Südtiroler Archäologiemuseum in Bolzen. The modest stone building is the current home of the famous mummy of Ötzi, who died in an Alpine pass about 3300 BCE. Photographing the artifacts, including several sturdy longbows with the knife-marks still visible on their surface, was forbidden, but I did take a photo of this reconstruction.
A reconstruction of Ötzi, from the Südtiroler Archäologiemuseum, Bolzen. Read more
My Internet connection is having trouble uploading, which it making it difficult to post some pictures which I wanted to talk about. Instead, I think I will use this post to gripe about design choices in another kind of information technology. My first career was in programming, but programming languages were not the first where it proved very difficult to change early decisions as their disadvantages became apparent or the context changed. Read more
