Not an expert

I don’t claim any particular expertise on the subject of these posts
Categories: Modern, Not an expert
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Not an expert

I don’t claim any particular expertise on the subject of these posts. Caveat lector …

Remembrance Day 2020

Mt. Douglas as seen from Mt. Tolmie, November 2020 Today is Remembrance Day. I am not as mobile as I would be in an ordinary November, and neither of the ways people often talk about Remembrance Day feels right to me. Some people turn it into a festival of peace and... Continue reading: Remembrance Day 2020

Against Seeing Everything as an Identity

A chart of the frequency of the word "identity," "nationality," "ethnicity," "race," and "performativity" over time ... "identity" becomes fashionable after 1960 and especially 1985
Google ngrams is a fun toy as long as you dont take its dates too seriously! (They refuse to work with librarians to clean up their data or with paleographers to OCR old books more accurately). https://books.google.com/ngrams/

Some kinds of academics like to talk about “identities.” Literally, that means the things which you point to and say “I am.” But many academics use it to mean other groups that people get sorted in to. In chapter 2 of a book I recently reviewed, Guy Halsall calls class, gender, age, nationality (“ethnic identity”), and free or servile status “identities”. My friend James Baillie (who is absolutely not responsible for this essay) uses the term in the same way to describe different kinds of people in the UK today. The blogger and medical doctor Geeky Humanist wrote the following paragraph on “gender identity”

What do I mean by woman? Short(ish) answer: Any adult whose gender identity is female. For purposes of anti-misogyny endeavours such as International Women’s Day, I would also include a) girls (children whose gender identity is female), and b) anyone who is affected by misogyny as a result of having been determined on the basis of genital configuration to be female, even if their actual gender identity isn’t female. … Transgenderism (and cisgenderism, for that matter) isn’t about ‘choosing’ to identify as a particular gender. It’s about the inescapable fact that nearly all of us do identify as particular genders – not because we choose to, but because it’s a key part of us – and that sometimes a person’s gender identity doesn’t match the gender of their body.

Geeky Humanist has some ideas which are strange to me and which I don’t understand as well as I would like to. I don’t think she is saying that a man is anyone who says he is a man, and she definitely does not think it is any person of the male sex, she seems to understand “gender identity” as something more like sexual orientation. I think that calling gender and class and nationality “identities” and just identities confuses people about how power and societies work.
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Laudatio Ed Brayton

From Birger Johansson: Ed Brayton, humanist and scienceblogs.com founder, is dying in hospice in the United States after a long struggle with various health problems. His last post is at https://www.patheos.com/blogs/dispatches/2020/08/10/saying-goodbye-for-the-last-time/ I am with T. Greer: when a Snorri Stirluson comes to tell the tale of the death of the open Internet, they will spend... Continue reading: Laudatio Ed Brayton


Dis Manibus Anton Powell

Anton Powell, Welsh ancient historian and publisher, died on 11 June 2020. As a researcher, organizer of conferences and editor of books and serieses, he helped launch a transformation in understandings of early Sparta away from the moralistic gossip from Roman writers like Plutarch and hoary fables about Lycurgus to focus on what contemporary texts,... Continue reading: Dis Manibus Anton Powell


How to Build Healthy Geeky Communities

Buttonholes being sewed with silk to an orange woolen vest lined with black linen
Despite the current situation, one creative project from last fall is finally moving forward! Vest in orange fulled cloth, interlined with linen canvas, lined with black linen, buttonholes in silk thread

Geeky communities attract people who milk them for money, sex, and throngs of adoring flatterers. In the Anglo world I can trace this from New York science-fiction fandom in the 1940s through some of the groups I knew face-to-face in Canada to the Southern California tech world (and the closely related SoCal kink and porn worlds) in the 2010s. There are theories why this happens such as Michael Suileabhain-Wilson’s “Geek Social Fallacies” (2003). But today I would like you to read an essay on how to build a community of plumbers working side by side not rock stars and groupies, a community that the parasites bounce off like a mosquito landing on a buckskin jacket.

No More Rock Stars (2016) by Valerie Aurora, Mary Gardiner, and Leigh Honeywell
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Paradoxes of Sword Design

cross-sections of six swords near the guard
Cross-sections of six swords near the hilt. From Peter Johnson’s talk “Paradoxes of Sword Design” at Arctic Fire 2012 https://youtu.be/nyAc5HbUuqw?t=2630

In February, I started to think seriously about swords after sketching the swords from Ghalekuti (which I will blog about one day). I am the “armour” sort of historical fencing person not the “swords” sort (thanks Steve Muhlberger) and I don’t have access to many originals in good condition. A group of European and American bladesmiths and engineers have been thinking about how to describe swords and how they want to move. The names I know best are Michael Tinker Pearce, Vincent le Chevalier, and Peter Johnsson; other people would mention Angus Trim and George Turner.

Swords are simple objects, but designing a specific sword requires trading off all kinds of goods against one another. The longer sword is more of a nuisance to wear and slower to draw, the stiffer sword may not be as effective in cutting, the more complex hilt limits how the weapon can be held. These seemingly simple objects hide a lot of engineering that you can slowly train your eye to see and your arm to feel.

This is a topic where not much has been formally published, but two great web resources are “Understanding Blade Properties” by Patrick Kelly and Peter Johnsson’s talk “Paradoxes of Sword Design” from Arctic Fire 2012 (warning: YouTube). Peter Johnsson is probably the most charismatic speaker discussing these ideas today and he has his own theory of how the medieval cruciform sword was designed. Because his talk is 80 minutes long and on a scary Google website I want to call out two things which I noticed.
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Despoilers of the Golden Empire

A full-page advertisement beginning with the words "You'll Never See it in 'Galaxy'!"
Bat Durston is in trouble, whatever genre he is in! Will he get out? The rear cover of Horace L. Gold’s Galaxy Science Fiction No. 1 (October 1950) (Wikipedia)

In another place somebody cited Randall Garrett’s “Despoilers of the Golden Empire” (John W. Campbell Jr.’s Astounding Science Fiction, March 1959). If you don’t know that story, pop over to Project Gutenberg and read it, at least for a few pages until you understand the gimmick. Because this one story tells some things that most of the people talking about Silver Age science fiction don’t want you to hear.
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What is a Martial Art?

A display of wicker shields, helmets and face-masks, bows in bowcases, and sabres on a whitewashed wall
Captured Turkish arms from the 2. Rustkammer, Schloss Ambras, Innsbruck, July 2013

Back when I started historical fencing, I thought about what is a martial art and came up with a definition which worked for what I was doing (ie. trying to learn to fight a particular way). Someone interested in martial arts communities might chose a different definition: someone is an Olympic wrestler or SCA heavy fighter because they participate in a certain kind of event, and how they move is irrelevant.

Definition: A martial art is a subset of all the possible ways of moving effectively in combat which works well together and is sufficient to solve a martial problem.

We shall divide this sermon into six parts.
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