Sean Manning

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Email: sean.manning@protonmail.com
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The Siege on the Amathus Bowl

See blog post for description
The Amathus bowl, British Museum catalogue number ANE 123053 © Trustees of the British Museum

In 1875, an old tomb on Cyprus was cleaned out in search of antiquities. One chamber contained a copper cauldron, and in that cauldron were shield fragments, an iron dagger, and about half of a corroded metal bowl 16 cm in diameter. The looters had cast it aside as they broke the sarcophagi open and ransacked the tomb for salable goods. This was a mistake, because the bowl was of wrought and engraved silver and contained a beautiful series of reliefs in concentric bands. Shortly after it was discovered, the bowl was sketched by a careful artist and published in a volume on the archaeology of Cyprus so that it would be available to scientists. Thanks to the generosity of the Gallica project in France, this volume is now available to the world.

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A Three-Year Campaign

A line drawing of a cuneiform tablet with the lines numbered in the margins
J.N. Strassmeier’s sketch of tablet Dar. 253 from 1892

[number lost] minas 4 shekels of silver, loin-girdling for the horse troops who are going to the encampment of the king [for] three years: 1 donkey which was bought for 50 shekels of silver in the hands of Ina-Esagil-Liša; 1/2 mina 6 shekels of silver, donkey-fodder; 12 mountain garments; 12 coats; twelve caps; 12 leather bags; 24 leather shoes; 1 PI oil; 2 PI salt; 1 PI cress, travel provisions for three years from the month Nisannu 9th year which are given to … [one name lost], Rīmūt-Bēl, Itti-Šamaš-balaṭu, and Akkadaia who are going to the encampment / Month Abu 10th day 9th year of Darius King of Babylon King of Lands.

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The Liebster Award, or, Becoming Aware of an Internet Tradition

Photo of a red limestone building with a weathered gateway of white stone carved in relief built into it
The very rich and very patient can ignore practical constraints on their collecting too: random Tudor gateway built into the Burrell Collection, Scotland.

A few weeks ago Alexandra of ascholarlyskater nominated me for the Liebster Award. Thanks Alex! I see that Judith Weingarten won one of these in 2013. Although I do not normally post personal things on this blog, I thought I would get into the spirit of things in my reply. Those of you who are here for the history can come back next week when I will have something nice and martial and either Babylonian or Phoenician.

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Three Calgary Dissertations

Stone panel sculpted with a man in robes carrying a horn over his right shoulder
The funerary stele of Gnaeus Coponius Felicio, a trumpeter in the Roman army who was buried at Aquileia (CIL V 1027: Palazzo Te, Mantua; photo by author)

One of the joys of the modern age is that doctoral dissertations are usually published online. While it is still sometimes necessary to travel to the correct university and make a copy of an older dissertation by hand (or order it and wait months for the librarians and the appropriate university to send their copy), this makes the process of finding and obtaining research much less expensive and laborious. This week I thought I would take some time to mention some dissertations which my readers might be interested in. All of them are clearly written and provide enough background information that most readers of a blog like this should be able to understand their subjects, namely ancient horses, ancient Greek and Macedonian tactics, and the skeletons found in the tombs of the Macedonian kings.

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Some thoughts on Tobias Capwell’s “The Real Fighting Stuff”

Photograph of the cover of the book with three suits of plate armour and a title
Cover photograph c/o the Wallace Collection website

Tobias Capwell, The Real Fighting Stuff: Arms and Armour at the Glasgow Museums (Glasgow City Council: Glasgow, 2007) ISBN 978-0-902752-82-5

Dr. Tobias “Toby” Capwell, jouster and curator with a PhD in fifteenth-century armour, is taking preorders for his forthcoming book on knightly armour in late medieval England. In honour of that, I thought I would post on the only one of his publications which I have been able to read, a book for beginners on arms and armour at the Glasgow museums.

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From Aleph Bet to Alphabet

Table with the Hebrew Samaritan Syriac Phoenician Greek etc.  scripts side by side
An old chart of ancient abjads and alphabets, from a class handout. The Tin Eye reverse image search tool points to https://tmcdaniel.palmerseminary.edu/charts.html which suggests that it comes from Wilhelm Gesenius, Emil Kautzsch, and Arthur Ernest Cowley, Gesenius’ Hebrew Grammar (Oxford: Clarendon Press, 1910)

The Greek alphabet is adapted from the consonantal writing systems of the Levant, and I used to have a vague idea that Greek got its vowel signs by adapting signs for Semitic consonants not present in Greek. Greek has no aspirated “s”, for example, so Greeks using the Northwest Semitic abjad to write Greek found that they did not need the sign shin ש for transcribing Greek consonants and could use it for something else. As I learn a bit of Aramaic I realize that the process was much more straightforward.

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One of the Quirks of Sumerian

A stepped terrace of sand with several clay artifacts on it including a pyramid and several statuettes
My collection of photos of Mesopotamian artifacts is small, so here is another set from Palazzo Te in Mantua

One of the quirks of Sumerian is that things are often referred to twice, once as substantives and once as affixes to the verb. The following example comes from Gudea Cylinder A (column ii, line 4) courtesy of the ETCSL.

The individual signs were pronounced something like this:

ma2-gur8-ra-na ĝiri3 nam-mi-gub

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Astyages’ Thanksgiving Banquet

Life-sized head of a bearded man carved of smooth stone
They told another version of this story about Zeus (Porphyry head of a bearded Olympian in the Burrell Collection, Scotland, photographed by Sean Manning)

If you wandered through the ports and festivals of the Aegean 2500 years ago, Herodotus would tell you a story about Astyages’ banquet. One day Astyages the king of the Medes went to his lieutenant Harpagos and ordered him to take the newborn son of Astyages’ daughter Mandane and kill him, because he had dreamed that this son would become king of the world, and because the boy’s father was no Mede but a Persian. Harpagos took the son but refused to kill him, instead giving him to one of Astyages’ slaves to kill, and when this slave went home he found that his wife had given birth to a stillborn child. His wife offered to raise this other child instead, and so Mandane’s son was spared. One day Astyages noticed that this boy had a lordly manner and a face which resembled his own, and he questioned Harpagos and uncovered what had happened. Astyages declared that it was good that the boy lived, because the fate of the boy had troubled him, and that he would feast with Harpagos and make a sacrifice to thank the gods who had preserved the boy.

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Cosmic Horror

Before speaking of something inauspicious, its always wise to invoke the protection of a lamassu. This one has accepted the change from guarding a palace to guarding a museum, so I’m sure he won’t mind guarding a blogger. (British Museum, ME 118872, photo used with permission) As a layman it often... Continue reading: Cosmic Horror

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