Sean Manning

Sean Manning

User: Sean Manning
Email: sean.manning@protonmail.com
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Babylonia and Across the River

a low relief of a man in a hat shaped like a candle snuffer standing with a long knobby staff in his let hand and symbols of the sun, moon, and winged disc overhead
Stele of Nabonidus king of Babylon from Haran in northern Iraq. Photo by Jona Lendering c/o Wikimedia Commons https://commons.wikimedia.org/wiki/File:Nabonidus.jpg

Its hard to understand the Babylonian empire of Nebuchadnezzar and Nabonidus. Pagan texts in Aramaic were not selected to be copied and recopied by Christian scribes like Christian scribes copied some pagan Greek and Latin texts, and the heart of the empire fell to Cyrus without a fight. Burning cities can preserve texts painted on or pressed into clay, but archivists under Cyrus and Darius just continued to throw out old documents like they had under Nabopolassar, and so those documents were lost to us. Most surviving documents from the Neo-Babylonian empire are from temple or family archives which stuck to the old script and language, not the archives of the kings or governors which may not have been written on clay anyways. The famous Babylonian chronicles tell us about some events but not the structure of the kingdom or life in the provinces. By the time Greeks like Herodotus and Ctesias were writing, they were as vague on the difference between Assyrians and Babylonians as we are on the difference between upper and lower Egyptians. We know far more about Babylonia in the sixth century BCE than Greece in the sixth century BCE, but not everything (and not much about the rest of the empire). Some teaching in spring made me think of one of the oddest things about this empire.

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How Heavy Were Iron Age Bows? Part 3

well-lit photo of a shallow relief of a chariot galloping from left to right. The driver holds the reins, the archer draws a bow, and a lion has fallen to the ground with three arrows in its body
A relief from the reign of Assurnasirpal II or Shalmaneser III of Assyria in the 800s BCE. London, British Museum, Museum Number 124579, photo asset number 112855001; see them for rights.

In previous posts I talked about how the bows used for war in Europe and Asia in the 15th and 16th century were much stiffer than hunters or target archers use today. They usually had draw weights on the order of 100-150 pounds, so you could draw the bow to full draw length by tying twine to the string, hanging the twine over a pulley, and hanging a 100-150 pound weight off it. Deer hunters in Canada and the USA tend to use draw weights around 40-70 pounds with traditional bows (compound bows with pulleys are another kettle of fish). Some researchers today invoke the heavy bow hypothesis and argue that bows in the ancient world were as stiff as Chinese, Turkish, and English bows 2000 years later. I am not convinced.

In those previous posts I talked about extant bows which can be reproduced and measured (or sometimes plugged into a physics model- there is a whole PhD thesis just on the physics of archery). Anecdotes about famous shots or feats of arms are a little too subtle for me to discuss in a blog post, and the surviving treatises on archery date to the sixth century CE and later so are past the period I focus on. But there is one other type of evidence!

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Had Marlowe Read Ctesias?

a cracked wall painting in the sketchy dark Roman style of two seated gamblers with a table between them resting on their knees
Marlowe could not see these ancient Roman gamblers at a pub because they were still buried with the Pompeiians, but we can. The caption reads EXSI (“I’m out!”) and NON TRIA DUAS EST (“Its not three, but two!”) In the next scene they start to shove each other around. Note the dice-box and the lack of legs for the table where they play. Its possible that the gambler in yellow has just bet his tunic. https://commons.wikimedia.org/wiki/File:Wall_painting_-_scenes_around_the_pub_-_Pompeii_(VI_14_35-36)_-_Napoli_MAN_111482_-_04.jpg

Christopher Marlowe has not yet departed that that little, little span the dead are borne in mind. We remember that he wrote Dr. Faustus and Tamburlane the Great and died in a drunken quarrel over a bar bill (and perhaps because he was part of the long tradition of English writers working as spies to pay the bills). Unlike Shakespeare he had a good formal education, not just grammar-school Latin but a Master of Arts from Cambridge, and unlike Shakespeare he could not keep his subversion in the mouth of fools and madmen. His life of Tamurlane was what J.J. Abrams would have done at an early modern theatre, with overblown rhetoric, battles, love affairs, and special effects. There was even a disappointing sequel driven by crass commercialism. Its full of ancient Greek flavour because Marlowe knew much more about ancient Greeks than modern Persians (emissaries of the English East India Company would reach Shah Abbas by 1614 after Marlowe’s timely death, and Robert Shirley arrived in Iran in 1598 a decade after the play was written). Several times Marlowe’s characters accuse Tamburlane of being a shepherd which sounds like a way to get a tower of skulls with your name on it.

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Victor Davis Hanson was a Manichaean

a scroll with a Chinese painting of a man sitting cross-legged on a giant flower and surrounded by an aura
This Chinese scroll from the Ming Dynasty shows the Prophet Mani. Mani’s teachings survived in China and central Asia after their followers were persecuted out of the Persian empire and the Roman empire and the House of Islam. Photo from Wikimedia Commons https://commons.wikimedia.org/wiki/File:Icon_of_Mani_2.jpg

Victor Davis Hanson can be a scholar when he wants to be, although since 2004 that has just been a hobby while he focused on punditry. Many people who have read his books and articles on antiquity are confused at the positions he takes, where Spartans can be admirable defenders of Freedom in the pass at Thermopylae, but despicable slave-holders at Leuctra (and there were helots at Thermopylae, and Hanson was not one of the radicals who teach that the Sparta we think we know emerged after the death of Leonidas). I know a bit about ancient Persian religion so this was always easy for me to understand. This week I have written up the way I explain it when it comes up in conversation ever since a much younger self was reading one of his trade books at the Greater Victoria Public Library Central Branch.

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There Is no Need to Write or Teach History in an Intellectual Sewer

crowds lined in front of a building with a stone and white terracotta facade on the ground floor and brown brick above; the front entrance has three double glass doors
Crowds entering the Royal Theatre in Victoria, BC (est. 1913: not seen, the Dread Pirate Roberta)

there is a kind of revision of history, widely practiced today, that arises not from the opportunities but from the needs- or the passions- of our time. Basically, all research means putting questions, and historical research means putting questions to the past, preferably without torture, and trying to find answers there. The questions we put are necessarily those suggested to us by our own times and preoccupations, and these differ from generation to generation and from group to group. It is inevitable and legitimate that this should be so. What is neither legitimate nor inevitable is that not only the questions we put to the past but also the answers we find there should be determined by our present concerns and needs. This can lead, particularly under authoritarian regimes, but also in free societies under pressures of various kinds, to the falsification of the past, in order to serve some present purposes.

Bernard Lewis, “In Defense of History,” Proceedings of the American Philosophical Society, vol. 143, no. 4 (December 1999) pp. 585-586 (573-587)
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Books Read in 2024

a lifelike statue of a man in leggings and a breechclout kneeling to dig with an antler pick
One of the builders of Stonehenge as imagined for the Royal BC Museum Stonehenge exhibit in 2024

This post was scheduled late partly because I was late in writing up all the books and partially because I wanted to finish some which I left half-finished in 2024! The usual caveats about writing one of these when I read like a scholar and not like a fan of romance novels apply. John Ting calls the way academics read reading like a mongrel (picking out useful morsels and then moving on, not working all the way through). My reading was disrupted when my Tolino eReader failed in late summer. And one novel which I wanted to read did not arrive until the new year!

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The Great Courses: The Achaemenid Empire on Sale

a screenshot of a teaser photo advertising a video course on "The Persian Empire" from The Great Courses and a DVD Closeout sale

Achaemenid historian John W.I. Lee did a series of lectures for The Great Courses. Right now they have a closeout sail for the DVD editions including his series on the Achaemenid Persian Empire. If you like long-form video as well as short blog posts you might want to check them out! Whereas sites like YouTube let anyone post and share whatever gets clicks, The Great Courses gets recognized experts and skilled public speakers to teach on their area of expertise. One is educational, the other sells eyeballs to advertisers and does not care whether the eyeballs look at rants about flying saucers or careful research.

https://www.thegreatcourses.com/courses/the-persian-empire

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Is Anything In “Slouching Towards Utopia” Wrong?

Most grand narratives are neither wrong nor right. They violently simplify reality, or say things which are so vague that nobody can agree what would make them true or false (not quite the same as cold reading but related). They leave out alternative points of view, such as whether the Korean War was driven by international Communism or just one phase in an internal Korean conflict between nationalists and communists. But you can still check some of the facts that are used to support the big statements. Is anything in this book by economist Brad Delong flat out wrong?

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The Research Process Again

a path of concrete slabs on a grassy campus leading towards a tall building with a stone facade
One of the paths outside the University of Victoria’s McPherson Library

It has been more than ten years since I blogged about how I research history and archaeology and philology. The world has changed since. Some events in November and December gave me a story to share with my gentle readers again.

For my project on linen armour I am reading all the dictionaries of the Romance and Germanic languages in the twelfth and thirteenth centuries CE (there was scale armour backed with six layers of linen in the twelfth century BCE, but that is a different story). In November I got around to Joan Coromines‘ dictionaries of Castilian (dominant Spanish) and Catalan (other than Portugese, the Romance language which was best able to resist being assimilated into Castilian, possibly because it was similar to Occitan and people traveled back and forth along the coast between cities which used the King of France’s coins and cities which used the King of Spain’s coins). Coromines (he/him) was a philologist who spent his time in exile from Franco writing dictionaries, like Marc Bloch spent his time on the run from the Gestapo writing an Apologie pour l’histoire. Many historical dictionaries have been converted to databases and hooked up to websites, but his dictionaries have not. Somewhere in one of his works I found a reference to an inventory from 1307 in what I thought was the Revue des Linguistique Romane. And thus began an adventure!

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Flipping the Narrative in “Slouching Towards Utopia”

One cover of "Slouching Towards Utopia" by Brad DeLong. The text is in red sans-serif over three rows of five teal refrigerators with steel handles against a white background

J. Bradford DeLong, Slouching Towards Utopia: An Economic History of the Twentieth Century (Basic Books: New York, 2022)

What can I say about Slouching Towards Utopia by blogger and economist Brad DeLong? This book is a grand narrative of the era of modern economic growth, 1870-2010. In this period incomes in many North Atlantic economies grew several percent a year for decades, and for the first time there was enough for everyone in some countries to be fed and housed and clothed and doctored. But even if all of our material needs were met and we had better entertainment than a King of Kings, we did not feel like we lived in Utopia. It is framed around a debate between Friedrich Hayek and Karl Polyani, the first arguing that people should just accept the strangeness of markets in return for wealth, and the second replying that people in fact feel that they have rights to some control over their shape and population of their community, the ability to earn a living from skills that they suffered to acquire, and who is rewarded and who punished. Deny people control over these things and they will react violently and outside the market, regardless of what theorists say that should do. But how on earth can I respond to it?

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